First published 1984. In a provocative study, this book argues that
the problems posed by Shelley's notoriously difficult style must be
understood in relation to his ambivalence towards language itself
as an artistic medium - the tension between the potential of
language to mirror emotional experience and the recognition of it's
inevitable limitations. Through an exposition of Shelley's idea of
language, as reflected in his theoretical writings and individual
poems, this book makes a strong case for his artistic worth. A
definitive introduction to Shelley, useful for both scholars and
newcomers, this book will be interest to students of literature.
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