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"Something Dreadful and Grand" - American Literature and The Irish-Jewish Unconscious (Hardcover)
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"Something Dreadful and Grand" - American Literature and The Irish-Jewish Unconscious (Hardcover)
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"Something Dreadful and Grand": American Literature and the
Irish-Jewish Unconscious takes its title from an essay that
introduces John Patrick Shanley's Outside Mullingar, a text that
marks over 150 years of the so-called "Irish play" on the New York
stage. This book traces the often uncanny relationships between
Irish- and Jewish-America, arguing for the centrality of these two
diasporic groups to the development of American popular music,
fiction, and especially drama. But more than this, the book reads
such cultural forms as tenement fiction, Tin Pan Alley music, and
melodrama as part of a larger "circum-North Atlantic" world in
which texts and performers from Ireland, Europe, and America were
and still are involved in a continuous cultural exchange within
which stereotypes and performances of Jewishness and Irishness took
center stage. For this reason, such Irish writers as James Joyce,
Bernard Shaw, and Sean O'Casey played pivotal roles in the
development of modern American culture, particularly as they
influenced and interacted with writers like Elmer Rice, Clifford
Odets, Henry Roth, and many others. Such Irish-American writers as
Eugene O'Neill were similarly influenced by their interactions with
Jewish-American writers like Michael Gold and Edward Dahlberg.
While focusing on the modern period, this project traces a
genealogy of modern drama and fiction to the nineteenth century
stage in which Irish and Jewish melodrama-and the appearances of
international stars in such roles as Shylock and Leah, the
Forsaken-shaped the often contradictory and excessive dimensions of
ethnicity that are both allosemitic and allohibernian. Borrowing a
term from psychoanalytic theory, I also explore the larger
dimensions of an Irish-Jewish unconscious underlying cultural
production in America. The closing chapter considers more recent
representations of Irish-Jewish interactions by John Banville,
Brendan Behan, Norman Mailer, and Harold Pinter; and examples from
a newer immigrant literature bring this discussion into the
present.
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