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The Emptiness of Asia - Aeschylus' "Persians" and the History of the Fifth Century (Hardcover)
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The Emptiness of Asia - Aeschylus' "Persians" and the History of the Fifth Century (Hardcover)
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Aeschylus' Persians as the earliest surviving Greek drama and the
only tragedy with an historical theme has been a critics
battlefield for centuries. Harrison makes a sensitive literary
reading to extract valuable, but carefully qualified, historical
information from this classic text, attempting to avoid the
previous subjective pitfalls of literary critics who treat the play
as if it is in an historical vacuum and historians who claim too
much on too little evidence. First performed in 472BC, the play's
subject - the victory at Salamis eight years before - was still
fresh in the minds of its audience. The play possesses a wealth of
valuable evidence about the battle itself and 5th-century Athenian
perceptions of themselves and their enemies. Triumphanalist but
surprisingly sensitive, the play focuses on the Persian women left
at court receiving the news of Xerses' defeat as 'the entire land
of Asia mourns, emptied of its men.' Harrison examines how the
constant stressing of the immensity of the Persian army, the
greatness of their vices and the totality of their defeat
reinforced the Greeks conception of the greatness of their victory
and virtues. There is a great deal more to be extracted from the
text about Athenian attitudes towards their growing empire and the
internal conflict between proponents of democracy and tyranny.
Harrison is careful but revealing in his conclusions and while this
book may be dry to those not used to classical textual analysis it
will be incisive and refreshingly objective to those who are.
(Kirkus UK)
Aeschylus' "Persians" is not only the first surviving Greek drama,
it is also the ony tragedy to take for its subject historical
rather than mythical events: the repulse of the army of Xerxes at
Salamis in 480 BC. It has frequently been mined for information on
the tactics of Salamis or the Greeks' knowledge of Persian names or
institutions, but it also has a broader value, one that has often
been realised. What does it tell us about Greek representations of
Persia, or of the Athenians' self-image? What can we glean from it
of the politics of early fifth-century Athens, or of the Athenians'
conception of their empire? How, if at all, can such questions be
approached without doing violence to the "Persians" as a drama?
What are the implications of the play for the nature of tragedy?
This book provides aims to provide both a more satisfactory reading
of the "Persians" and a richer picture of fifth-century history -
the history both of events and of ideology.
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