When Shadow Moon is released from prison, he meets the mysterious Mr. Wednesday and a storm begins to brew. Little does Shadow know, this storm will change the course of his entire life.

Left adrift by the recent, tragic death of his wife, and suddenly hired as Mr. Wednesday’s bodyguard, Shadow finds himself in the centre of a world that he struggles to understand. It’s a hidden world where magic is real, where the Old Gods fear both irrelevance and the growing power of the New Gods, like Technology and Media. Mr. Wednesday seeks to build a coalition of Old Gods to defend their existence in this new America, and reclaim some of the influence that they’ve lost.

As Shadow travels across the country with Mr. Wednesday, he struggles to accept this new reality, and his place in it.

Fassinerende en interessante feite wat die nuuskierigste kind (en grootmens!) vasgenael sal hou! In Hoekom nie? is daar 1,111 fantastiese antwoorde en verduidelikings vir al daardie vrae waarop weetgierige kinders antwoorde soek: Hoekom hou ons nie aan met groei nie? Hoekom vlieg ons nie rond in straalpakke nie? Hoekom is daar nie meer dinosourusse nie? Om alles te kroon is daar ook nog top 10-lyste, raar-maar-waar feite, profiele van ontdekkingsreisigers en cool aktiwiteite! 

Double bill featuring two spoof comedies. 'Epic Movie' (2007) tells the tale of four fully grown orphans: one the victim of snakes that attacked her plane, another raised by a kindly Louvre curator, the third a Mexican 'libre' wrestling refuge, and the last an average mutant from an 'X'-community. When the curious quartet visits a sprawling chocolate factory, they stumble across a magical wardrobe which transports them to the enchanted land of Gnarnia. It seems that the wondrous fantasy land has recently fallen under the spell of the evil White Bitch (Jennifer Coolidge), and in order to bring peace back to Gnarnia these four bumbling mortals will have to join forces with a charismatic pirate, a painfully sincere group of aspiring wizards, and one particularly libidinous lion. 'Date Movie' (2006) stars Alyson Hannigan as a hopeless romantic who has finally met the man of her dreams Grant Funkyerdoder. But before they can have their 'Big Fat Greek Wedding', they'll have to 'Meet the Parents', hook up with 'The Wedding Planner' and contend with Grant's girlfriend, Andy, a spectacularly beautiful woman who wants to put a stop to her 'Best Friend's Wedding'.

Crime thriller starring John Cusack, Rebecca Da Costa and Robert De Niro. Assassin Jack (Cusack) is given a new assignment by his ruthless boss Dragna (De Niro): he must collect a bag without looking inside it and stay at a motel until Dragna arrives. At the motel there are many suspicious characters who all seem to want to get their hands on the bag and the murder count rises as Jack protects its contents. He meets prostitute Rivka (Da Costa), who is hiding out in his room, and is unsure whether he can trust her but allows her to stay because she knows too much. When Dragna eventually comes to the motel Jack learns that there is more to the mission than he first realised...

This book of humorous, philosophical, allegorical and nature-loving poetry with its beautiful original illustrations came about through a son's love for his mother. The poems in this book should paint meaningful pictures in your mind. As you read them I hope you are prompted to think deeply and explore their resonance for you, but also to laugh out loud.

Animated, action-packed fantasy adventure set in a post-apocalyptic future where the human race has been destroyed by machines which they themselves created. All that exists, aside from a number of the machines, is a group of sapient rag dolls brought to life by a scientist in the final days of humanity who stumble upon 9 (voiced by Elijah Wood), another of their own kind. The group, consisting of war veteran and leader 1 (Christopher Plummer), frail inventor 2 (Martin Landau), non-verbal twins 3 and 4, engineer 5 (John C Reilly), vision-plagued artist 6 (Crispin Glover), brave fighter 7 (Jennifer Connelly), and dim but strong 8 (Fred Tatasciore), welcome 9 in the hope that he can help them muster the courage to battle the remaining machines and save what is left of the world.

'Farber [is] a lucid and courageous witness to the power-play behind the first "scamdemic," . . . [Her] work is journalism at its best—solid, lucid, and humane, attacking wrongs that few dare touch, and thereby helping right them.' —Mark Crispin Miller, bestselling author and professor of media studies at NYU On April 23, 1984, in a packed press conference room in Washington, DC, the secretary of health and human services declared, 'The probable cause of AIDS has been found.' By the next day, 'probable' had fallen away, and the novel retrovirus later named HIV became forever lodged in global consciousness as 'the AIDS virus.' Celia Farber, then an intrepid young reporter for SPIN magazine, was the only journalist to question the official narrative and dig into the science of AIDS. She reported on the 'evidence' that was being continually cited and repeated by health officials and the press, the deadliness of AZT, and Dr. Fauci’s trials on children, infants, and pregnant mothers. Throughout, Faber’s reportage was largely ignored. She was maligned, maliciously attacked, and ultimately cancelled. Now, forty years after her original reporting, Farber’s Serious Adverse Events: An Uncensored History of AIDS is reissued with a new foreword by Mark Crispin Miller, shining much-needed light on her groundbreaking work once again. More relevant than ever, this book serves as an essential foundation to understanding its catastrophic sequel: COVID-19. Serious Adverse Events makes clear that the tactics employed at the height of HIV/AIDS—the fearmongering, cancel culture, and “woke� takeover of science, medicine, and journalism—persist today. The response to COVID-19 isn’t new: it is a well-trod and dangerous path in the social landscape.  'Groundbreaking work.'—Bob Guccione, Jr., founder of SPIN magazine

As inventive as Agatha Christie, as hilarious as P.G. Wodehouse – discover the delightful detective stories of Edmund Crispin. Crime fiction at its quirkiest and best. When a decapitated head is seen floating down the river in the Devon village of Aller, the rural calm is shattered. Soon the corpses are multiplying, and the entire community is involved in the hunt for the murderer. Whilst many chase false trails, it is left to Gervase Fen, Oxford don and amateur criminologist, to uncover the sordid truth…

As inventive as Agatha Christie, as hilarious as P.G. Wodehouse – discover the delightful detective stories of Edmund Crispin. Crime fiction at its quirkiest and best. Long inhabited by a collection of profoundly offbeat locals, there has been a recent influx of the newly rich and well to do arriving in the village of Cotten Abbas … and not everyone is happy about it. New arrivals are receiving anonymous letters that know a little too much about dark secrets and dirty laundry. Gervase Fen is summoned to the scene, but soon finds more than he bargained for. A suicide on Friday, a murder by Sunday, and some villagers that seem hell bent on keeping this mystery unsolved…

"Semiotic Landscapes" is an exciting addition to the study of linguistic landscapes.
It looks at how landscape generates meaning and combines three major areas of scholarly interest each concerned with central dimensions of contemporary life: language and visual discourse, spatial practices, and also the changes bought about by global capitalism and ever increasing mediatization.
The editors look at: the textual/discursive construction of place; the use of space as a semiotic resource; the extent to which these processes are shaped by wider economic and political re-orderings of post-industrial or advanced capitalism; changing patterns of human mobility and transnational flows of ideas and images.
The collection demonstrates the way written discourse interacts with all other discursive modalities: visual images, nonverbal communication, architecture and the built environment. From the red light districts of Switzerland to the transgressive public art of graffiti, all landscape can be seen to generate meaning. "Semiotic Landscapes" looks at how and why, and places this meaning generation in an interdisciplinary and thoroughly modern cross-section of global trends.

In 1982, eight young Guards officers in their twenties found themselves suddenly on the way to the Falklands 8000 miles away from Britain. Some four decades later, they realised that no one had written the history of this unique war in Britain's history from their side - including coming under Argentine fire on Sir Galahad on 8 June, the most dramatic day in Britain's military history since the second world war. Crispin Black tells their story and casts a startling new light on what happened to them, using the latest official documents. Even basic facts have remained hidden to this day.

The first dedicated volume of its kind, Visualizing Digital Discourse brings together sociolinguists and discourse analysts examining the role of visual communication in digital media. The volume showcases work from leading, established and emerging scholars from across Europe, covering a diverse range of digital media platforms such as messaging, video-chat, gaming and wikis; visual modalities such as emojis, video and layout; methodologies like discourse analysis, ethnography and conversation analysis; as well as data from different languages. With an opening chapter by Rodney Jones, the volume is organized into three parts: Besides Words and Writing, The Social Life of Images, and Designing Multimodal Texts. From the perspective of these broad domains, chapters tackle some of the major ideological, interactional and institutional implications of visuality for digital discourse studies. The first part, beginning with a co-authored chapter by Crispin Thurlow, focuses on micro-level visual practices and their macro-level framing - all with particular regard for emojis. The second part, beginning with a chapter from Sirpa Leppanen, examines the ways visual resources are used for managing personal relations, and the wider cultural politics of visual representation in these practices. The third part, beginning with a chapter by Hartmut Stoeckl, considers organizational contexts where users deploy visual resources for more transactional, often commercial ends.

The complete collection of published short stories of Edmund Crispin, together in one volume for the first time. ‘Detective stories are anti-social. It’s quite impossible to suppose that criminals don’t collect useful information from them, fantastic and far-fetched though they usually are.’ Gervase Fen disagrees with such a pompous assessment. If criminals studied detective stories properly, they would get away with . . . well . . . murder. Forty-six detective stories by the great Edmund Crispin – a splendid hoard! Most of them feature his Oxford don, Gervase Fen, and Inspector Humbleby of Scotland Yard, and the cases turn upon a fine assortment of clues – dandelions and hearing aids, a bloodstained cat and a Leonardo drawing, a corpse with an alibi and a truly poisonous letter . . . there seems no limit to the intricacy of Edmund Crispin’s invention or the sparkle of his wit. Compiled from Beware of the Trains, Fen Country and other disparate sources, and concluding with the recently discovered Christmas novella The Hours of Darkness, this is a long-overdue treasury of original, often startling and invariably entertaining tales by one of the acknowledged masters of the detective story. Erudite and complex, succinct yet leisurely, it is classic crime at its finest.

This book describes research in two different areas of state-of-the-art hadron collider physics, both of which are of central importance in the field of particle physics. The first part of the book focuses on the search for supersymmetric particles called gluinos. The book subsequently presents a set of precision measurements of "multi-jet" collision events, which involve large numbers of newly created particles, and are among the dominant processes at the Large Hadron Collider (LHC). Now that a Higgs boson has been discovered at the LHC, the existence (or non-existence) of supersymmetric particles is of the utmost interest and significance, both theoretically and experimentally. In addition, multi-jet collision events are an important background process for a wide range of analyses, including searches for supersymmetry.

Tourism Discourse offers new insights into the role of spoken, written and visual discourse in representating and producing tourism as a global cultural industry. With a view to the interplay between the symbolic and economic orders of global mobility, the book is grounded in empirically-based studies of key tourism genres.

Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in "real time." For composers a work appears "whole and entire," with the presence of the score having the potential to compress, and even eliminate, the perception of time as "passing."

The paradoxical relationship between these two perspectives, and the subtle mediations at the interface between them with which both performers and composers engage, form the subject matter of this collection of essays. The contributors address the temporal significance of specific topics such as notation, tempo, meter, and rhythm within broader contexts of performance, composition, aesthetics, and philosophy. The aim is to present novel ideas about music and time that provide particular insight into musical practice and the world of artistic research.

Contributors: Bruce Brubaker, New England Conservatory; Pascal Decroupet, University of Liege; Mark Delaere, Catholic University of Leuven; Justin London, Carleton College; Ian Pace, University College Falmouth

Emma Goldman called Voltairine de Cleyre "the most gifted and brilliant anarchist woman America ever produced." Yet her writings and speeches on anarchism and feminism--as radical, passionate, and popular at the time as Goldman's--are virtually unknown today. This important book brings de Cleyre's eloquent and incisive work out of undeserved obscurity. Twenty-one essays are reprinted here, including her classic works: "Anarchism and the American Tradition," "The Dominant Idea," and "Sex Slavery." Three biographical essays are also included: two new ones by Sharon Presley and Crispin Sartwell, and a rarely reprinted one by Emma Goldman. At a time when the mainstream women's movement asked only for the right to vote and rarely challenged the status quo, de Cleyre demanded an end to sex roles, called for economic independence for women, autonomy within and without marriage, and offered a radical critique of the role of the Church and State in oppressing women. In today's world of anti-globalization actions, de Cleyre's anarchist ideals of local self-rule, individual conscience, and decentralization of power still remain fresh and relevant.

South Asians in Diaspora is a collection of essays concerning the history, politics, and anthropology of migration in India, Pakistan, and Sri Lanka, as well as in the numerous overseas locations, such as Fiji, Africa, the Caribbean and USA, where South Asians migrated in the colonial period and after. It addresses the connections between migration, problems of identity and ethnic conflict from a comparative perspective, and highlights the role of shared colonial experiences in providing 'communal' solidarities and discord.

Sartwell presents an extreme and provocative philosophy of life. He explores what happens if we love this world precisely as it is, with all of its pain, with all of its evil, with all of its bizarre and arbitrary and monstrous thereness. In a highly personal and brutally direct style, Sartwell explores the themes of transgressive sexuality, political anarchism, addiction, death, and embodiment. The author engages contemporary and historical debates in cultural criticism, metaphysics, ethics, and political philosophy, and expresses deep suspicions about them. He asserts that scientific philosophical conceptualization is a movement toward death, a rejection of reality. Moral and political values - the ethical rejection of the particular precisely from within the particular - are, Sartwell claims, an assault on human authenticity. Thus, transgression - which is described as the affirmation of embodiment through obscenity - is something we radically require.