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Writing the Field Recording - Sound, Word, Environment (Hardcover)
Loot Price: R2,338
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Writing the Field Recording - Sound, Word, Environment (Hardcover)
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Intervenes in contemporary debates about the relationship between
literature and field recordingA field recording is any audio
recording made outside of the studio. Such recordings have lately
become important to contemporary musicians, sound artists and
environmentalists. However, less attention has been given to the
relation of sound, as manifested in the theory and practice of the
field recording, to writing. The 11 essays collected here take the
recent explosion of interest in field recording as the point of
departure for an investigation of the sounded field in music and
its relationship to literature and writing. Including seminal
pieces on field thinking by John Berger and Lisa Robertson,
'Writing the Field Recording' analyses contemporary text scores,
histories, composer statements, critical literature, poetry and
nature writing in the context of sound studies. Drawing on
expertise from a range of backgrounds, including composers,
musicians, poets and critics, the collection presents an
inter-disciplinary exploration of the various registers in which
the field recording is written, such as the essayistic, the
creatively exploratory, the experimental and the philosophical
alongside critical reflections on artistic practice.Key
FeaturesFocuses on sound in relation to poetry, poetics and nature
/ landscape writingIncludes contributions from published poets Lisa
Robertson, Carol Watts and Jonathan SkinnerIncludes the classic
essay, 'Field', by John BergerAccompanying sound recordings made
accessible via the Resources tab on the Edinburgh University Press
website
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