In End of Story, Crispin Sartwell maintains that the academy is
obsessed with language, and with narrative in particular. Narrative
has been held to constitute or explain time, action, value,
history, and human identity. Sartwell argues that this obsession
with language and narrative has become a sort of disease. Pitting
such thinkers as Kierkegaard, Bataille, and Epictetus against the
narrativism of MacIntyre, Ricoeur, and Aristotle, Sartwell
celebrates the ways narratives and selves disintegrate and
recommends a lapse into ecstatic or mundane incoherence. As the
book rollicks through Wodehouse, Thoreau, the Book of Job,
still-life painting, and Sartwell's autobiography, there emerges a
hopeful if bizarre new sense of who we are and what we can be.
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