Professor Sauerlander is the leading authority on Gothic sculpture
of the twelfth and thirteenth centuries. The papers collected here
have been published over the last 35 years. They represent
important contributions to the subject - two are published here for
the first time - and reflect sensible shifts of method and approach
in the study of the art of this period. The studies form two
volumes, and are grouped around a number of common themes: the
great centers, the survival of antiquity, the new interest in
nature and its representation, and the European spread of the
Gothic style. Ten are in German, six in French, and six in English.
Early studies have been updated with references to the more recent
literature. There is a comprehensive index and a bibliography of
Professor Sauerlander's work. Volume I Contents: Introduction; The
Milieu. Medieval Paris, Centre of European Taste. Fame and
Realities; The Great Centres. Tombeaux chartrains du premier quart
du XIIIeme siecle; Die kunstgeschichtliche Stellung der Westportale
von Notre-Dame in Paris. Ein Beitrag zur Genesis des hochgotischen
Stils in der franzosischen Skulptur; Zu den neugefundenen
Fragmenten von Notre-Dame in Paris; Les statues royales du transept
de Reims; Observations sur la topographie et l'iconologie de la
Cathedrale du sacre; The Survival of Antiquity. "Premiere
architecture gothique" or "Renaissance of the Twelfth Century"?;
Changing Perspectives in the Evaluation of Architectural History;
Renaissance and Revival in The Twelfth Century; Architecture and
the Figural Arts outside Italy; L'art antique et sculpture autour
de 1200. St. Denis, Lisieux, Chartres; The Mirror of Nature.
"Intentio vera nostra est manifestare ea quae sunt sicut sunt."
Bildtradition und Wirklichkeitserfahrung in Spannungsfeld der
staufischen Kunst; "Kleider machen Leute." Vergessenes aus
Viollet-le-Duc's "Dictionnaire du mobilier francais."
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