Books > Arts & Architecture > Performing arts > Theatre, drama > Acting techniques
|
Buy Now
Expressionism and Its Deformation in Contemporary Chinese Theatre (Hardcover, New edition)
Loot Price: R1,903
Discovery Miles 19 030
|
|
Expressionism and Its Deformation in Contemporary Chinese Theatre (Hardcover, New edition)
Series: Asian Thought and Culture, 63
Expected to ship within 12 - 19 working days
|
Expressionism and Its Deformation in Contemporary Chinese Theatre
provides both rigorous readings of dramatic works as well as a
historical overview of Chinese theatre from the 1980s to the
present. Expressionism becomes a discursive locus to be
incorporated and even transformed during a critical phase in the
modernization of Chinese drama during the post-Maoist era. Six
leading Chinese dramatists (Gao Xingjian, Lin Zhaohua, Huang
Zuolin, Xu Xiaozhong, Meng Jinghui, and Stan Lai) are clear
representatives of opening up a new world of modern Chinese drama.
They embody each of the major phases of the adoption, deformation,
and multicultural infusion of Expressionism in the development of
Chinese dramatic modernization. Approaching their dramatic works
from multiple perspectives, including expressionist vision and
techniques, comparative aesthetics, Bakhtinian chronotope and
heteroglossia, semiotics, "psychic interiority", and concluding
with Lu Xun's definition of Expressionism as "to write a good deal
about yourself", Chinese dramatists' enthusiasm for Expressionism
is not just an artistic rejoinder to the spiritual aspirations of
life in a time of rapid industrialization and modernization but
also a coming-to-terms with the ideological and aesthetic conflicts
between different dramatic traditions. Expressionism and Its
Deformation in Contemporary Chinese Theatre is the first scholarly
book to explore the deep and intricate relationship between
Expressionism and contemporary Chinese drama, attempting to assume
the critical task of challenging these dramatists while delineating
the contours of the most recent trends of Chinese theatre. This
book could situate itself within the Chinese scholarly and
theatrical contexts for English readers as it is an accessible text
for both undergraduate students and graduates and scholars.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
|
You might also like..
|
Email address subscribed successfully.
A activation email has been sent to you.
Please click the link in that email to activate your subscription.