The tale of the combat between the Storm-god and the Sea that began circulating in the early second millennium BCE was one of the most well-known ancient Near Eastern myths. Its widespread dissemination in distinct versions across disparate locations and time periods - Syria, Egypt, Anatolia, Ugarit, Mesopotamia, and Israel - calls for analysis of all the textual variants in order to determine its earliest form, geo-cultural origin, and transmission history. In undertaking this task, Noga Ayali-Darshan examines works such as the Astarte Papyrus, the Pisaisa Myth, the Songs of Hedammu and Ullikummi, the Baal Cycle, Enuma elis, and pertinent biblical texts. She interprets these and other related writings philologically according to their provenance and comparatively in the light of parallel texts. The examination of this story appearing in all the ancient Near Eastern cultures also calls for a discussion of the theology, literature, and history of these societies and the way they shaped the local versions of the myth.

The volume presents a collection of papers read during three workshops held in Leipzig (2016), Jerusalem (2017), and Vienna (2018). International scholars from different disciplines and methodological approaches explored gender-specific constructions of foreignness/strangeness in the Old Testament, Egypt, and Mesopotamia from their particular perspectives. They showed that when combined, strangeness/foreignness and gender can take on very different forms. Various processes of the "othering" of women are of importance, which differ from the "othering" of men. The contributions investigate specific questions, individual female figures and individual phenomena as model cases. The basic question was when, where, how and for what purpose the categories of foreignness and gender were connected and activated in literary tradition. The collection is a preliminary and basic work for further study of gender-specific concepts of foreignness/strangeness in the ancient Mediterranean cultures of the first millennium BCE.

In attempting even a brief and imperfect outline of the history of Egyptian queens the author has undertaken no easy task and craves indulgence for its modest fulfillment. The aim has been merely to put the little that is known in a readable and popular form, to gather from many sources the fragments that remain, partly historic, partly legendary, of a dead past. To present -- however imperfectl -- sketches of the women who once lived and breathed as Queens of Egypt.

For thousands of years, our world has been shaped by biblical monotheism. But its hallmark - a distinction between one true God and many false gods - was once a new and radical idea. ""Of God and Gods"" explores the revolutionary newness of biblical theology against a background of the polytheism that was once so commonplace.Jan Assmann, one of the most distinguished scholars of ancient Egypt working today, traces the concept of a true religion back to its earliest beginnings in Egypt and describes how this new idea took shape in the context of the older polytheistic world that it rejected. He offers readers a deepened understanding of Egyptian polytheism and elaborates on his concept of the ""Mosaic distinction,"" which conceives an exclusive and emphatic Truth that sets religion apart from beliefs shunned as superstition, paganism, or heresy.Without a theory of polytheism, Assmann contends, any adequate understanding of monotheism is impossible. This work will be of great interest to anyone seeking to understand the relationship between God and gods.

What is the Tekenu? What was its function? What are its origins? These are questions upon which Egyptologists have long pondered. However, Egyptologists, until now, have avoided any major work on the topic. Previous treatments of the Tekenu largely adopt a selective approach focusing on a specific form. Rarely has the Tekenu been examined profoundly in all of its forms or contexts with its possible origins commented upon merely in passing. The aim of The Tekenu and Ancient Egyptian Funerary Ritual is to provide a provocative examination and interpretation of the Tekenu in an endeavour to proffer plausible answers hitherto eluding scholars. Attested from the Fifth Dynasty until, and including the Saite Period, the Tekenu is a puzzling icon which is depicted within the funerary scenes in the tombs of some ancient Egyptian nobles. In this work four distinct types of Tekenu are identified and classified and then a Corpus Catalogue is formed. The Tekenu is appraised within the context of the wall scene. Two tombs are dealt with in greater detail.

Great Egyptologist's selection of nine of the most interesting and important Egyptian legends in hieroglyphic texts with literal translations on facing pages. Included are The Legend of the Creation, The Legend of the Destruction of Mankind, The Legend of Ra and the Snake-Bite, The Legend of Isis and Osiris and five more, enhanced with 19 illustrations from Egyptian art.

The eighteen articles collected in this volume are the results of the international workshop, "Teaching Morality in Antiquity: Wisdom Texts, Oral Traditions, and Images," held at the Bibliotheca Albertina of the University of Leipzig between November 29th and December 1st, 2016 with the financial support of the Deutsche Forschungsgemeinschaft. During the workshop, fruitful discussions on diverse issues related to the theme "wisdom texts and morality" developed regarding biblical wisdom texts and their parallels from the ancient Egypt, ancient Mesopotamia, and the ancient Levant - more specifically: moral messages and rhetoric in wisdom texts; the dissemination of wisdom teachings; teachings about the divine realm as the core of moral principles or human social order; visualization of divine authority; questions of theodicy; and modern analyses of ancient morality through the eyes of cognitive science.

This volume explores the earliest appearances and functions of the five major Egyptian goddesses Neith, Hathor, Nut, Isis and Nephthys. Although their importance endured throughout more than three millennia of ancient Egyptian history, their origins, earliest roles, and relationships in religion, myth, and cult have never before been studied together in detail. Showcasing the latest research with carefully chosen illustrations and a full bibliography, Susan Tower Hollis suggests that the origins of the goddesses derived primarily from their functions, as, shown by their first appearances in the text and art of the Protodynastic, Early Dynastic, and Old Kingdom periods of the late fourth and third millennia BCE. The roles of the goddess Bat are also explored where she is viewed both as an independent figure and in her specific connections to Hathor, including the background to their shared bovine iconography. Hollis provides evidence of the goddesses' close ties with royalty and, in the case of Neith, her special connections to early queens. Vital reading for all scholars of Egyptian religion and other ancient religions and mythology, this volume brings to light the earliest origins of these goddesses who would go on to play major parts in later narratives, myths, and mortuary cult.

For more than 2,000 years, between 1500 BCE and 600 CE, the Egyptian processional oracle was one of the main points of contact between temple-based religion and the general population. In a public ceremony, a god would indicate its will or answer questions through the movements of a portable cult statue borne by priests or important members of the community. The Egyptian Oracle Project is an interactive performance that adapts this ceremony to serve as the basis for a mixed-reality educational experience for children and young adults, using both virtual reality and live performance. The scene is set in a virtual Egyptian temple projected onto a wall. An oracle led by a high priest avatar (controlled by a live human puppeteer) is brought into the presence of a live audience, who act in the role of the Egyptian populace. Through the mediation of an actress, the audience interacts with the avatar, recreating the event. The series of carefully focused essays in this book provides vital background to this path-breaking project in three sections. After a brief introduction to educational theatre and virtual reality, the first section describes the ancient ceremony and its development, along with cross-cultural connections. Then the development of the script and its performance in the context of mixed-reality and educational theatre are examined. The final set of essays describes the virtual temple setting in more detail and explores the wider implications of this project for virtual heritage.

The god Set (aka Seth) has been much of a puzzle to Egyptologists. If we go with the attitude of later Egyptians, we find Set blamed for every misfortune that can befall humanity. However, if we go with the attitude of earlier times, in particular the Ramesside period, when Egypt was at its peak in prosperity, we find a completely different picture. For we find a god who was very much adored. Most of the surviving imagery is from that period, although even in Ptolemaic and Roman times we occasionally find a piece that was a part of worship and magical rites. Set was always seen as 'Great of Power', even when he was feared. Putting all his imagery together, placing it in chronological context, sheds new light on the Dark god.

Volume 2 of the work providing thorough coverage of numerous gods of ancient Egypt by foremost Egyptologist. Information on evolution of cults, rites and gods; the cult of Osiris; the Book of the Dead and its rites; the sacred animals and birds; Heaven and Hell; and more.

This seventh volume of The Carlsberg Papyri is dedicated to hieratic manuscripts from the Egyptian Tebtunis temple. The Tebtunis temple library is the only ancient temple library of which substantial remains are preserved, and the immense materialestimated at several hundred manuscriptsmakes it by far the richest, single source of Egyptian literary texts. This present volume is introduced by a survey of the hieratic and hieroglyphic manuscripts from the temple library. The survey is followed by full editions of a series of religious texts: an Osiris liturgy, the Ritual of Bringing Sokar out of the Shetit (previously known only from monumental hieroglyphic versions from temples and manuscripts for funerary use), the Votive Cubit (otherwise known essentially from fragments of the original stone cubits), the Nine-Headed Bes (a parallel to the famous illustrated Brooklyn papyrus but with a fuller description of how the practitioner should proceed), and the Ritual of Opening the Mouth (on

Akhenaten, also known as Amenhotep IV, was king of Egypt during the Eighteenth Dynasty and reigned from 1375 to 1358 B.C. E. Called the "religious revolutionary," he is the earliest known creator of a new religion. The cult he founded broke with Egypt's traditional polytheism and focused its worship on a single deity, the sun god Aten. Erik Hornung, one of the world's preeminent Egyptologists, here offers a concise and accessible account of Akhenaten and his religion of light.Hornung begins with a discussion of the nineteenth-century scholars who laid the foundation for our knowledge of Akhenaten's period and extends to the most recent archaeological finds. He emphasizes that Akhenaten's monotheistic theology represented the first attempt in history to explain the entire natural and human world on the basis of a single principle. "Akhenaten made light the absolute reference point," Hornung writes, "and it is astonishing how clearly and consistently he pursued this concept." Hornung also addresses such topics as the origins of the new religion; pro-found changes in beliefs regarding the afterlife; and the new Egyptian capital at Akhetaten which was devoted to the service of Aten, his prophet Akhenaten, and the latter's family.

First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

In continuation of the demotic votive inscriptions collected in Short Texts Volume I, this volume brings together some 650 demotic and Greek-demotic mummy labels. These are in principle all labels published to date, but this number also contains some fifty unpublished labels as well as some fifty of which only the Greek, not the demotic side had been published previously. Of some two-hundred labels from which the names had been excerpted for use in our onomastic repertoria, the complete text is here published for the first time. In order to enhance the usefulness of this volume, also the demotic inscriptions on mummy linen, coffins, mummy boards and mummy masks, as well as those on the containers of mummified fauna and a number of small funerary papyri are included in this volume, some 260 texts in all. Thus the funerary theme has been treated fairly completely for the demotic texts, except for the demotic funerary stelae which will make up a separate Short Texts volume of their own.The volume is of course completed by Concordances with previous editions and by full Word Indices. Five Appendices treat of various textual, onomastic and palaeographic problems chiefly concerning the mummy labels, which bring new insights in these domains for the Roman period.