Timing for Animation has been one of the pillars of animation since
it was first published in 1981. Now this 40th anniversary edition
captures the focus of the original and enhances this new edition
with fresh images, techniques, and advice from world-renowned
animators. Not only does the text explore timing in traditional
animation, but also timing in digital works. Vibrant illustrations
and clear directions line the pages to help depict the various
methods and procedures to bring your animation to life. Examples
include timing for digital production, digital storyboarding in 2D,
digital storyboarding in 3D, and the use of After Effects, as well
as interactive games, television, animals, and more. Learn how
animated scenes should be arranged in relation to each other, how
much space should be used, and how long each drawing should be
shown for maximum dramatic effect. All you need to breathe life
into your animation is at your fingertips with Timing for
Animation. Key Features: Fully revised and updated with modern
examples and techniques Explores the fundamentals of timing,
physics, and animation Perfect for the animation novice and the
expert Get straight to the good stuff with simple, no-nonsense
instruction on the key techniques like stretch and squash, animated
cycles, overlapping, and anticipation. Trying to time weight, mood,
and power can make or break an animation-get it right the first
time with these tried and tested techniques. Authors Harold
Whitaker was a BAFTA-nominated professional animator and educator
for 40 years; many of his students number among today's most
outstanding animation artists. John Halas, known as "The father of
British animation" and formerly of Halas & Batchelor Animation
Studio, produced more than 2,000 animation films, including the
legendary Animal Farm (1954) and the award-winning Dilemma (1981).
He was also the founder and president of the International Animated
Film Association (ASIFA) and former Chairman of the British
Federation of Film Societies. Tom Sito is Professor of Animation at
the University of Southern California and has written numerous
books and articles on animation. Tom's screen credits include Shrek
(2001) and the Disney classics Who Framed Roger Rabbit (1988), The
Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992),
and The Lion King (1994). In 1998, Tom was named by Animation
Magazine as one of the 100 Most Important People in Animation.
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