'This readable anthology is a good introduction to a civilization that fascinates like few others ... in this book there are animals who talk, princesses who are locked up at the top of towers, wicked stepmothers and many other themes ... An enjoyable book by a skilled author' Financial Times The civilization we know as Ancient Egypt stretched over three thousand years. What was life like for ancient Egyptians? What were their beliefs - and how different were they from ours? Myths and Legends of Ancient Egypt uses Egypt's vivid narratives to create a panorama of its history, from the earliest settlers to the time of Cleopatra. Gathered from pyramid texts, archaeological finds and contemporary documents, these stories cover everything from why the Nile flooded annually to Egyptian beliefs about childbirth and what happened after death. They show us what life was really like for rich and poor, man and woman, farmer and pharaoh. Myths and Legends of Ancient Egypt brings a long-dead culture back to life.

The emergence of the cult of Osiris is, in most cases, dated to the end of the 5th dynasty, the period in which the name of Osiris appears in writing, and it is commonly held that before this period not a trace of the cult can be discerned. This study is intended to investigate whether this emergence was really so sudden, or if there is evidence to suggest this appearance was preceded by a period of development of the theology and mythology of the cult. One of the most important aspects of the mythology of the cult is the rebirth of Osiris. In the theology of the cult this rebirth was projected on mortal men, and led to the postulation that every human being, whether royal or non-royal, had the possibility to attain eternal life after death. What made this cult even more attractive is that this eternal life was not confined to the tomb, as it used to be for non-royalty. The study is concerned with the rebirth possibilities of non-royal persons and aims to determine the chronological development of the rebirth connotations of the various decoration themes that were used in the chapel of Old Kingdom tombs. The decoration themes that are the subject of the determinations are the group of bed-scenes consisting of the bed-making scene and the marital bed-scene, the development in form and length of the bread loaves on the offering table, the different aspects of the scenes in which the "lotus" flower is depicted, and the marsh scenes.

Robert Armour's classic text, long cherished by a generation of readers, is now complemented with more than 50 new photographs and line drawings that show the gods and goddesses in their characteristic forms. Armour maintains a strong narrative thread with illuminating commentary in his lively, vigorous retelling of stories from Egyptian mythology, including those of the sun god Ra, the tragic death and rebirth of Osiris with the help of Isis, the near-burlesque of Horus' battle with the evil Seth, and the "gods of the intellect" Thoth and Maat. Now with an updated bibliography and glossary as well as new charts showing the gods at a glance and ancient Egyptian chronology in brief, this book is sure to inform and enchant a new generation of readers.

The religious and magical practices of the ancient Egyptians have had a profound and lasting effect on the world. Egypt has been described as the "mother of magicians." To appreciate the Egyptian view of magic, we need to accept that to the Egyptians magic was not considered strange or eccentric, but was a part of daily life, to which everyone resorted. Magic blended seamlessly with religion and medicine, being seen as part of a holistic worldview. In this volume these magical and religious practices are explored, from both a historical and practical perspective. The practices are explored from an ancient Egyptian worldview, taking into consideration that the Egyptian culture spread over a period of more than 3000 years. The Egyptians saw the universe as being made of four worlds - the everyday world we live in, the underworld, the sky and the heavens. Subject covered in this book include: -What is Heka? -Ancient Egyptian Worldviews -The Gods and Goddesses of Magic -Symbolism - Colours & Sacred Numbers -The Tools Used -Sacred Words & Gestures -Statues & Masks -Crystals & Other Materials used in Heka -Incenses & Perfumes -Food & Wine used in Offerings & at Feasts -The Ancient Egyptian Magical Calendar -Purification, Sacred Space & Rituals David Rankine is based in London (UK) and is a respected authority on spiritual & magical practices. He is the author of many books, including Climbing the Tree of Life, Circle of Fire & The Guises of the Morrigan. This book, HEKA - The Practices of Ancient Egyptian Magic, is the result of careful research & practical work and is highly recommended to students wishing to pursue practical work within this system.

The Temple of Sethos I at Abydos is one of the best-preserved monuments from the New Kingdom. This work was 1st published in two now long-out-of-print but much sought-after classics: Religious Ritual at Abydos (1973), and A Guide to Religious Ritual at Abydos (1981). This edition incorporates new material: a complete set of translations of the ritual inscriptions with their transliterations; simplified line drawings of the temple scenes; photographs from the archives of the Egypt Exploration Society; and images from A. M. Calverley and M. F. Broome, The Temple of King Sethos I at Abydos, available for the 1st time in a practical and affordable format.

A divination tool to connect with guides from the Egyptian pantheon
- A 35-card deck with original artwork by award-winning illustrator Kris Waldherr
- Guidebook includes detailed card interpretations and 8 divinatory spreads
- By the authors of "Shamanic Mysteries of Egypt: Awakening the Healing Power of the Heart"
"The Anubis Oracle" is a shamanic guide to inner Egypt, a place of mystery, ancestral wisdom, and abiding love that resides within each of us. It is a place where the "neteru"--the archetypal deities and elemental spirits from the Egyptian pantheon--lead us on our journey of transformation, a journey designed to open our hearts and teach us the inner workings of the soul.
The full-color deck contains a Key Card, a card for each of the 22 deities and 4 elements, and 8 composite cards that portray several deities together. These composites represent 8 major portals of initiation and complex archetypal relationships. The accompanying book provides detailed interpretations for each card and instructions for 8 divinatory spreads that include entering into the mystery, achieving higher love and wisdom, and identifying our sacred purpose. By divining with the neteru, the shaman within awakens. This allows the neteru to reveal the answers we seek in our personal lives and in our interactions with the world by connecting us with the wisdom, guidance, and shamanic mysteries of Egypt that live within us.

The fabled land of Nubia, whose very name means 'gold,' was famous in ancient times for its supplies of precious metal, exotic material, and intricate craftsmanship. Many of the adornments made in Nubia are masterpieces of the jeweler's art-marvels of design and construction rivaling, and often surpassing, adornments made in Egypt and the rest of the ancient Mediterranean world. Although these unique treasures are among the most stunning to have survived from antiquity, they remain little known. Richly illustrated with beautiful photographs of these exquisite items, many of them never before published, Nubian Gold also places the jewelry within the cultural contexts in which it was manufactured and employed. It tells the story not only of the treasures themselves but of the exciting tales of their discovery and the rich background of the exotic and remote civilizations that produced them. The book also explores the innovative techniques used to procure the precious materials used in the jewelry and to craft them into intricate ornaments replete with magical purpose and coded meaning.Featured in the book are not only the intricately crafted pieces themselves but depictions of them in sculpture, relief, and painting as well as references to them in ancient texts, locating them within the full spectrum of Nubian history, from the earliest beginnings of society to the advent of Christianity.

The Book of the Dead is a unique collection of funerary texts from a wide variety of sources, dating from the fifteenth to the fourth century BC. Consisting of spells, prayers and incantations, each section contains the words of power to overcome obstacles in the afterlife. The papyruses were often left in sarcophagi for the dead to use as passports on their journey from burial, and were full of advice about the ferrymen, gods and kings they would meet on the way. Offering valuable insights into ancient Egypt, The Book of the Dead has also inspired fascination with the occult and the afterlife in recent years.

Following the ideological disappointment of the 1967 Arab-Israeli War, an Islamic revival arose in Egypt. Yet, far from a mechanical reaction to the decline of secular nationalism, this religious shift was the product of impassioned competition among Muslim Brothers, Salafis and state institutions and their varied efforts to mobilize Egyptians to their respective projects. By pulling together the linked stories of these diverse claimants to religious authority and tracing the social and intellectual history of everyday practices of piety, Aaron Rock-Singer shows how Islamic activists and institutions across the political spectrum reshaped daily practices in an effort to persuade followers to adopt novel models of religiosity. In so doing, he reveals how Egypt's Islamic revival emerged, who it involved, and why it continues to shape Egypt today.

This revised edition of West's revolutionary reinterpretation of the civilization of Egypt challenges all that has been accpeted as dogma concerning this ancient and enigmatic land. It features a new introduction linking Egyptian science with the perennial wisdom tradition and an appendix updating the author's work in redating the Sphinx. Illustrations.

A unique history of the ancient Near East that compellingly presents the life stories of kings, priestesses, merchants, bricklayers, and others In this sweeping history of the ancient Near East, Amanda Podany takes readers on a gripping journey from the creation of the world's first cities to the conquests of Alexander the Great. The book is built around the life stories of many ancient men and women, from kings, priestesses, and merchants to brickmakers, musicians, and weavers. Their habits of daily life, beliefs, triumphs, and crises, and the changes that people faced over time are explored through their own written words and the buildings, cities, and empires in which they lived. Rather than chronicling three thousand years of rulers and states, Weavers, Scribes, and Kings instead creates a tapestry of life stories through which readers will come to know specific individuals from many walks of life, and to understand their places within the broad history of events and institutions in the ancient Near East. These life stories are preserved on ancient clay tablets, which allow us to trace, for example, the career of a weaver as she advanced to become a supervisor of a workshop, listen to a king trying to persuade his generals to prepare for a siege, and feel the pain of a starving young couple and their four young children as they suffered through a time of famine. What might seem at first glance to be a remote and inaccessible ancient culture proves to be a comprehensible world, one that bequeathed to the modern world many of our institutions and beliefs, a truly fascinating place to visit.

This interdisciplinary study investigates the divine personas in the so-called magical hymns of the Greek magical papyri which, in a corpus usually seen as a significant expression of religious syncretism with strong Egyptian influence, were long considered to be the 'most authentically Greek' contribution. Fifteen hymns receive a line-by-line commentary focusing on religious concepts, ritual practice, language and style. The overarching aim is to categorise the nature of divinity according to its Greek or Egyptian elements, examining earlier Greek and Egyptian sources and religious-magical traditions in order to find textual or conceptual parallels. Are the gods of the magical hymns Greek or Egyptian in nature? Did the magical hymns originate in a Greek or Egyptian cultural background? The book tries to answer these questions and to shed light on the religious plurality and/or fusion of the two cultures in the treatment of divinity in the Greek magical papyri.

"Exploring Religion in Ancient Egypt "offers a stimulating overview of the study of ancient Egyptian religion by examining research drawn from beyond the customary boundaries of Egyptology and shedding new light on entrenched assumptions.Discusses the evolution of religion in ancient Egypt - a belief system that endured for 3,000 yearsDispels several modern preconceptions about ancient Egyptian religious practicesReveals how people in ancient Egypt struggled to secure well-being in the present life and the afterlife

This exploration of cultural resilience examines the complex fate of classical Egyptian religion during the centuries from the period when Christianity first made its appearance in Egypt to when it became the region's dominant religion (roughly 100 to 600 C.E. Taking into account the full range of witnesses to continuing native piety--from papyri and saints' lives to archaeology and terracotta figurines--and drawing on anthropological studies of folk religion, David Frankfurter argues that the religion of Pharonic Egypt did not die out as early as has been supposed but was instead relegated from political centers to village and home, where it continued a vigorous existence for centuries.

In analyzing the fate of the Egyptian oracle and of the priesthoods, the function of magical texts, and the dynamics of domestic cults, Frankfurter describes how an ancient culture maintained itself while also being transformed through influences such as Hellenism, Roman government, and Christian dominance. Recognizing the special characteristics of Egypt, which differentiated it from the other Mediterranean cultures that were undergoing simultaneous social and political changes, he departs from the traditional "decline of paganism/triumph of Christianity" model most often used to describe the Roman period. By revealing late Egyptian religion in its Egyptian historical context, he moves us away from scenarios of Christian triumph and shows us how long and how energetically pagan worship survived.

In this comprehensive book Michael Witzel persuasively demonstrates the prehistoric origins of most of the mythologies of Eurasia and the Americas ('Laurasia'). By comparing these myths with others indigenous to sub-Saharan Africa, Melanesia, and Australia ('Gondwana Land') Witzel is able to access some of the earliest myths told by humans. The Laurasian mythologies share a common story line that dates the world's creation to a mythic time and recounts the fortunes of generations of deities across four or five ages and human beings' creation and fall, culminating in the end of the universe and, occasionally, hope for a new world. These stories are contrasted with the 'southern' mythologies, which lack most of these features. Witzel's investigations are buttressed by archaeological data, as well as by comparative linguistics, and human population genetics. All suggest the African origins of anatomically modern humans and their subsequent journey along Indian Ocean shores, up to Australia and southern China, around 60,000 BCE. These itinerants' early mythology survives partly in sub-Saharan Africa and points along the path - the Andaman Islands, Melansia, and Australia. Laurasian mythology, Witzel shows, developed along this vast trail, probably in southwest Asia, around 40,000 BCE. Identifying features shared by virtually all mythologies of the globe, Witzel suggests that these features probably informed myths recounted by the communities of the 'African Eve.' As such, they are the earliest substantiation of our ultimate ancestors' spirituality. Moreover the Laurasian myths' key features, Witzel shows, survive today in all major religions and their multiple ideological offshoots.

This catalogue documents an exhibition at the Kelsey Museum of Archaeology on the mysterious ancient Egyptian jackal-headed gods associated with death and the afterlife. These gods are immediately identifiable symbols of ancient Egypt, but their specific identities and roles are often less well known. Death Dogs is the first exhibition to examine their mysteries. The exhibition and catalogue focus on the three most important jackal gods: Anubis (embalmer and guide to the dead), Wepwawet (opener of the ways to the afterlife) and Duamutef (son of Horus, protector of the canopic jar). Jackal gods are represented by a variety of artifacts in the Kelsey Museum collectionstatues, paintings, amulets and other objects. These artifacts are used to examine the jackal gods and their functions in the wider context of ancient Egyptian religion and follow their changing roles into the Graeco-Roman period and beyond. The catalogue features 44 artifacts from the exhibition, some never before exhibited or published, many from University of Michigan excavations in Egypt, along with supplementary artifacts, archival photographs, vintage book illustrations and explanatory graphics. Modern pop cultural manifestations of the Egyptian jackal gods are included to document their persistence into the present. Includes 181 colour illustrations.

This novel work uses case studies of both familiar and unfamiliar materials, expanding consideration of ancient Egyptian elite culture to encompass lived experience and exploitation of the natural environment.The opening chapter sets out the conceptual ground for the analyses that follow, arguing that the relatively ephemeral activities under investigation were centrally important to the actors. The first and largest study treats human organization of the landscape and its use to create and transmit elite meanings, especially through pictorial and encyclopaedic forms, and to mobilize emotional values. Next, a treatment of the planning of primarily third millennium settlements on the floodplain argues that Egypt offers a partly rural perspective that provides an alternative to the urban focus of many early civilizations but has parallels in elite culture in much of the world. The third study discusses how a single year's events were orchestrated to culminate in a celebratory hunt in which the king, his court, and high officials participated. The concluding chapter presents an initial synthesis of Egyptian treatments of elite experience, drawing in particular upon additional evidence from literary texts and attitudes to travel.

Enter a world of ancient secrets, old money, new ambitions and the discovery of priceless treasure in this revelatory new biography. Between November 1922 and spring 1923, a door to the ancient Egyptian world was opened. The discovery of the tomb of Tutankhamun would be the most astonishing archaeological find of the century, revealing not only the boy pharaoh's preserved remains, but thousands of finely crafted objects, from the iconic gold mask and coffins to a dagger made from meteorite, chalices, beautiful furniture and even 3000-year-old food and wine. The world's understanding of Ancient Egyptian civilisation was immeasurably enhanced, and the quantity and richness of the objects in the tomb is still being studied today. Two men were ultimately responsible for the discovery: Lord Carnarvon and Howard Carter. It was Lord Carnarvon who held the concession to excavate and whose passion and ability to finance the project allowed the eventual discovery to take place. The Earl and the Pharaoh tells the story of the 5th Earl of Carnarvon. Carnarvon's life, money and sudden death became front-page news throughout the world following the discovery of the tomb, fuelling rumours that persist today of 'the curse of the pharaohs'. His beloved home, Highclere Castle, is today best-known as the set of Downton Abbey. Drawing on Highclere Castle's never-before-plumbed archives, bestselling author Fiona, the Countess of Carnarvon, charts the twists of luck and tragedies that shaped Carnarvon's life; his restless and enquiring mind that drove him to travel to escape conventional society life in Edwardian Britain.

Sums up all that is known about magic Ancient Egypt: the role of magic in controlling the gods, powerful amulets that warded off evil spirits, scarabs of immortality, use of wax images, formulas and spells, the secret name, much more.