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Killing Men & Dying Women - Imagining Difference in 1950s New York Painting (Paperback)
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Killing Men & Dying Women - Imagining Difference in 1950s New York Painting (Paperback)
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What did it mean for painter Lee Krasner to be an artist and a
woman if, in the culture of 1950s New York, to be an artist was to
be Jackson Pollock and to be a woman was to be Marilyn Monroe? With
this question, Griselda Pollock begins a transdisciplinary journey
across the gendered aesthetics and the politics of difference in
New York abstract, gestural painting. Revisiting recent exhibitions
of Abstract Expressionism that either marginalised the artist-women
in the movement or focused solely on the excluded women, as well as
exhibitions of women in abstraction, Pollock reveals how theories
of embodiment, the gesture, hysteria and subjectivity can deepen
our understanding of this moment in the history of painting
co-created by women and men. Providing close readings of key
paintings by Lee Krasner and re-thinking her own historic
examination of images of Jackson Pollock and Helen Frankenthaler at
work, Pollock builds a cultural bridge between the New York
artist-women and their other, Marilyn Monroe, a creative actor
whose physically anguished but sexually appropriated star body is
presented as pathos formula of life energy. Monroe emerges as a
haunting presence within this moment of New York modernism, eroding
the policed boundaries between high and popular culture and
explaining what we gain by re-thinking art with the richness of
feminist thought. -- .
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