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Books > Language & Literature > Literature: history & criticism > Poetry & poets > 16th to 18th centuries
For the first time in an approachable, affordable volume this study treats the whole literary career of England's most distinguished protestant-republican poet and writer, considering the miscellaneous output in the light of contexts and political functions. It highlights self-presentational and persuasive characteristics, pays attention to the sense of vocation and also describes Milton's distinctive achievement in social genres. Milton's competitive humanist training is seen to accomodate uneasily to the specific demands of some public works. The book features unfamiliar texts, whilst canonical texts are set in the story of his long endeavours during a turbulent period in English history.
In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to the most important poets in our literature. Jonathan Swift (1667-1745) was born in Dublin, of English parents, and educated at Trinity College, Dublin. London-based for many years, and a noted satirist during the reign of Queen Anne, he returned to Dublin in 1713 as Dean of St. Patrick's Cathedral. Gulliver's Travels appeared in 1726. Derek Mahon was born in Belfast in 1941, studied at Trinity College, Dublin, and has held journalistic and academic appointments in London and New York. He has received numerous awards including a Lannan Award and the Scot Moncrieff Translation Prize. His Collected Poems was published in 1999.
This volume offers an accessible and stimulating introduction to one of the most influential texts of western literature. This guide highlights Milton’s imaginative daring as he boldly revises the epic tradition, brilliantly elaborates upon Genesis, and shapes his ambitious narrative in order to retell the story of the Fall. The book considers the heretical dimensions of Paradise Lost and its theology, while situating Milton’s great poem in its literary, religious, and political contexts. A concluding chapter addresses the influence of Milton’s sublime poem as a source of creative inspiration for later writers, from the Restoration to the Romantics. Finally, the volume offers an extremely useful and newly updated guide to further reading, which students will find invaluable.
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