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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, First World War to 1960

The Routledge Companion to Surrealism (Hardcover): Kirsten Strom The Routledge Companion to Surrealism (Hardcover)
Kirsten Strom
R5,851 Discovery Miles 58 510 Ships in 12 - 17 working days

This book provides a conceptual and global overview of the field of Surrealist studies. Methodologically, the companion considers Surrealism's many achievements, but also its historical shortcomings, to illuminate its connections to the historical and cultural moment(s) from which it originated and to assess both the ways in which it still shapes our world in inspiring ways and the ways in which it might appear problematic as we look back at it from a twenty-first-century vantage point. Contributions from experienced scholars will enable professors to teach the subject more broadly, by opening their eyes to aspects of the field that are on the margins of their expertise, and it will enable scholars to identify new areas of study in their own work, by indicating lines of research at a tangent to their own. The companion will reflect the interdisciplinarity of Surrealism by incorporating discussions pertaining to the visual arts, as well as literature, film, and political and intellectual history.

The Lawn Road Flats - Spies, Writers and Artists (Paperback): David Burke The Lawn Road Flats - Spies, Writers and Artists (Paperback)
David Burke
R612 R555 Discovery Miles 5 550 Save R57 (9%) Ships in 9 - 15 working days

The story of a modernist building with a significant place in the history of Soviet espionage in Britain, where communist spies rubbed shoulders with British artists, sculptors and writers The Isokon building, also know as Lawn Road Flats, in London was the haunt of some of the most prominent Soviet agents working against Britain in the 1930s and 40s, among them Arnold Deutsch, the controller of the group of Cambridge spies who came to be known as the "Magnificent Five" after the Western movie The Magnificent Seven; the photographer Edith Tudor-Hart; and Melita Norwood, the longest-serving Soviet spy in British espionage history (andinspiration for Judi Dench's character in Red Joan). However, it wasn't only spies who were attracted to the Lawn Road Flats. The crime writer Agatha Christie wrote her only spy novel N or M? in the Flats, and anumber of other artists, architects and writers were also drawn there, among them the Bauhaus exiles Walter Gropius, Laszlo Moholy-Nagy and Marcel Breuer; the sculptors and painters Henry Moore and Barbara Hepworth; the novelist Nicholas Monsarrat; the writer and founder of The Good Food Guide Raymond Postgate; and the poet (and Bletchley Park intelligence officer) Charles Brasch. The Isokon building boasted its own restaurant and dining club, wheremany of the Flats' most famous residents rubbed shoulders with some of the most dangerous communist spies ever to operate in Britain. Agatha Christie often said that she invented her characters from what she observed going on around her. With the Kuczynskis - probably the most successful family of spies in the history of espionage - in residence, she would have had plenty of material. This book tells the story of a remarkable Modernist building and its even more extraordinary cast of characters. DAVID BURKE is a historian of intelligence and international relations and author of The Spy Who Came In From the Co-op: Melita Norwood and the Ending of Cold War Espionage and Russia and the British Left: From the 1848 Revolutions to the General Strike.

Vita - The Life of Vita Sackville-West (Paperback): Victoria Glendinning Vita - The Life of Vita Sackville-West (Paperback)
Victoria Glendinning
R413 Discovery Miles 4 130 Ships in 12 - 17 working days

The Whitbread Prize-winning biography of Vita Sackville-West. Vita Sackville-West was a vital, gifted and complex woman. A dedicated writer, she made her mark as poet, novelist, biographer, travel writer, journalist and broadcaster. She was also one of the most influential English gardeners of the century, creating with her husband the famous gardens at Sissinghurst. In her Whitbread Prize-winning biography, Glendinning documents Vita's extraordinary life, focusing on her relationships with Violet Trefusis, Virginia Woolf, her husband, and her two sons together with her unpublicised love affairs. Vita was determined to be more than just a married woman and mother; her passionate, secretive character, and the strains, mistakes and achievements of her remarkable life makes this an absorbing and disturbing book.

Rothko (Hardcover): Jacob Baal-Teshuva Rothko (Hardcover)
Jacob Baal-Teshuva 1
R370 Discovery Miles 3 700 Ships in 12 - 17 working days

Resisting interpretation or classification, Mark Rothko (1903-1970) was a prominent advocate for the artist's consummate freedom of expression. Although identified as a key protagonist of the Abstract Expressionist movement, first formed in New York City, Rothko rejected the label and insisted instead on "a consummated experience between picture and onlooker." Following a repertoire of figurative works, Rothko developed his now iconic canvases of bold color blocks in red, yellow, ochre, maroon, black, or green. With these shimmering, pulsating color masses, Rothko stressed that he had not removed the human figure but rather put symbols or shapes in its place. These intense color forms contained all the tragedy of the human condition. At the same time, Rothko explicitly empowered the viewer in the expressive potential of his work. He believed "A picture lives by companionship, expanding and quickening in the eyes of the sensitive observer." From his early development through to his most famous color fields, this book introduces the intellect and influence of Rothko's dramatic, intimate, and revolutionary work. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

Cyril Mann - The Solid Shadow Paintings (Paperback): Piano Nobile Publications Cyril Mann - The Solid Shadow Paintings (Paperback)
Piano Nobile Publications
R598 R467 Discovery Miles 4 670 Save R131 (22%) Ships in 12 - 17 working days

Published to accompany Piano Nobile's exhibition of the same title, Cyril Mann: The Solid Shadow Paintings, is the first book to describe this vivid and art historically significant group of still-life paintings. As well as including a fully-illustrated catalogue of the exhibition, the book describes how Mann's solid shadow style emerged in the early nineteen-fifties. Though Mann spent the rest of his career painting natural light, the solid shadow paintings were made under the glow of an electric lightbulb. After moving into a lightless flat at Old Street, Mann's pictures began to course with unnatural, electric colour. For the first time, he noticed the line that joins together an object with the shadow it casts. He depicted this line in his paintings as if it were itself a solid object, laid on the table before him beside apples and Pelican paperbacks. Undertaken between 1951 and 1957, Mann's solid shadow paintings were a dazzling interjection in the subdued art world of fifties Britain. This was his most original period and it stands as his lasting contribution to the history of twentieth-century painting. These works have never been displayed together before and the accompanying exhibition to this catalogue will provide an insight into the artist's radiant formal language.

The Duchamp Dictionary (Hardcover, New): Thomas Girst The Duchamp Dictionary (Hardcover, New)
Thomas Girst
R526 R458 Discovery Miles 4 580 Save R68 (13%) Ships in 12 - 17 working days

Marcel Duchamp (1887-1968) has entered mainstream culture as one of the founding fathers of modern art. Despite his popularity, books on Duchamp often shroud his work in theoretical and critical writing. Here, instead, is a book exploring the artist's life and work in a thoroughly new and engaging manner, with short, alphabetical dictionary entries written in lively, jargon- free prose that at last allow Duchamp's work and influence to be accessible and enjoyable for a wide audience. The book features more than 200 entries on the most interesting and important artworks, relationships, people and ideas in Duchamp's life, from chess, puns, the fourth dimension, love and genius, to the Bicycle Wheel and Fountain, Walter and Louise Arensberg, Peggy Guggenheim, Katherine S. Dreier and Arturo Schwarz. A contextual introduction shows how the dictionary form has been an inspiration to artists and writers from Flaubert to the Surrealists. Underpinned by the latest scholarship and research, Thomas Girst's texts show how, in the words of contemporary artist Thomas Hirschhorn, Duchamp was 'the most intelligent mind of his time'.

Long Live Great Bardfield - The Autobiography of Tirzah Garwood (Paperback): Tirzah Garwood Long Live Great Bardfield - The Autobiography of Tirzah Garwood (Paperback)
Tirzah Garwood; Edited by Anne Ullmann; Preface by Anne Ullmann
R528 Discovery Miles 5 280 Ships in 9 - 15 working days
Peter Coker - Mind and Matter (Paperback): Piano Nobile Publications Peter Coker - Mind and Matter (Paperback)
Piano Nobile Publications
R754 R592 Discovery Miles 5 920 Save R162 (21%) Ships in 12 - 17 working days

Peter Coker: Mind and Matter is a fully-illustrated catalogue presenting a selection of exceptional works by Peter Coker (1926-2004), bringing together pieces spanning the early 1950s through to the mid-1980s. The first publication focusing on Coker's works in over a decade, the catalogue will seek to reassess Coker's contribution to post-war figurative British art. Situating Coker within his contemporary British zeitgeist, Peter Coker: Mind and Matter will also focus on the significance of international artists to Coker's work, particularly Gustave Courbet and Nicolas de Stael. Undertaking modern day pilgrimages across France, Coker toured the sites favoured by the artists he revered, filtering their influence through the specificity of place. Coker was too talented an artist to mimic, but with acute sensitivity and perception, his vision of the world was constantly altered by the art that touched him. Correspondingly, his mode of depiction was subject to an ever-persistent evolution but with the materiality of paint and the primacy of process always at the heart of his practice. In Coker's words: "I think when you see exhibitions...you challenge your own thoughts, you refurbish the mind and eye, you are remoulded." The publication includes an introductory essay, a catalogue of carefully selected works with accompanying descriptions, a chronology, a bibliography, and numerous colour illustrations.

Meanings of Abstract Art - Between Nature and Theory (Paperback): Paul Crowther, Isabel Wunsche Meanings of Abstract Art - Between Nature and Theory (Paperback)
Paul Crowther, Isabel Wunsche
R1,277 Discovery Miles 12 770 Ships in 12 - 17 working days

Traditional art is based on conventions of resemblance between the work and that which it is a representation "of". Abstract art, in contrast, either adopts alternative modes of visual representation or reconfigures mimetic convention. This book explores the relation of abstract art to nature (taking nature in the broadest sense-the world of recognisable objects, creatures, organisms, processes, and states of affairs). Abstract art takes many different forms, but there are shared key structural features centered on two basic relations to nature. The first abstracts from nature, to give selected aspects of it a new and extremely unfamiliar appearance. The second affirms a natural creativity that issues in new, autonomous forms that are not constrained by mimetic conventions. (Such creativity is often attributed to the power of the unconscious.) The book covers three categories: classical modernism (Mondrian, Malevich, Kandinsky, Arp, early American abstraction); post-war abstraction (Pollock, Still, Newman, Smithson, Noguchi, Arte Povera, Michaux, postmodern developments); and the broader historical and philosophical scope.

The Screen in Surrealist Art and Thought (Paperback): Haim Finkelstein The Screen in Surrealist Art and Thought (Paperback)
Haim Finkelstein
R1,621 Discovery Miles 16 210 Ships in 12 - 17 working days

An interrogation of the notion of space in Surrealist theory and philosophy, this study analyzes the manifestations of space in the paintings and writings done in the framework of the Surrealist Movement. Haim Finkelstein introduces the 'screen' as an important spatial paradigm that clarifies and extends the understanding of Surrealism as it unfolds in the 1920s, exploring the screen and layered depth as fundamental structuring principles associated with the representation of the mental space and of the internal processes that eventually came to be linked with the Surrealist concept of psychic automatism. Extending the discussion of the concepts at stake for Surrealist visual art into the context of film, literature and criticism, this study sheds new light on the way 'film thinking' permeates Surrealist thought and aesthetics. In early chapters, Finkelstein looks at the concept of the screen as emblematic of a strand of spatial apprehension that informs the work of young writers in the 1920s, such as Robert Desnos and Louis Aragon. He goes on to explore the way the spatial character of the serial films of Louis Feuillade intimated to the Surrealists a related mode of vision, associated with perception of the mystery and the Marvelous lurking behind the surfaces of quotidian reality. The dialectics informing Surrealist thought with regard to the surfaces of the real (with walls, doors and windows as controlling images), are shown to be at the basis of Andre Breton's notion of the picture as a window. Contrary to the traditional sense of this metaphor, Breton's 'window' is informed by the screen paradigm, with its surface serving as a locus of a dialectics of transparency and opacity, permeability and reflectivity. The main aesthetic and conceptual issues that come up in the consideration of Breton's window metaphor lay the groundwork for an analysis of the work of Giorgio de Chirico, Rene Magritte, Max Ernst, Andre Masson, and Joan Miro. The concluding chapter considers several issues that dominate the Surrealist spatiality in the 1930s. Derived from the various spatial concepts associated with the screen paradigm, at times in contradistinction to them, these issues, as the author argues, reflect a gradual eclipse of the screen paradigm in the early years of the decade.

Surrealism in Britain (Paperback): Michael Remy Surrealism in Britain (Paperback)
Michael Remy
R991 Discovery Miles 9 910 Ships in 12 - 17 working days

This book was originally published in 1999, and is the first comprehensive study of the British surrealist movement and its achievements. Lavishly illustrated, the book provides a year-by-year narrative of the development of surrealism among artists, writers, critics and theorists in Britain. Surrealism was imported into Britain from France by pioneering little magazines. The 1936 International Surrealist Exhibition in London, put together by Herbert Read and Roland Penrose, marked the first attempt to introduce the concept to a wider public. Relations with the Soviet Union, the Spanish Civil War and World War Two fractured the nascent movement as writers and artists worked out their individual responses and struggled to earn a living in wartime. The book follows the story right through to the present day. Michael Remy draws on 20 years of studying British surrealism to provide this authoritative and biographically rich account, a major contribution to the understanding of the achievements of the artists and writers involved and their allegiance to this key twentieth-century movement.

World War I and American Art (Hardcover): Robert Cozzolino, Anne Classen Knutson, David M. Lubin World War I and American Art (Hardcover)
Robert Cozzolino, Anne Classen Knutson, David M. Lubin; Contributions by Pearl James, Amy Helene Kirschke, …
R1,603 R1,380 Discovery Miles 13 800 Save R223 (14%) Ships in 12 - 17 working days

World War I had a profound impact on American art and culture. Nearly every major artist responded to events, whether as official war artists, impassioned observers, or participants on the battlefields. It was the moment when American artists, designers, and illustrators began to consider the importance of their contributions to the wider world and to visually represent the United States' emergent role in modern global politics. World War I and American Art provides an unprecedented consideration of the impact of the conflict on American artists and the myriad ways they reacted to it. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the appalling human toll was mourned and memorialized. World War I and American Art features some eighty artists--including Ivan Albright, George Bellows, Marsden Hartley, Childe Hassam, Violet Oakley, Georgia O'Keeffe, Man Ray, John Singer Sargent, and Claggett Wilson--whose paintings, sculptures, drawings, prints, photographs, posters, and ephemera span the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art. Taking readers from the home front to the battlefront, this landmark book will remain the definitive reference on a pivotal moment in American modern art for years to come. Exhibition schedule: * Pennsylvania Academy of the Fine Arts November 4, 2016-April 9, 2017* New-York Historical Society May 26-September 3, 2017* Frist Center for the Visual Arts, Nashville October 6, 2017-January 21, 2018

Surrealism: Key Concepts (Hardcover): Krzysztof Fijalkowski, Michael Richardson Surrealism: Key Concepts (Hardcover)
Krzysztof Fijalkowski, Michael Richardson
R3,469 Discovery Miles 34 690 Ships in 12 - 17 working days

Emerging from the disruption of the First World War, surrealism confronted the resulting 'crisis of consciousness' in a way that was arguably more profound than any other cultural movement of the time. The past few decades have seen an expansion of interest in surrealist writers, whose contribution to the history of ideas in the twentieth-century is only now being recognised. Surrealism: Key Concepts is the first book in English to present an overview of surrealism through the central ideas motivating the popular movement. An international team of contributors provide an accessible examination of the key concepts, emphasising their relevance to current debates in social and cultural theory. This book will be an invaluable guide for students studying a range of disciplines, including Philosophy, Anthropology, Sociology and Cultural Studies, and anyone who wishes to engage critically with surrealism for the first time. Contributors: Dawn Ades, Joyce Cheng, Jonathan P. Eburne, Krzysztof Fijalkowski, Guy Girard, Raihan Kadri, Michael Loewy, Jean-Michel Rabate, Michael Richardson, Donna Roberts, Bertrand Schmitt, Georges Sebbag, Raymond Spiteri, and Michael Stone-Richards.

Vladimir Markov and Russian Primitivism - A Charter for the Avant-Garde (Hardcover, New Ed): Jeremy Howard, Irena Buzinska,... Vladimir Markov and Russian Primitivism - A Charter for the Avant-Garde (Hardcover, New Ed)
Jeremy Howard, Irena Buzinska, Z.S. Strother
R3,935 Discovery Miles 39 350 Ships in 12 - 17 working days

Hailed as a brilliant theoretician, Voldemars Matvejs (best known by his pen name Vladimir Markov) was a Latvian artist who spearheaded the Union of Youth, a dynamic group championing artistic change in Russia, 1910-14. His work had a formative impact on Malevich, Tatlin, and the Constructivists before it was censored during the era of Soviet realism. This volume introduces Markov as an innovative and pioneering art photographer and assembles, for the first time, five of his most important essays. The translations of these hard-to-find texts are fresh, unabridged, and authentically poetic. Critical essays by Jeremy Howard and Irena Buzinska situate his work in the larger phenomenon of Russian 'primitivism', i.e. the search for the primal. This book challenges hardening narratives of primitivism by reexamining the enthusiasm for world art in the early modern period from the perspective of Russia rather than Western Europe. Markov composed what may be the first book on African art and Z.S. Strother analyzes both the text and its photographs for their unique interpretation of West African sculpture as a Kantian 'play of masses and weights'. The book will appeal to students of modernism, orientalism, 'primitivism', historiography, African art, and the history of the photography of sculpture.

Ravilious in Pictures, 4 - Travelling Artist (Hardcover): James Russell Ravilious in Pictures, 4 - Travelling Artist (Hardcover)
James Russell; Edited by Tim Mainstone; Illustrated by Eric William Ravilious 1
R780 R705 Discovery Miles 7 050 Save R75 (10%) Ships in 9 - 15 working days
The Power and Fluidity of Girlhood in Henry Darger's Art (Hardcover): Leisa Rundquist The Power and Fluidity of Girlhood in Henry Darger's Art (Hardcover)
Leisa Rundquist
R1,517 Discovery Miles 15 170 Ships in 12 - 17 working days

This book is the first to examine Henry Darger's conceptual and visual representation of "girls" and girlhood. Specifically, Leisa Rundquist charts the artist's use of little girl imagery-his direct appropriations from mainstream sources as well as girls modified to meet his needs-in contexts that many scholars have read as puerile and psychologically disturbed. Consequently, this inquiry qualifies the intersexed aspects of Darger's protagonists as well as addresses their inherent cute and little associations that signal multivocal meanings often in conflict with each other. Rundquist engages Darger's art through thematic analyses of the artist's writings, mature works, collages, and ephemeral materials. This book will be of particular interest to scholars in art history, art and gender studies, sociology, and contemporary art.

Architecture, Design and Craft in Toronto 1900-1940 - Creating Modern Living (Hardcover, New Ed): Alla Myzelev Architecture, Design and Craft in Toronto 1900-1940 - Creating Modern Living (Hardcover, New Ed)
Alla Myzelev
R4,218 Discovery Miles 42 180 Ships in 12 - 17 working days

Toronto - the largest and one of the most multicultural cities in Canada - boasts an equally interesting and diverse architectural heritage. Architecture, Design and Craft in Toronto 1900-1940 tells a story of the significant changes in domestic life in the first 40 years of the twentieth century. Adopting a multidisciplinary approach to studies of residential spaces, the author examines how questions of modernity and modern living influenced not only architectural designs but also interior furnishings, modes of transportation and ways to spend leisure time. The book discusses several case studies, some of which are known both locally and internationally (for example Casa Loma), while others such as Guild of All Arts or Sherwood have been virtually unstudied by historians of visual culture. The overall goal of the book is to put Toronto on the map of scholars of urban design and architecture and to uncover previously unknown histories of design, craft and domesticity in Toronto. This study will be of interest not only to the academic community (namely architects, designers, craftspeople and scholars of these disciplines, along with social historians), but also the general public interested in local history and/or visual culture.

Hot Art, Cold War - Southern and Eastern European Writing on American Art 1945-1990 (Hardcover): Claudia Hopkins, Iain Boyd... Hot Art, Cold War - Southern and Eastern European Writing on American Art 1945-1990 (Hardcover)
Claudia Hopkins, Iain Boyd Whyte
R6,183 Discovery Miles 61 830 Ships in 12 - 17 working days

Hot Art, Cold War - Southern and Eastern European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. Translated into English for the first time from sixteen languages and introduced by scholarly essays, the texts in this volume offer a representative selection of the diverse responses to American art in Portugal, Italy, Spain, Greece, Yugoslavia, Romania, Bulgaria, Soviet Union (including the Baltic States), Czechoslovakia, Poland, Hungary, and East Germany (GDR). There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War - Northern and Western European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism.

Surrealism, Politics and Culture (Paperback): Raymond Spiteri, Donald LaCoss Surrealism, Politics and Culture (Paperback)
Raymond Spiteri, Donald LaCoss
R1,111 Discovery Miles 11 110 Ships in 12 - 17 working days

This title was first published in 2003. Drawing on literary, art historical and historical studies, this essay collection explores the complex encounter between culture and politics within Surrealism. The Surrealist movement was one of the first cultural movements to question explicitly the relation between culture and politics, and its attempt to fuse social and cultural revolution has been a critical factor in shaping our sense of modernity. This anthology addresses not only the contested ground between culture and politics within Surrealism itself, and within the subsequent historical accounts of the movement, but also the broader implications of this encounter on our own sense of modernity. Its goal is to delineate the role of radical politics in shaping the historical trajectory of Surrealism.

Ravilious in Pictures, 2 - War Paintings (Hardcover): James Russell Ravilious in Pictures, 2 - War Paintings (Hardcover)
James Russell; Edited by Tim Mainstone; Illustrated by Eric William Ravilious
R779 R704 Discovery Miles 7 040 Save R75 (10%) Ships in 9 - 15 working days

'Ravilious in Pictures: The War Paintings' celebrates and commemorates the wartime career of Eric Ravilious, who died on active service in Iceland at the age of 39. One of a series of books, it creates a vivid portrait both of the artist himself and of life in wartime Britain.

Harold Rosenberg - A Critic's Life (Hardcover): Debra Bricker Balken Harold Rosenberg - A Critic's Life (Hardcover)
Debra Bricker Balken
R999 Discovery Miles 9 990 Ships in 9 - 15 working days

Despite being one of the foremost American intellectuals of the mid-twentieth century, Harold Rosenberg (1906-1978) was utterly incapable of fitting in-and he liked it that way. Signature cane in one hand and a cigarette in the other, he cut a distinctive figure on the New York City culture scene, with his radiant dark eyes and black bushy brows. A gangly giant at six foot four, he would tower over others as he forcefully expounded on his latest obsession in an oddly high-pitched, nasal voice. And people would listen, captivated by his ideas. With Harold Rosenberg: A Critic's Life, Debra Bricker Balken offers the first-ever complete biography of this great and eccentric man. Although he is now known mainly for his role as an art critic at the New Yorker from 1962 to 1978, Balken weaves together a complete tapestry of Rosenberg's life and literary production, cast against the dynamic intellectual and social ferment of his time. She explores his role in some of the most contentious cultural debates of the Cold War period, including those over the commodification of art and the erosion of individuality in favor of celebrity, demonstrated in his famous essay "The Herd of Independent Minds." An outspoken socialist and advocate for the political agency of art, he formed deep alliances with figures such as Hannah Arendt, Saul Bellow, Paul Goodman, Mary McCarthy, Jean-Paul Sartre, Willem de Kooning, and Jackson Pollock, all of whom Balken brings to life with vivid accounts from Rosenberg's life. Thoroughly researched and captivatingly written, this book tells in full Rosenberg's brilliant, fiercely independent life and the five decades in which he played a leading role in US cultural, intellectual, and political history.

Bohm-Biederman Correspondence - Creativity in Art and Science (Paperback): Charles Biederman, David Bohm Bohm-Biederman Correspondence - Creativity in Art and Science (Paperback)
Charles Biederman, David Bohm; Edited by Paavo Pylkkanen
R1,612 Discovery Miles 16 120 Ships in 12 - 17 working days

"It was sheer chance that I encountered David Bohm's writing in 1958 ... I knew nothing about him. What struck me about his work and prompted my initial letter was his underlying effort to seek for some larger sense of reality, which seemed a very humanized search." - Charles Biederman, from the foreword of the book
This book marks the beginning of a four thousand page correspondence between Charles Biederman, founder of Constructivism in the 1930s, and David Bohm the prestigious physicist known for his interpretation of quantum theory. Available for the first time, we are given a rare opportunity to read through and engage in a remarkable transatlantic, intellectual discussion on art and science, creativity and theory.

Wordworks (Hardcover): Desmond Morris Wordworks (Hardcover)
Desmond Morris
R921 Discovery Miles 9 210 Ships in 12 - 17 working days
Dada 1916 in Theory - Practices of Critical Resistance (Paperback): Dafydd Jones Dada 1916 in Theory - Practices of Critical Resistance (Paperback)
Dafydd Jones
R899 Discovery Miles 8 990 Ships in 12 - 17 working days

Dada formed in 1916, embedded in a world of rational appearances that belied a raging confusion - in the middle of the First World War, in the neutral centre of a warring continent, fundamentally at the heart of Western art. This book sets out new coordinates in revision of a formation that Western art history routinely exhausts through its characterisation as a 'revolutionary movement' of anarchic cultural dissent, and does so in order to contest the perpetuated assumptions about Dada that underlie the popular myth. Dada is difficult and the response to it is not easy, and what emerge from the theoretical readings developed here are profoundly rational bases to the Dada non-sense that pitted itself against its civilised age, critically and implicitly to propose that Dada courses as vitally today as it did in 1916. The Zurich Dada formation initiated deliberate and strategic cultural engagements that struggled then, as they do now, to cohere in any sense as a 'movement', extreme in their ranges as diametrically hostile oppositionalities. Dada may be given art historically as identifiable along a trajectory of sustained ruptures and seizures, but it confounds all attempts at defined or definitive readings. This book duly offers not a history of Dada in Zurich but theoretical engagements of the emergencies and now the residue of the years 1916-19 - from 'lautgedichte' to laughter, masks to manifestos, chance to chiasmata - rounding to the 'permanent' Dada by which the formation ultimately breaks the containment and deep peace of art historical chronology.

Dragging Away - Queer Abstraction in Contemporary Art (Paperback): Lex Morgan Lancaster Dragging Away - Queer Abstraction in Contemporary Art (Paperback)
Lex Morgan Lancaster
R626 Discovery Miles 6 260 Ships in 12 - 17 working days

In Dragging Away Lex Morgan Lancaster traces the formal and material innovations of contemporary queer and feminist artists, showing how they use abstraction as a queering tactic for social and political ends. Through a process Lancaster theorizes as a drag-dragging past aesthetics into the present and reworking them while pulling their work away from direct representation-these artists reimagine midcentury forms of abstraction and expose the violence of the tendency to reduce abstract form to a bodily sign or biographical symbolism. Lancaster outlines how the geometric enamel objects, grid paintings, vibrant color, and expansive installations of artists ranging from Ulrike Muller, Nancy Brooks Brody, and Lorna Simpson to Linda Besemer, Sheila Pepe, and Shinique Smith offer direct challenges to representational and categorical legibility. In so doing, Lancaster demonstrates that abstraction is not apolitical, neutral, or universal; it is a form of social praxis that actively contributes to queer, feminist, critical race, trans, and crip politics.

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