The mythologies of the world are collective cultural dreams, and as such should be analyzed first from cultural perspectives. How do myths of the ancient Egyptians or Greeks, for instance, reflect the realities of the Egyptian and Greek cultures? When compared, however, mythologies reveal certain universal themes or motifs that point to larger trans-cultural issues such as the place of the human species in creation or the nature of deity as a concept. World Mythology: A Very Short Introduction is organized around the universal motifs. Creation, the Flood, the Hero Quest, the Trickster/Culture Hero, the Pantheons, the High God, the Great Goddess. Veteran mythology scholar David Leeming examines examples of each motif from a variety of cultures-Greek, Egyptian, Norse, American Indian, African, Polynesian, Jewish, Christian, Hindu-treating them as reflections of the cultures that "dreamed" them. He compares and analyzes them, exposing their universal significance and creating a "world mythology."

This is the second of three volumes, first published in 1906, which explore the Egyptian theology of the afterlife. It contains the complete hieroglyphic text of the short form of the Am-Tuat and of the Book of Gates, with translations and reproductions of all the illustrations. In the Book of Gates the doctrines of the sophisticated cult of Osiris are prominent: they affirm that the beatified live for ever in the kingdom of Osiris, and feed daily upon his eternal body. The object of all the Books of the Other World was to provide the dead with a 'guide' or 'handbook,' containing a description of the regions through which their souls would have to pass on their way to the Kingdom of Osiris, and which would supply them with the words of power and magical names necessary for an unimpeded journey from this world to the next.

The ancient Egyptians were firmly convinced of the importance of magic, which was both a source of supernatural wisdom and a means of affecting one's own fate. The gods themselves used it for creating the world, granting mankind magical powers as an aid to the struggle for existence. Magic formed a link between human beings, gods, and the dead. Magicians were the indispensable guardians of the god-given cosmic order, learned scholars who were always searching for the Magic Book of Thoth, which could explain the wonders of nature. Egyptian Magic, illustrated with wonderful and mysterious objects from European museum collections, describes how Egyptian sorcerers used their craft to protect the weakest members of society, to support the gods in their fight against evil, and to imbue the dead with immortality, and explores the arcane systems and traditions of the occult that governed this well-organized universe of ancient Egypt.

This book explores ancient Egypt's feminine anointing mysteries and how these are reflected in both royal art and ritual life. It also traces their subsequent influence in early Christianity. This means there are five broad audiences for the book in addition to those interested in Egyptology, ancient history and archaeology. Religion -- the book provides new insights in religion and mythology. It includes a detailed study of the New Year ritual of anointing the pharaoh , so it will appeal to readers interested in ritual and ancient mysteries. As a discussion of the oldest known African religion it is also relevant to black history. Women's Studies -- the book carefully elucidates the place of feminine divinity and the Egyptian queen in these anointing mysteries. Emphasising the crucial role of the feminine in Egyptian ritual life, it gives a new perspective on women's theology and women's history. Early Christianity -- the book traces the influence of the Egyptian New Year rites in the Christian anointing mysteries, as recorded both in the canonical gospels and the alchemically inspired Gospel of Philip from the Nag Hammadi Library. It is therefore relevant to readers interested in early Christianity, Christian sacramentalism and the Nag Hammadi writings. Alchemy and Hermeticism -- the book's study of the relationship between early Christianity, Graeco-Egyptian alchemy and Hermeticism will interest those drawn to early esoteric traditions. Fine Arts -- the book will also appeal to readers interested in a history, since it gives a high priority to visual images for understanding Egyptian religion. It includes many striking colour illustrations, which are closely Integrated within the text.

This volume explores the earliest appearances and functions of the five major Egyptian goddesses Neith, Hathor, Nut, Isis and Nephthys. Although their importance endured throughout more than three millennia of ancient Egyptian history, their origins, earliest roles, and relationships in religion, myth, and cult have never before been studied together in detail. Showcasing the latest research with carefully chosen illustrations and a full bibliography, Susan Tower Hollis suggests that the origins of the goddesses derived primarily from their functions, as, shown by their first appearances in the text and art of the Protodynastic, Early Dynastic, and Old Kingdom periods of the late fourth and third millennia BCE. The roles of the goddess Bat are also explored where she is viewed both as an independent figure and in her specific connections to Hathor, including the background to their shared bovine iconography. Hollis provides evidence of the goddesses' close ties with royalty and, in the case of Neith, her special connections to early queens. Vital reading for all scholars of Egyptian religion and other ancient religions and mythology, this volume brings to light the earliest origins of these goddesses who would go on to play major parts in later narratives, myths, and mortuary cult.

'A complex, gorgeous and compelling tapestry of love, death, trust and betrayal' - Daily Mail A sweeping historical fantasy saga based on the hit podcast Tumanbay ****** 'Immersive, rich, compelling and populated with characters who come alive on the page, it will transport you to a different world. I loved it and didn't want it to end.' - Sarah Lotz, author of The Three 'Written with the finesse of a master-assassin's dagger... I could not put it down!' Christian Cameron ****** Tumanbay: the most magnificent city on earth. The beating heart of a vast empire. A city of dreams - where those who arrived as slaves now reside in the seat of power. But the wheel of fate is never still: from the gilded rooftops to the dark catacombs, there are secrets waiting to be uncovered. For Gregor, Master of the Palace Guard, the work of rooting out spies and traitors is never done. His brother, the great General Qulan, must quell a distant rebellion. Whilst Shajah, chief wife to the Sultan, is suspicious that her new maid Sarah is not who she claims to be. And a mysterious stranger arrives with a gift for the Sultan himself. A gift that will change Tumanbay forever... ****** 'The writing and imagery are flawless, taking you right into the heart of the story and characters. While I was reading, this was MY world, and you can't ask for more than that from a fantasy novel.' Reader review (five stars)

James H. Breasted (1865-1935) was the foremost influence in introducing Americans to the culture of ancient Egypt. He founded the Oriental Institute at the University of Chicago and was the author of History of Egypt and Ancient Times: A History of the Early World, among other works.

Pharaoh Akhenaten, who reigned for seventeen years in the fourteenth century B.C.E, is one of the most intriguing rulers of ancient Egypt. His odd appearance and his preoccupation with worshiping the sun disc Aten have stimulated academic discussion and controversy for more than a century. Despite the numerous books and articles about this enigmatic figure, many questions about Akhenaten and the Atenism religion remain unanswered. In Akhenaten and the Origins of Monotheism, James K. Hoffmeier argues that Akhenaten was not, as is often said, a radical advocating a new religion but rather a primitivist: that is, one who reaches back to a golden age and emulates it. Akhenaten's inspiration was the Old Kingdom (2650-2400 B.C.E.), when the sun-god Re/Atum ruled as the unrivaled head of the Egyptian pantheon. Hoffmeier finds that Akhenaten was a genuine convert to the worship of Aten, the sole creator God, based on the Pharoah's own testimony of a theophany, a divine encounter that launched his monotheistic religious odyssey. The book also explores the Atenist religion's possible relationship to Israel's religion, offering a close comparison of the hymn to the Aten to Psalm 104, which has been identified by scholars as influenced by the Egyptian hymn. Through a careful reading of key texts, artworks, and archaeological studies, Hoffmeier provides compelling new insights on a religion that predated Moses and Hebrew monotheism, the impact of Atenism on Egyptian religion and politics, and the aftermath of Akhenaten's reign.

The concept of pharaonic Egypt as a unified, homogeneous, and isolated cultural entity is misleading. Ancient Egypt was a rich tapestry of social, religious, technological, and economic interconnections among numerous cultures from disparate lands. In fifteen chapters divided into five thematic groups, Pharaoh's Land and Beyond uniquely examines Egypt's relationship with its wider world. The first section details the geographical contexts of interconnections by examining ancient Egyptian exploration, maritime routes, and overland passages. In the next section, chapters address the human principals of association: peoples, with the attendant difficulties of differentiating ethnic identities from the record; diplomatic actors, with their complex balances and presentations of power; and the military, with its evolving role in pharaonic expansion. Natural events, from droughts and floods to illness and epidemics, also played significant roles in this ancient world, as examined in the third section. The final two sections explore the physical manifestations of interconnections between pharaonic Egypt and its neighbors, first in the form of material objects and second, in the powerful exchange of ideas. Whether through diffusion and borrowing of knowledge and technology, through the flow of words by script and literature, or through exchanges in the religious sphere, the pharaonic Egypt that we know today was constantly changing-and changing the cultures around it. This illustrious work represents the first synthesis of these cultural relationships, unbounded by time, geography, or mode.

In the winter of 1922-23 archaeologist Howard Carter and his wealthy patron George Herbert, the Fifth Earl of Carnarvon, sensationally opened the tomb of Tutenkhamen. Six weeks later Herbert, the sponsor of the expedition, died in Egypt. The popular press went wild with rumours of a curse on those who disturbed the Pharaoh's rest and for years followed every twist and turn of the fate of the men who had been involved in the historic discovery. Long dismissed by Egyptologists, the mummy's curse remains a part of popular supernatural belief. Roger Luckhurst explores why the myth has captured the British imagination across the centuries, and how it has impacted on popular culture. Tutankhamen was not the first curse story to emerge in British popular culture. This book uncovers the 'true' stories of two extraordinary Victorian gentlemen widely believed at the time to have been cursed by the artefacts they brought home from Egypt in the nineteenth century. These are weird and wonderful stories that weave together a cast of famous writers, painters, feted soldiers, lowly smugglers, respected men of science, disreputable society dames, and spooky spiritualists. Focusing on tales of the curse myth, Roger Luckhurst leads us through Victorian museums, international exhibitions, private collections, the battlefields of Egypt and Sudan, and the writings of figures like Arthur Conan Doyle, Rider Haggard and Algernon Blackwood. Written in an open and accessible style, this volume is the product of over ten years research in London's most curious archives. It explores how we became fascinated with Egypt and how this fascination was fuelled by myth, mystery, and rumour. Moreover, it provides a new and startling path through the cultural history of Victorian England and its colonial possessions.

The religious and magical practices of the ancient Egyptians have had a profound and lasting effect on the world. Egypt has been described as the "mother of magicians." To appreciate the Egyptian view of magic, we need to accept that to the Egyptians magic was not considered strange or eccentric, but was a part of daily life, to which everyone resorted. Magic blended seamlessly with religion and medicine, being seen as part of a holistic worldview. In this volume these magical and religious practices are explored, from both a historical and practical perspective. The practices are explored from an ancient Egyptian worldview, taking into consideration that the Egyptian culture spread over a period of more than 3000 years. The Egyptians saw the universe as being made of four worlds - the everyday world we live in, the underworld, the sky and the heavens. Subject covered in this book include: -What is Heka? -Ancient Egyptian Worldviews -The Gods and Goddesses of Magic -Symbolism - Colours & Sacred Numbers -The Tools Used -Sacred Words & Gestures -Statues & Masks -Crystals & Other Materials used in Heka -Incenses & Perfumes -Food & Wine used in Offerings & at Feasts -The Ancient Egyptian Magical Calendar -Purification, Sacred Space & Rituals David Rankine is based in London (UK) and is a respected authority on spiritual & magical practices. He is the author of many books, including Climbing the Tree of Life, Circle of Fire & The Guises of the Morrigan. This book, HEKA - The Practices of Ancient Egyptian Magic, is the result of careful research & practical work and is highly recommended to students wishing to pursue practical work within this system.

In this important new book, the distinguished Egyptologist Jan Assmann provides a masterful overview of a crucial theme in the religious history of the West - that of 'religio duplex', or dual religion. He begins by returning to the theology of the Ancient Egyptians, who set out to present their culture as divided between the popular and the elite. By examining their beliefs, he argues, we can distinguish the two faces of ancient religions more generally: the outer face (that of the official religion) and the inner face (encompassing the mysterious nature of religious experience). Assmann explains that the Early Modern period witnessed the birth of the idea of dual religion with, on the one hand, the religion of reason and, on the other, that of revelation. This concept gained new significance in the Enlightenment when the dual structure of religion was transposed onto the individual. This meant that man now owed his allegiance not only to his native religion, but also to a universal 'religion of mankind'. In fact, argues Assmann, religion can now only hold a place in our globalized world in this way, as a religion that understands itself as one among many and has learned to see itself through the eyes of the other. This bold and wide-ranging book will be essential reading for historians, theologians and anyone interested in the nature of religion and its role in the shaping of the modern world.

This authoritative English translation of the Middle Kingdom Coffin Texts is an essential resource for all Egyptologists. The new edition reprints Faulkner's whole work in one volume. Filling the gap between the Pyramid Texts and the New Kingdom Book of the Dead, these writings were intended to supply the deceased with the speeches he would need to achieve a secure and important position in the next world. As such they supply valuable insights into Egyptian beliefs and mortuary practices. Concise textual notes are kept to a minimum, allowing the character of the texts to be experienced as a whole. Indexes cover divinities, localities, celestial bodies, selected Egyptian words in translation and also the parts of boats and sailing gear that figure prominently in some spells.

This is the first major study devoted to the early Arabic reception and adaption of the figure of Hermes Trismegistus, the legendary Egyptian sage to whom were ascribed numerous works on astrology, alchemy, talismans, medicine, and philosophy. The ancient Greek Hermetica, with which the tradition begins, are products of Roman Egypt of the second and third century CE. Thereafter, in late antiquity, they found a wide readership, both among pagans and Christians. Their ongoing popularity depended on the notion that Hermes had lived in extremely ancient times, perhaps before the Deluge, and his antiquity endowed him with a pristine intellectual priority and made him attractive as an authority in religious arguments. Early Arabic literature beginning in the eighth century also includes detailed discussions of Hermes Trismegistus, both as a teacher of ancient legend and as the alleged author of works on the apocryphal sciences, especially astrology. Moreover, Hermes is imagined in Arabic as a prophet, lawgiver, and the founder of ancient religion. This book shows how the Arabic Hermes developed out of the earlier Greek and other late antique traditions into something new, which would in turn form the background to the later reception of the Greek Hermetica in the Italian Renaissance. Assembling information in Greek, Arabic, Syriac, and Coptic primary sources, The Arabic Hermes will be of great interest to scholars in many fields, including Classics, Arabic Studies, Iranian Studies, Egyptology, and Medieval Studies.

This important new study looks at the intersection of Greek and Egyptian art forms in the funerary sphere of Roman Egypt. A discussion of artistic change, cultural identity, and religious belief foregrounds the detailed analysis of more than 150 objects and tombs, many of which are presented here for the first time. In addition to the information it provides about individual works of art, supported by catalogue entries, the study explores fundamental questions such as how artists combine the iconographies and representational forms of different visual traditions, and why two distinct visual traditions were employed in Roman Egypt.

Has the ancient Egyptian cult of immortality resurfaced in Brighton? When a freshly-mummified body is discovered at the Brighton Museum of Natural History, Detective Francis Sullivan is at a loss to identify the desiccated woman. But as Egyptian burial jars of body parts with cryptic messages attached start appearing, he realises he has a serial killer on his hands. Revenge, obsession and an ancient religion form a potent mix, unleashing a wave of terror throughout the city. Caught in a race against time while battling his own demons, Francis must fight to uncover the true identity of the Embalmer before it's too late...

This groundbreaking, five-volume series offers a comprehensive, fully illustrated history of Egypt and Western Asia (the Levant, Anatolia, Mesopotamia, and Iran), from the emergence of complex states to the conquest of Alexander the Great. Written by a diverse, international team of leading scholars whose expertise brings to life the people, places, and times of the remote past, the volumes in this series focus firmly on the political and social histories of the states and communities of the ancient Near East. Individual chapters present the key textual and material sources underpinning the historical reconstruction, paying particular attention to the most recent archaeological finds and their impact on our historical understanding of the periods surveyed. The second volume covers broadly the first half of the second millennium BC or in archaeological terms, the Middle Bronze Age. Eleven chapters present the history of the Near East, beginning with the First Intermediate Period and Middle Kingdom Egypt and the Mesopotamian kingdoms of Ur (Third Dynasty), Isin and Larsa. The complex mosaic of competing states that arose between the Eastern Mediterranean, the Anatolian highlands and the Zagros mountains of Iran are all treated, culminating in an examination of the kingdom of Babylon founded by Hammurabi and maintained by his successors. Beyond the narrative history of each region considered, the volume treats a wide range of critical topics, including the absolute chronology; state formation and disintegration; the role of kingship, cult practice and material culture in the creation and maintenance of social hierarchies; and long-distance trade-both terrestrial and maritime-as a vital factor in the creation of social, political and economic networks that bridged deserts, oceans, and mountain ranges, binding together the extraordinarily diverse peoples and polities of Sub-Saharan Africa, the Near East, and Central Asia.

This book provides the first edition with an extensive introduction and full commentary of a unique land survey written on papyrus in Greek which derives from that area of southern (Upper) Egypt known as the Apollonopolite (or Edfu) nome and is now preserved in Copenhagen. Dating from the late second century BC, this survey provides a new picture of both landholding and taxation in the area which differs significantly from that currently accepted. The introduction sets this new evidence in its contemporary context, drawing particular attention to what it reveals about the nature of the relations of the Ptolemaic royal administration with local grandees, Egyptian temples and the army. No student of Hellenistic Egypt can afford to ignore this text, which importantly extends our knowledge of Upper Egypt under the Ptolemaic kings and involves some modification to the prevailing picture of landholding in Hellenistic Egypt.

In this book, Lisa Sabbahy presents a history of ancient Egyptian kingship in the Old Kingdom and its re-formation in the early Middle Kingdom. Beginning with an account of Egypt's history before the Old Kingdom, she examines the basis of kingship and its legitimacy. The heart of her study is an exploration of the king's constant emphasis on his relationship to his divine parents, the sun god Ra and his mother, the goddess Hathor, who were two of the most important deities backing the rule of a divine king. Sabbahy focuses on the cardinal importance of this relationship, which is reflected in the king's monuments, particularly his pyramid complexes, several of which are analysed in detail. Sabbahy also offers new insights into the role of queens in the early history of Egypt, notably sibling royal marriages, harem conspiracies, and the possible connotations of royal female titles.

Following the ideological disappointment of the 1967 Arab-Israeli War, an Islamic revival arose in Egypt. Yet, far from a mechanical reaction to the decline of secular nationalism, this religious shift was the product of impassioned competition among Muslim Brothers, Salafis and state institutions and their varied efforts to mobilize Egyptians to their respective projects. By pulling together the linked stories of these diverse claimants to religious authority and tracing the social and intellectual history of everyday practices of piety, Aaron Rock-Singer shows how Islamic activists and institutions across the political spectrum reshaped daily practices in an effort to persuade followers to adopt novel models of religiosity. In so doing, he reveals how Egypt's Islamic revival emerged, who it involved, and why it continues to shape Egypt today.