3mm hardboard available in the standard sizes: A5, A4, A3, A2, A1, A0

These are perfect for painting on a panel.

3mm hardboard available in the standard sizes: A5, A4, A3, A2, A1, A0

These are perfect for painting on a panel.

Crescent Professional Grade Cold Press (NOT) Illustration Boards have a textured surface designed primarily for pencil, pastel, ink, airbrush, washes, light collage and wet media. The textured surface of a Cold Press board permits the medium to be applied without fast absorption, which in turn allows the washes to blend smoothly. Made of 100% cotton fibre acid-free paper on a high quality board to create a balanced tension that prevents warping. The difference between the Professional grade illustration board and the student grade illustration board: Primarily the Professional Boards are thicker and constructed of a higher quality surface paper - 100% cotton fibre acid-free. They are more warp resistant and can accept more aggressive wash applications than the student boards. Crescent Media Usage Recommendations for No. 110 Cold Press Illustration Board:5 — Highly Recommended Oil Pastel, - Airbrush and Tag Art4 — RecommendedWatercolour, Gouache, Student, Professional, Craft Acrylics, - Graphite Pencil, - Soft Charcoal, Water-based Marker, Xylene-based Marker and Alcohol-based Marker3 — Passable PerformancePen-and-Ink, - Soft Pencils, - Coloured Pencil and Watercolour Pencils2 — Marginal PerformanceMechanical Pen, - Technical Pen, - Lettering and Calligraphy Pens, - Watercolour1 — Not RecommendedNone

Crescent Student Grade Illustration Board is an economical board, available in Cold Press (NOT) and Hot Press. The medium textured Cold Press (NOT) surface is suited to a wide range of techniques including pastel and light collage. The difference between the Professional grade illustration board and the student grade illustration board: Primarily the Professional Boards are thicker and constructed of a higher quality surface paper - 100% cotton fibre acid-free. They are more warp resistant and can accept more aggressive wash applications than the student boards.

The Studio Marker Board from Crescent is ideal for airbrush illustrations. The special surface structure makes them ideal for etching and erasing techniques, and it can also withstand wet-in-wet techniques.

Crescent Student Grade Illustration Board is an economical board, available in Cold Press (NOT) and Hot Press. The Hot Press smooth surface is suited to a wide range of techniques including pen, pencil and ink. The difference between the Professional grade illustration board and the student grade illustration board: Primarily the Professional Boards are thicker and constructed of a higher quality surface paper - 100% cotton fibre acid-free. They are more warp resistant and can accept more aggressive wash applications than the student boards.

Crescent Professional Grade Cold Press (NOT) Illustration Boards have a textured surface designed primarily for pencil, pastel, ink, airbrush, washes, light collage and wet media.

The textured surface of a Cold Press board permits the medium to be applied without fast absorption, which in turn allows the washes to blend smoothly. Made of 100% cotton fibre acid-free paper on a high quality board to create a balanced tension that prevents warping.

The difference between the Professional grade illustration board and the student grade illustration board:

Primarily the Professional Boards are thicker and constructed of a higher quality surface paper – 100% cotton fibre acid-free. They are more warp resistant and can accept more aggressive wash applications than the student boards.

This Multimedia Artboard can be used with a wide range of mediums including acrylic, oil, watercolour, gouache, charcoal, pastel, pencil & more.An innovative combination of paper and epoxy resin means the board will not buckle when wet and can be sanded, scraped and moulded. It can be used on either side, one has a textured finish, the other smoother and flatter. Gesso can be applied for a less absorbent surface

This Multimedia Artboard can be used with a wide range of mediums including acrylic, oil, watercolour, gouache, charcoal, pastel, pencil & more.An innovative combination of paper and epoxy resin means the board will not buckle when wet and can be sanded, scraped and moulded. It can be used on either side, one has a textured finish, the other smoother and flatter. Gesso can be applied for a less absorbent surface

This Multimedia Artboard can be used with a wide range of mediums including acrylic, oil, watercolour, gouache, charcoal, pastel, pencil & more.An innovative combination of paper and epoxy resin means the board will not buckle when wet and can be sanded, scraped and moulded. It can be used on either side, one has a textured finish, the other smoother and flatter. Gesso can be applied for a less absorbent surface

This Multimedia Artboard can be used with a wide range of mediums including acrylic, oil, watercolour, gouache, charcoal, pastel, pencil & more.An innovative combination of paper and epoxy resin means the board will not buckle when wet and can be sanded, scraped and moulded. It can be used on either side, one has a textured finish, the other smoother and flatter. Gesso can be applied for a less absorbent surface

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

Crescent Student Grade Illustration Board is an economical board, available in Cold Press (NOT) and Hot Press. The medium textured Cold Press (NOT) surface is suited to a wide range of techniques including pastel and light collage. The difference between the Professional grade illustration board and the student grade illustration board: Primarily the Professional Boards are thicker and constructed of a higher quality surface paper - 100% cotton fibre acid-free. They are more warp resistant and can accept more aggressive wash applications than the student boards.