Following the ideological disappointment of the 1967 Arab-Israeli War, an Islamic revival arose in Egypt. Yet, far from a mechanical reaction to the decline of secular nationalism, this religious shift was the product of impassioned competition among Muslim Brothers, Salafis and state institutions and their varied efforts to mobilize Egyptians to their respective projects. By pulling together the linked stories of these diverse claimants to religious authority and tracing the social and intellectual history of everyday practices of piety, Aaron Rock-Singer shows how Islamic activists and institutions across the political spectrum reshaped daily practices in an effort to persuade followers to adopt novel models of religiosity. In so doing, he reveals how Egypt's Islamic revival emerged, who it involved, and why it continues to shape Egypt today.

In the Greco-Roman catacombs of Alexandria, uniquely decorated tombs from the time when religious boundaries blurred and syncretistic beliefs flourished have long been known. But it was only in 1993 that researchers discovered faint traces of paintings on walls previously thought to be blank, or underneath other painted scenes: the hidden scenes could be partly made out and photographed using ultraviolet light. Then in 2012, new computer technology was used to reveal the lost images and colors even more clearly.Here the team present, examine, and interpret what they found, teasing meaning and intent from the alternating scenes of Greek and Egyptian mythology, as employed by the citizens of a multicultural Alexandria at the beginning of the second century CE, in pursuit of a happy afterlife.

Standing at the very foundation of monotheism, and so of Western culture, Moses is a figure not of history, but of memory. As such, he is the quintessential subject for the innovative historiography Jan Assmann both defines and practices in this work, the study of historical memory--a study, in this case, of the ways in which factual and fictional events and characters are stored in religious beliefs and transformed in their philosophical justification, literary reinterpretation, philological restitution (or falsification), and psychoanalytic demystification. To account for the complexities of the foundational event through which monotheism was established, Moses the Egyptian goes back to the short-lived monotheistic revolution of the Egyptian king Akhenaten (1360-1340 B.C.E.). Assmann traces the monotheism of Moses to this source, then shows how his followers denied the Egyptians any part in the origin of their beliefs and condemned them as polytheistic idolaters. Thus began the cycle in which every "counter-religion," by establishing itself as truth, denounced all others as false. Assmann reconstructs this cycle as a pattern of historical abuse, and tracks its permutations from ancient sources, including the Bible, through Renaissance debates over the basis of religion to Sigmund Freud's Moses and Monotheism. One of the great Egyptologists of our time, and an exceptional scholar of history and literature, Assmann is uniquely equipped for this undertaking--an exemplary case study of the vicissitudes of historical memory that is also a compelling lesson in the fluidity of cultural identity and beliefs.

Illustrated in b/w with 109 figures, 69 plates and 9 tables. Collections of scenes and texts designated variously as the "Book of the Earth," "Creation of the Solar Disc," and "Book of Aker" were inscribed on the walls of royal sarcophagus chambers throughout Egypt's Ramessid period (Dynasties 19-20). This material illustrated discrete episodes from the nocturnal voyage of the sun god, which functioned as a model for the resurrection of the deceased king. These earliest "Books of the Earth" employed mostly ad hoc arrangements of scenes, united by shared elements of iconography, an overarching, bipartite symmetry of composition, and their frequent pairing with representations of the double sky overhead. From the Twenty-First Dynasty and later, selections of programmatic tableaux were adapted for use in private mortuary contexts, often in conjunction with innovative or previously unattested annotations. The present study collects and analyses all currently known Book of the Earth material, including discussions of iconography, grammar, orthography, and architectural setting.

This interdisciplinary study investigates the divine personas in the so-called magical hymns of the Greek magical papyri which, in a corpus usually seen as a significant expression of religious syncretism with strong Egyptian influence, were long considered to be the 'most authentically Greek' contribution. Fifteen hymns receive a line-by-line commentary focusing on religious concepts, ritual practice, language and style. The overarching aim is to categorise the nature of divinity according to its Greek or Egyptian elements, examining earlier Greek and Egyptian sources and religious-magical traditions in order to find textual or conceptual parallels. Are the gods of the magical hymns Greek or Egyptian in nature? Did the magical hymns originate in a Greek or Egyptian cultural background? The book tries to answer these questions and to shed light on the religious plurality and/or fusion of the two cultures in the treatment of divinity in the Greek magical papyri.

This book is the outcome of the conference "Imperial Alexandria: Interactions between Science, Religion and Literature", held at Salamanca University in October 2011. The conference convened a group of experts from different fields to address the interrelationship between Science, Religion and Literature in the Graeco-Roman world during the Imperial Period, and especially in Alexandria, situating it within the context of the long tradition of knowledge that had been consolidating itself in this city, above all during the Hellenistic era. The encounter's main aim was to create a forum for interdisciplinary reflection on "the Alexandrian model" of knowledge in the Imperial Period and its background, being attended by philologists and historians specialising in different types of texts (literary, scientific and religious), whose study requires an interdisciplinary approach, with priority being given to the notion of contact and the relationship between these subjects in order to gain a better understanding of the spirit, way of thinking and moral values of a particularly important era in the development of ancient culture.

The race of the Ancient Egyptians has long been a subject of controversy and debate. Ancient Egyptians have constantly been shown to be everything but black African, even though Egypt is in Africa and black people originate from Africa. Some have dared to challenge this Eurocentric view of a non-black Egypt and put black people at the centre. But now Segun Magbagbeola aims to leave no stone unturned and prove once and for all that Black Africans founded and drove one of the greatest civilisations in Earth's history. This groundbreaking work explains some of the mysteries of Ancient Egypt, such as the secrets of the pyramids, their connection to the stars and their descendants over the world. It includes genetic research and a magnitude of sources especially Nuwaupu, a culture based on Egyptology and factual confirmation, practiced by black Africans worldwide. Now is the time for us to dispel all uncertainties and claim our rightful throne as Black Egyptians.

The race of the Ancient Egyptians has long been a subject of controversy and debate. Ancient Egyptians have constantly been shown to be everything but black African, even though Egypt is in Africa and black people originate from Africa. Some have dared to challenge this Eurocentric view of a non-black Egypt and put black people at the centre. But now Segun Magbagbeola aims to leave no stone unturned and prove once and for all that Black Africans founded and drove one of the greatest civilisations in Earth's history. This groundbreaking work explains some of the mysteries of Ancient Egypt, such as the secrets of the pyramids, their connection to the stars and their descendants over the world. It includes genetic research and a magnitude of sources especially Nuwaupu, a culture based on Egyptology and factual confirmation, practiced by black Africans worldwide. Now is the time for us to dispel all uncertainties and claim our rightful throne as Black Egyptians.

Charles Piazzi Smyth (1819 1900) was appointed to the post of Astronomer Royal for Scotland and Regius Professor of Astronomy at Edinburgh University in 1846. He was respected for his practical work, and his Teneriffe, an Astronomer's Experiment (1858) is also reissued in this series. However, this book, first published in 1864, is testimony to the author's interest in 'pyramidology', and although it was so popular in his own lifetime that it was reprinted five times, his eccentric interpretation of the data he had collected by measuring all aspects of the Great Pyramid of Giza damaged his scientific reputation. Smyth was convinced that the British measurement standard of an inch as a basic unit of length was associated with the sacred cubit of the Bible. This measure was supposedly incorporated in the Pyramid, which he claimed was built under divine guidance by the Ancient Israelites, and enshrined scientific information.

First published in 1938, this volume originated in a series of articles written mainly for the Journal of Egyptian Archaeology between 1925 and 1938. Created with both the Egyptologist and general reader in mind, it provides a highly informative account of religious development in ancient Egypt, and its connection with the need for fertility and rain. The text has a clear factual emphasis, with abundant references, illustrations, and a conspectus of key historical periods. It will be of value to anyone with an interest in ancient Egypt or historiography.

The ancient Egyptians created a world of supernatural forces so vivid, powerful, and inescapable that controlling their destiny within it was their constant preoccupation. In life, supernatural forces manifested themselves through misfortune and illness, and after death were faced for eternity in the Otherworld, along with the divine gods that controlled the universe. The Book of the Dead, the modern name given to a popular compilation of ancient Egyptian spells, empowered the reader to overcome the dangers lurking in the Otherworld and to become one with the gods that governed. Barry Kemp selects a number of spells to explore who and what the Egyptians feared and the kind of assistance that the book offered them, revealing a relationship between the human individual and the divine quite unlike that found in the major faiths of the modern world.

First English-language edition, with revisions and additions by the author.This classic work by one of the world's most distinguished Egyptologists was first published in German in 1984. The Search for God in Ancient Egypt offers a distillation of Jan Assmann's views on ancient Egyptian religion, with special emphasis on theology and piety. Deeply rooted in the texts of ancient Egypt and thoroughly informed by comparative religion, theology, anthropology, and semiotic analysis, Assmann's interpretations reveal the complexity of Egyptian thought in a new way.Assmann takes special care to distinguish between the "implicit" theology of Egyptian polytheism and the "explicit" theology that is concerned with exploring the problem of the divine. His discussion of polytheism and mythology addresses aspects of ritual, the universe, and myth; his consideration of explicit theology deals with theodicy and the specifics of Amarna religion.

The gods were everywhere in Ancient Egypt. Represented by statues, bas-reliefs, and funerary paintings, they even walked among the Egyptians in the person of Pharaoh, considered to be a living god, son of the divine Ra. What better way to understand that distant culture than by becoming familiar with the people who served those gods?

Using as his sources the Egyptian texts and the testimony of classical authors, Serge Sauneron illuminates the role of the priesthood in Ancient Egypt. He re-creates the system of thought of one of the great civilizations of antiquity, addressing such topics as priestly functions, the world of the temples, holy festivals, tombs, and pyramids.

Sauneron describes the ceremonies of daily worship, considered vital in preventing the world's descent into chaos. He takes us deep into the sacred precincts of the temples -- home to the divine statues in which a part of the god was believed to dwell. One of the duties of the priests was to maintain these sacred effigies, to nourish, clothe, and protect them from attacks by evil spirits.

This edition of The Priests of Ancient Egypt, an augmented version of the 1957 classic, was published in France in 1988, and has been translated authoritatively by David Lorton.

The texts and visual arts of ancient Egypt reveal a persistent and sophisticated engagement with problems of language, the body, and multiplicity. This innovative book shows how these issues were represented in ancient Egypt and how Egyptian approaches to them continue to influence the way we think about them today.
The story of Osiris is one of the central cultural myths of ancient Egypt, a story of dismemberment and religious passion that also exemplifies attitudes about personal identity, sexuality, and the transfer of royal power. It is, moreover, a story of death and the overcoming of death, and in this it lies at the center of our own means of engagement with ancient Egypt.
This book focuses on the story of Osiris as it is recorded in Egyptian texts and memorialized on the walls of temples and tombs. Since such a focus is attainable only through Egyptian representational systems, especially hieroglyphs, the book also engages broader questions of writing and visual representation: decipherment, controversies about the "ideograph," and the relation between visual images and writing.
This analysis of Egyptian representation leads to a consideration of the phallic body and the problem of multiplicity in Egyptian religion, two nets of Egyptian discourse that, though integrated into the writing system itself, reach toward broader Egyptian discourses of gender, subjectivity, piety, and cosmogenesis. The concluding chapter considers, in specific terms, the question of a persisting Egyptian legacy in the West, from the Greeks and Israelites to Augustine, Hegel, and Lacan.

Akhenaten, also known as Amenhotep IV, was king of Egypt during the Eighteenth Dynasty and reigned from 1375 to 1358 B.C. Called the "religious revolutionary, " he is the earliest known creator of a new religion. The cult he founded broke with Egypt's traditional polytheism and focused its worship on a single deity, the sun god Aten. Erik Hornung, one of the world's preeminent Egyptologists, here offers a concise and accessible account of Akhenaten and his religion of light.

Hornung begins with a discussion of the nineteenth-century scholars who laid the foundation for our knowledge of Akhenaten's period and extends to the most recent archaeological Finds. He emphasizes that Akhenaten's monotheistic theology represented the first attempt in history to explain the entire natural and human world on the basis of a single principle. "Akhenaten made light the absolute reference point, ' Hornung writes, "and it is astonishing how clearly and consistently he pursued this concept." Hornung also addresses such topics as the origins of the new religion; profound changes in beliefs regarding the afterlife; and the new Egyptian capital at Akhenaten which was devoted to the service of Aten, his prophet Akhenaten, and the latter's family.

The contents of the texts range from the collection of spells in the Book of the Dead, which was intended to offer practical assistance on the journey to the afterlife, to the derailed accounts of the hereafter provided in the Books of the Netherworld. Hornung looks closely at these latter works, while summarizing the contents of the Book of the Dead and other widely studied examples of the genre. For each composition, he discusses the history of its ancient transmission and its decipherment in modern times, supplying bibliographic information for any text editions. He also seeks to determine whether this literature as a whole presents a monolithic conception of the afterlife. The volume features many drawings from the books themselves -- drawings that illustrate the nocturnal course of the sun god through the realm of the dead.

Originally published in German and now available in a fluid English translation, this volume offers an accessible and enlightening introduction to a central element of ancient Egyptian religion.

This is a study of an anonymous ancient work, originally composed in Greek, titled Joseph and Aseneth. Although relatively unknown outside of scholarly circles, the story is remarkable because of its focus on a female character and its absence of overt misogyny. It has traditionally been viewed as an early 2nd-century C.E. conversion story of Jewish provenance. Kraemer, through her detailed examination of the texts, arrives at conclusions that disagree with previous findings with respect not only to questions of date, provenance, identity, geographic origin and textual relationships, but also to many matters of interpretation.

This is the first English translation of a highly appealing volume originally published in French in 1993. Informed by a sense of wonderment at divine doings, it treats the ancient Egyptian gods as if they were an ethnic group that captured the fancy of ethnologists or sociologists. The book begins with the discussion of the gods' community as a society unto itself. The authors describe the structures of the society of the gods and some of the conflicts that frequently upset it, with individual gods acting to protect their own positions in an established hierarchy and struggling to gain power over their fellows. The nature of their immortal but not vulnerable bodies, their pleasures, and their needs are considered. What did they eat, the authors ask, and did they feel pain? The second part of the book cites familiar traditions and littleknown texts to explain the relationship of the gods to the pharaoh, who was believed to represent them on earth. By performing appropriate rites, the pharaoh maintained a delicate equilibrium, balancing the sky home of the sun god, the underworld of Osiris and the dead, and the earth itself. While each world was autonomous and had its own mythological context, the separate spheres were also interdependent, requiring the sun's daily course and the pharaoh's ritual actions to ensure the cohesion of the universe.

An overview of the title subject.