This book is a collection of fierce face child models. Featuring SFCM Top 50 Fierce Faces as well as 20 finalist.

This volume contains a collection of papers that address issues in Spanish phonology from the perspective of laboratory phonology. While volumes on Spanish phonology have been published in the past, never has one of these volumes dedicated itself exclusively to experimental studies. This volumenot only presents current experimental research on Spanish phonology, but alsorepresents the variety of issues in Spanish phonology that can be addressed experimentally and the numerous types of experimentation that can be used to further our understanding of phonological issues. The issues addressed by the studies in this volume include stress placement, rhotics, lexical storage, acquisition of sociolinguistic variables, and epenthesis by Spanish speakers learning English as a second language. Experimental approaches include traditional production experiments, perception experiments, computational modelling, and variationist methods. This variety, both in terms of issues covered and experimental approaches, ensures that this unique volume is representative of the breadth of work that is being conducted on Spanish phonology from experimental perspectives. While this volume is aimed principally at linguists working on, or interested in, Spanish phonology, it will also be of use to a variety of readers. This volume will also be of interest to phonologists, phoneticians, cognitive scientists, and others who may be interested in the contributions that empirical research can make to the study of phonology. Professional linguists as well as graduate students will find this volume to be an important addition to their library.

The courageous few Zimbabweans who dared to stand up to President Robert Mugabe and his Zanu PF party in the election campaigns of 2008 were persecuted, assaulted and in many cases brutally murdered. Should I Forgive? is based on the experiences of a young wife and mother, Nyasha Gapa, who was raped and beaten for daring to campaign for Morgan Tsvangirai's opposition party MDC (Movement for Democratic Change). While many of the details of the story have been changed to protect Nyasha's family and friends from further violence, all the events related in this tragic story, from the sadistic beating of Nyasha's husband to their flight to South Africa, their exploitation by a white farmer, the racist persecution the refugees experienced there and the catastrophic fire, actually happened. Should I Forgive? is a heartbreaking story of staggering courage, endurance and love.

In 1953 a man wrote a play about waiting. In 1988 he sued five women for trying to perform it. It's 2022 and we're still waiting. Since Samuel Beckett's ground-breaking Waiting for Godot first hit the stage in 1953, countless men across the world have donned the boots of Didi and Gogo and trodden the boards - but those boots can only be filled by men, and the bar against casting anyone else is upheld to this day, almost seventy years on. Hot on the heels of Ariana Grande's insistence that 'God is a Woman', Silent Faces Theatre have decided they're done waiting. Penned with their trademark playful, political style, Godot is a Woman is a tour de force that explores permission, the patriarchy and pop music.

Una antologia di racconti con il calcio come filo conduttore. I protagonisti? Non i calciatori, o gli allenatori, o le loro veline, bensi' la gente comune, quella che incontri al bar ogni mattina. Con il mondo che gli gira intorno come un immenso pallone da calcio.

Written by Rimbaud at the age of 18 in the wake of his tempestuous affair with fellow poet Paul Verlaine, "A Season in Hell" has been a touchstone for anguished poets, artists, and lovers for more than a century.