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Artworld Prestige - Arguing Cultural Value (Hardcover, New)
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Artworld Prestige - Arguing Cultural Value (Hardcover, New)
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Artworld Prestige examines the ways in which cultural arguments
about value develop: the processes by which some practices,
artists, and media in the artworld win and others lose. Timothy Van
Laar and Leonard Diepeveen argue that the concept of prestige,
although uncomfortable and consistently overlooked, is an essential
model for understanding artworld values, as important as the more
common models centered on economics or power. Prestige shapes the
forms of attention art is given, as well as the processes by which
some affects dominate art discourse and others fall away. But
prestige does its work silently, and its principles are used
unself-consciously. People effortlessly display the protocols of
being an insider. A form of socially constructed agreement,
prestige shapes what we see, and does so with great power. Prestige
is inescapable, a version of Althusserian ideology or Foucauldian
power that both constrains and enables. It is also flexible,
defining the seriousness of artists as diverse as Dan Peterman and
Marlene Dumas, Gerhard Richter and Takashi Murakami, Elizabeth
Peyton and Joseph Kosuth, Howard Finster and Frank Gallo. Cultural
argument about value in art is a matter of deference and conferral,
performed through thousands of tiny acts of estimation that suggest
one cultural form is less relevant, worthy of attention than
another; acts that instinctively grant more attention to reviews in
Artforum over Artnews; to the Tate Modern over the Hirshhorn; to
anxiety over pleasure; to Duchamp over Matisse; to conceptual art
over abstract painting, and abstract painting over figure painting;
to painting over ceramics, and video over painting. In order to
argue candidly about cultural value, the artworld needs to
understand the subtleties of prestige, of such things as what it
means to be "serious." Not an expose but an explanation, Artworld
Prestige offers such an understanding
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