This collection of essays compares media diversity law (including cartel law) in Australia and Germany. Both countries are liberal Western capitalist societies strongly committed to the rule of law, individual freedoms and democratic values and principles. They also face similar economic, social and technological challenges. Yet there also are important differences between Australia and Germany that make a comparison of how both countries regulate media diversity profitable. Australia has no constitutional guarantee of media freedom, but all relevant rules are federal. In both respects Germany is different. This book reveals that notwithstanding important differences, both countries have evolved broadly similar legislative regimes - but each can also learn from the experience of the other.

This is the story of a wind that wanders over Mongolia, a country that is well known for its deserts and grasslands. We travel with the wind to see how Mongolians live day by day.

The Mekong River is called the 'lifeline of Vietnam.' The Vietnamese people's lives are dependent on the river. They build hosues on it, do business on their boats, and farm crops at the mouth of the great Mekong River. This book is about Tui who lives in a water village.

This is a sweet and upbeat story of optimism and hope told through the eyes of a hat that has experienced a lot of changes in its life. Whatever the situation, this happy hat finds pleasure and satisfaction in its life.

Dem englischen Ansatz folgend haben die australischen Gerichte auf die Entwicklung eines allgemeinen Persoenlichkeitsrechts verzichtet. Dagegen sind sie zum Teil vom englischen Erbe auf dem eng verwandten Gebiet des Diffamierungsrechts abgewichen. Anhand einer historischen Analyse und eines Vergleichs mit dem deutschen und dem U.S.-amerikanischen Recht werden diese Entwicklungen dargestellt und ihre Grunde eroertert. Dabei werden auch die Moeglichkeiten der richterlichen Rechtsfortbildung in England und Australien auf dem Gebiet des Persoenlichkeitsschutzes angesprochen.

"Gone with the Wind" an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film criticism, "Artists in the Audience" shows that film critics, beginning in the 1940s, turned to the movies as raw material to be molded into a more radical modernism than that offered by any other contemporary artists or thinkers. In doing so, they offered readers a vanguard alternative that reshaped postwar American culture: nonaesthetic mass culture reconceived and refashioned into rich, personally relevant art by the attuned, creative spectator.

Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism� and mourned the “death of the critic.� Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,� urgent questions have emerged about the status and purpose of film criticism in the twenty-first century.   In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book’s contributors find many signs of the film critic’s declining clout, but they also locate surprising examples of how critics—whether moonlighting bloggers or salaried writers—have been able to intervene in current popular discourse about arts and culture.  In addition to collecting a plethora of scholarly perspectives, Film Criticism in the Digital Age includes statements from key bloggers and print critics, like Armond White and Nick James. Neither an uncritical celebration of digital culture nor a jeremiad against it, this anthology offers a comprehensive look at the challenges and possibilities that the Internet brings to the evaluation, promotion, and explanation of artistic works.     

Did Steve Jobs have a vision of the afterlife on his death-bed? Does quantum physics suggest that our mind might survive the physical death of our body? How do some near-death experiencers 'see' outside of their bodies at a time when they are supposed to be dead? In 'Stop Worrying There Probably is an Afterlife', author Greg Taylor covers all these questions and more. From Victorian seance rooms through to modern scientific laboratories, Taylor surveys the fascinating history of research into the survival of human consciousness, and returns with a stunning conclusion: that maybe we should stop worrying so much about death, because there probably is an afterlife.

Four months after they discover that their new place of employment, Killer Pizza, was a front for an underground Monster Hunting Organization, Toby and his fellow rookie Monster Combat Officers, Annabel and Strobe, have been invited to New York City to tour KP Headquarters. But the exclusive tour is cut short when a monster emergency sends the trio off on a secret mission delivering Calanthe, a beautiful 14-year-old, defecting monster with serpent-like abilities, into the Monster Protection Program. It seems like an easy assignment until the teens realize Calanthe is the sacrificial offering in a ceremony set to happen in a few days and her people will stop at nothing to get her back Greg Taylor delivers a tale of horror and humor that even reluctant readers will love.

The Sermon on the Mount is more than great ideas by a great teacher. It is a way of life. Randy Harris invites you not just to understand these great teachings but to live them in ways you never before imagined.

Did you know that many of America's Founding Fathers were not Christians, but were members of a well-known secret society? Or that the two mainstream Presidential candidates in the 2004 election were both initiated into the same exclusive secret organization, which goes under the name of 'Skull and Bones'? And how exactly did the esoteric symbolism on the dollar bill come to be put there? 'The Guide to Dan Brown's The Lost Symbol' is the ultimate source for further information on the intriguing topics discussed in the long-awaited sequel to 'The Da Vinci Code'. The Guide will reveal to readers the fascinating truth about the hidden history of America and influence of Freemasonry upon the founding of the nation, the bizarre modern research unveiling the mysteries of the human mind, and the esoteric traditions from the ancient world which continue to influence some of the world's most powerful individuals.

How was it that the Torrens system, a mid-nineteenth-century reform of land titles registration from distant South Australia, gradually replaced the inherited Anglo-Canadian common law system of land registration? In The Law of the Land, Greg Taylor traces the spread of the Torrens system, from its arrival in the far-flung outpost of 1860s Victoria, British Columbia, right up to twenty-first century Ontario. Examining the peculiarity of how this system of land reform swept through some provinces like wildfire, and yet still remains completely unknown in three provinces, Taylor shows how the different histories of various regions in Canada continue to shape the law in the present day. Presenting a concise and illuminating history of land reform, he also demonstrates the power of lobbying, by examining the influence of both moneylenders and lawyers who were the first to introduce the Torrens system to Canada east of the Rockies. An exact and fluent legal history of regional law reforms, The Law of the Land is a fascinating examination of commonwealth influence, and ongoing regional differences in Canada.

"Winner of the M.M. Bennett Award for Historical Fiction, announced in June 2015". LUSITANIA R.E.X is an historical account of the sinking of the Lusitania replete with spies and secret societies, super weapons, millionaires and martyrs. After being struck by a single torpedo on May 7th 1915, the Lusitania sank in only eighteen minutes. Passengers such as Alfred Vanderbilt, one of the wealthiest men in the world, ignored warnings from the German embassy, confident the fastest ship in the world could outrun enemy submarines. Since the time of her sinking, the Lusitania has been wrapped in mystery and intrigue. Experts continue to debate the cause of the second explosion that sealed her fate after the torpedo struck. Imperial Germany immediately claimed she was loaded with explosives destined for the front. LUSITANIA R.E.X weaves a tale around disputed facts to create a plausible explanation of some of the mysteries surrounding her sinking.