The mythologies of the world are collective cultural dreams, and as such should be analyzed first from cultural perspectives. How do myths of the ancient Egyptians or Greeks, for instance, reflect the realities of the Egyptian and Greek cultures? When compared, however, mythologies reveal certain universal themes or motifs that point to larger trans-cultural issues such as the place of the human species in creation or the nature of deity as a concept. World Mythology: A Very Short Introduction is organized around the universal motifs. Creation, the Flood, the Hero Quest, the Trickster/Culture Hero, the Pantheons, the High God, the Great Goddess. Veteran mythology scholar David Leeming examines examples of each motif from a variety of cultures-Greek, Egyptian, Norse, American Indian, African, Polynesian, Jewish, Christian, Hindu-treating them as reflections of the cultures that "dreamed" them. He compares and analyzes them, exposing their universal significance and creating a "world mythology."

When a freshly-mummified body is discovered at the Brighton Museum of Natural History, Detective Francis Sullivan is at a loss to identify the desiccated woman. But as Egyptian burial jars of body parts with cryptic messages attached start appearing, he realises he has a serial killer on his hands.

Revenge, obsession and an ancient religion form a potent mix, unleashing a wave of terror throughout the city. Caught in a race against time while battling his own demons, Francis must fight to uncover the true identity of the Embalmer before it's too late...

"Exploring Religion in Ancient Egypt "offers a stimulating overview of the study of ancient Egyptian religion by examining research drawn from beyond the customary boundaries of Egyptology and shedding new light on entrenched assumptions.Discusses the evolution of religion in ancient Egypt - a belief system that endured for 3,000 yearsDispels several modern preconceptions about ancient Egyptian religious practicesReveals how people in ancient Egypt struggled to secure well-being in the present life and the afterlife

In the winter of 1922-23 archaeologist Howard Carter and his wealthy patron George Herbert, the Fifth Earl of Carnarvon, sensationally opened the tomb of Tutenkhamen. Six weeks later Herbert, the sponsor of the expedition, died in Egypt. The popular press went wild with rumours of a curse on those who disturbed the Pharaoh's rest and for years followed every twist and turn of the fate of the men who had been involved in the historic discovery. Long dismissed by Egyptologists, the mummy's curse remains a part of popular supernatural belief. Roger Luckhurst explores why the myth has captured the British imagination across the centuries, and how it has impacted on popular culture. Tutankhamen was not the first curse story to emerge in British popular culture. This book uncovers the 'true' stories of two extraordinary Victorian gentlemen widely believed at the time to have been cursed by the artefacts they brought home from Egypt in the nineteenth century. These are weird and wonderful stories that weave together a cast of famous writers, painters, feted soldiers, lowly smugglers, respected men of science, disreputable society dames, and spooky spiritualists. Focusing on tales of the curse myth, Roger Luckhurst leads us through Victorian museums, international exhibitions, private collections, the battlefields of Egypt and Sudan, and the writings of figures like Arthur Conan Doyle, Rider Haggard and Algernon Blackwood. Written in an open and accessible style, this volume is the product of over ten years research in London's most curious archives. It explores how we became fascinated with Egypt and how this fascination was fuelled by myth, mystery, and rumour. Moreover, it provides a new and startling path through the cultural history of Victorian England and its colonial possessions.

This exploration of cultural resilience examines the complex fate of classical Egyptian religion during the centuries from the period when Christianity first made its appearance in Egypt to when it became the region's dominant religion (roughly 100 to 600 C.E. Taking into account the full range of witnesses to continuing native piety--from papyri and saints' lives to archaeology and terracotta figurines--and drawing on anthropological studies of folk religion, David Frankfurter argues that the religion of Pharonic Egypt did not die out as early as has been supposed but was instead relegated from political centers to village and home, where it continued a vigorous existence for centuries.

In analyzing the fate of the Egyptian oracle and of the priesthoods, the function of magical texts, and the dynamics of domestic cults, Frankfurter describes how an ancient culture maintained itself while also being transformed through influences such as Hellenism, Roman government, and Christian dominance. Recognizing the special characteristics of Egypt, which differentiated it from the other Mediterranean cultures that were undergoing simultaneous social and political changes, he departs from the traditional "decline of paganism/triumph of Christianity" model most often used to describe the Roman period. By revealing late Egyptian religion in its Egyptian historical context, he moves us away from scenarios of Christian triumph and shows us how long and how energetically pagan worship survived.

This important new study looks at the intersection of Greek and Egyptian art forms in the funerary sphere of Roman Egypt. A discussion of artistic change, cultural identity, and religious belief foregrounds the detailed analysis of more than 150 objects and tombs, many of which are presented here for the first time. In addition to the information it provides about individual works of art, supported by catalogue entries, the study explores fundamental questions such as how artists combine the iconographies and representational forms of different visual traditions, and why two distinct visual traditions were employed in Roman Egypt.

This revised edition of West's revolutionary reinterpretation of the civilization of Egypt challenges all that has been accpeted as dogma concerning this ancient and enigmatic land. It features a new introduction linking Egyptian science with the perennial wisdom tradition and an appendix updating the author's work in redating the Sphinx. Illustrations.

Enter a world of ancient secrets, old money, new ambitions and the discovery of priceless treasure in this revelatory new biography. Between November 1922 and spring 1923, a door to the ancient Egyptian world was opened. The discovery of the tomb of Tutankhamun would be the most astonishing archaeological find of the century, revealing not only the boy pharaoh's preserved remains, but thousands of finely crafted objects, from the iconic gold mask and coffins to a dagger made from meteorite, chalices, beautiful furniture and even 3000-year-old food and wine. The world's understanding of Ancient Egyptian civilisation was immeasurably enhanced, and the quantity and richness of the objects in the tomb is still being studied today. Two men were ultimately responsible for the discovery: Lord Carnarvon and Howard Carter. It was Lord Carnarvon who held the concession to excavate and whose passion and ability to finance the project allowed the eventual discovery to take place. The Earl and the Pharaoh tells the story of the 5th Earl of Carnarvon. Carnarvon's life, money and sudden death became front-page news throughout the world following the discovery of the tomb, fuelling rumours that persist today of 'the curse of the pharaohs'. His beloved home, Highclere Castle, is today best-known as the set of Downton Abbey. Drawing on Highclere Castle's never-before-plumbed archives, bestselling author Fiona, the Countess of Carnarvon, charts the twists of luck and tragedies that shaped Carnarvon's life; his restless and enquiring mind that drove him to travel to escape conventional society life in Edwardian Britain.

MEDITATION The Ancient Egyptian Path to Enlightenment Many people do not know about the rich history of meditation practice in Ancient Egypt. This volume outlines the theory of meditation and presents the Ancient Egyptian Hieroglyphic text which give instruction as to the nature of the mind and its three modes of expression. It also presents the texts which give instruction on the practice of meditation for spiritual Enlightenment and unity with the Divine. This volume allows the reader to begin practicing meditation by explaining, in easy to understand terms, the simplest form of meditation and working up to the most advanced form which was practiced in ancient times and which is still practiced by yogis around the world in modern times.

Bojana Mojsov tells the story of the cult of Osiris from beginning to end, sketching its development throughout 3,000 years of Egyptian history.
Draws together the numerous records about Osiris from the third millennium B.C. to the Roman conquest of Egypt.
Demonstrates that the cult of Osiris was the most popular and enduring of the ancient religions.
Shows how the cult provided direct antecedents for many ideas, traits and customs in Christianity, including the concept of the trinity, baptism in the sacred river, and the sacrament of the Eucharist.
Reveals the cult's influence on other western mystical traditions and groups, such as the Alchemists, Rosicrucians and Freemasons.
Written for a general, as well as a scholarly audience.

Has the ancient Egyptian cult of immortality resurfaced in Brighton? When a freshly-mummified body is discovered at the Brighton Museum of Natural History, Detective Francis Sullivan is at a loss to identify the desiccated woman. But as Egyptian burial jars of body parts with cryptic messages attached start appearing, he realises he has a serial killer on his hands. Revenge, obsession and an ancient religion form a potent mix, unleashing a wave of terror throughout the city. Caught in a race against time while battling his own demons, Francis must fight to uncover the true identity of the Embalmer before it's too late...

When Jean-Francois Champollion rediscovered how to translate the Egyptian hieroglyphs in the early nineteenth century he described them as "....a complex system, a writing that is figurative, symbolic, and phonetic all within the same text, a single sentence, I would even say a single word." Since then, although his discoveries have led to the translation of most of the ancient Egyptian texts, the emphasis in modern scholarship is to regard the hieroglyphs purely as sounds and to disregard or even deny their symbolic meaning. This book explores how the hieroglyphs function as a comprehensive system of magical symbolism, the medw neter or Words of the Gods by which the sacred truths of the Inner worlds of creation are conveyed to humanity. Their effect is 'magical' because when we study them and ponder their meaning they cause changes in our consciousness, enabling us to reach a deeper understanding of ourselves, of our surroundings and of the universal principles that lie behind all creation. They also incidentally teach us a great deal about the magical beliefs and practices of the ancient Egyptians and their perception of the relationship between the earthly and spiritual worlds. Using many examples and illustrations, this book demonstrates how the hieroglyphs formed the basis of Egyptian magic and were the means by which it was taught and practiced. It offers an entirely new interpretation of Egyptian magic, and shows how the hieroglyphs can be used as a magical tool that is as transformative today as it was in ancient times.