"Memory, Images, and the English Corpus Christi Drama" uniquely
brings together memory theory, medieval and contemporary images,
cognition, and the English Corpus Christi drama. Lerud argues that
the role of frames or backgrounds is integral to the image and has
been underestimated or misunderstood in the study of the drama.
Lerud examines the use of doorways, arches, gates, and other
significant town spaces in framing or setting off particular
pageant images, to achieve a fuller understanding of the longevity
of a drama often viewed as "Catholic" that nonetheless survived the
dissolution of the monasteries and the turmoil of the early
Reformation.
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