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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects
Celebrating the magick of the natural realm, Volume IV of The
Library of Esoterica, delves into the symbolism, ceremony, and our
ritual relationships with the botanical world. A visual journey
through our interdependent evolution with nature, Plant Magick
celebrates botanicals as creative muse - from ancient Greek
sculptures to Renaissance paintings to visionary art inspired by
psychoactive plants, cacti, and mushrooms. Our myths, beliefs, and
shared stories are continually reflected in nature; purity
represented by the white lily or spiritual awakening by the bloom
of the lotus. Our joys and laments are mirrored in the cycle of the
seasons, in the seed birthing sprout, or in the dead leaf falling
softly from winter branches. Plants, trees, and flowers as
signifiers of transition are also deeply embedded within rites of
passage rituals across global cultures. Rose petals strewn along
the wedding aisle mark the evolution into womanhood and marriage. A
wreath of lilies stands sentinel over an open grave. A lover's
bouquet awaits on the doorstep. The wooden May Day pole is circled
by girls wearing crowns of woven daisies, celebrating the coming of
spring. Birth, unions, and burials - cycles of joyful celebration
and deep grieving, all are marked symbolically with herbs, flowers
or branches of a tree - the integration of nature into ceremony our
method of signifying catharsis. Since time immemorial, plants have
also served as potent symbols within the religions of the world;
Buddha attaining enlightenment under the Bodhi Tree, Eve plucking
the Apple of Knowledge in the Garden of Eden. From root to vibrant
blossom, Plant Magick explores the fertile, interconnected history
between plants and people, the multitude of ways in which we
embrace plants in spiritual ceremony, as healing medicine, as
creative muse and as gateways into deeper explorations of
consciousness. About the series The Library of Esoterica explores
how centuries of artists have given form to mysticism, translating
the arcane and the obscure into enduring, visionary works of art.
Each subject is showcased through both modern and archival imagery
culled from private collectors, libraries, and museums around the
globe. The result forms an inclusive visual history, a study of our
primal pull to dream and nightmare, and the creative ways we strive
to connect to the divine.
Transforming Saints explores the transformation and function of the
images of holy females within wider religious, social, and
political contexts of Old Spain and New Spain from the Spanish
conquest to Mexican independence. The chapters here examine the
rise of the cults of the lactating Madonna, St. Anne, St. Librada,
St. Mary Magdalene, and the Suffering Virgin. Concerned with holy
figures presented as feminine archetypes, images that came under
Inquisition scrutiny, as well as cults suspected of concealing
indigenous influences, Charlene VillaseNor Black argues that these
images would come to reflect the empowerment and agency of women in
viceregal Mexico. Her close analysis of the imagery additionally
demonstrates artists' innovative responses to Inquisition
censorship and the new artistic demands occasioned by conversion.
The concerns that motivated the twenty-first century protests
against Chicana artists Yolanda LOpez in 2001 and Alma LOpez in
2003 have a long history in the Hispanic world-anxieties about the
humanization of sacred female bodies and fears of indigenous
influences infiltrating Catholicism. In this context Black also
examines a number of important artists in depth, including El
Greco, Murillo, Jusepe de Ribera, and Pedro de Mena in Spain and
Naples and Baltasar de Echave IbIa, Juan Correa, CristObal de
Villalpando, and Miguel Cabrera.
Ceramicists searching for new ways to fire their creations now have
a wealth of options. Authors James Watkins and Paul Wandless, along
with a group of distinguished artisans, demonstrate in detail how
to build low-cost, low-tech, yet high-quality kilns and varied
firing techniques. The plans range from an easy, affordable and
versatile Raku Kiln to a unique wood-fuelled Downdraft Stovepipe
Barrel kiln. These clever devices make it possible to produce rich
surface effects from alternative reduction firing techniques. In
addition to showing the basic procedures for using each kiln,
easy-to-follow directions for many fast-fire methods unfold in
color photographs: you'll see how to achieve terra sigillata
surfaces with direct chemical application and how to do traditional
crackle-glaze raku and smoke finishes.
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