Books > History > World history > BCE to 500 CE
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Love and Providence - Recognition in the Ancient Novel (Hardcover)
Loot Price: R2,678
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Love and Providence - Recognition in the Ancient Novel (Hardcover)
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From the Odyssey and King Lear to modern novels by Umberto Eco and
John le Carre, the recognition scene has enjoyed a long life in
western literature. It first became a regular feature of prose
literature in the Greek novels of the first century CE. In these
examples, it is the event that ensures the happy ending for the
hero and heroine, and as such, it seems, was as pleasing for Greek
readers as the canonical Hollywood kiss is for contemporary movie
goers. Recognitions are particularly gratifying in the context of
the ancient novels because the genre as a whole celebrates the
idyllic social order to which the heroes and heroines belong and
from which they have been harshly severed. In spite of their high
frequency and thematic importance, novelistic recognitions have
attracted little critical attention, especially in relation to epic
and tragedy. With Love andProvidence, Silvia Montiglio seeks to
fill this gap. She begins by introducing the meaning of
recognitions in the ancient novel both within the novels' narrative
structure and thought world--that is, the values and ideals
propounded in the narrative. She pursues these goals while
examining novels by Chariton, Xenophon of Ephesus, Achilles Tatius,
Longus, Heliodorus, Apuleius, and Petronius, as well as the Life of
Apollonius of Tyre, the pseudo-Clementine recognitions, and the
Jewish novel Joseph and Aseneth. In addition to addressing
questions brought about by the recognitions--What does it mean for
lovers to recognize each other at the end of their adventures? Is
recognition the confirmation of sameness or an acknowledgement of
change?--Montiglio addresses the rapport novelists entertain with
their literary tradition, epic and drama. The book concludes by
emphasizing the originality of the novels for the development of
the recognition motif, and by explaining its influence in
early-modern European literature."
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