"Along the Archival Grain" offers a unique methodological and analytic opening to the affective registers of imperial governance and the political content of archival forms. In a series of nuanced mediations on the nature of colonial documents from the nineteenth-century Netherlands Indies, Ann Laura Stoler identifies the social epistemologies that guided perception and practice, revealing the problematic racial ontologies of that confused epistemic space.

Navigating familiar and extraordinary paths through the lettered lives of those who ruled, she seizes on moments when common sense failed and prevailing categories no longer seemed to work. She asks not what colonial agents knew, but what happened when what they thought they knew they found they did not. Rejecting the notion that archival labor be approached as an extractive enterprise, Stoler sets her sights on archival production as a consequential act of governance, as a field of force with violent effect, and not least as a vivid space to do ethnography.

'What joy to be at sea again, adrift on the vast Pacific, in the clutches of a gifted storyteller. Harrison Christian and the mutineers of Men Without Country held me happily captive to the very last page.' - Dava Sobel, author of Longitude 'Men Without Country shows what a writer can produce when he has real skin in the game... Harrison Christian sets the record straight on the Bounty mutiny with forensic fervour, including the before, the during - and the after.' - Adam Courtenay, author of The Ship that Never Was Full of misadventure and mystery, Men Without Country is a sweeping history of exploration and rebellion in the South Seas - told by a direct descendant of Fletcher Christian, the man who led the infamous mutiny on the Bounty A mission to collect breadfruit from Tahiti becomes the most famous mutiny in history when the crew rise up against Captain William Bligh, with accusations of food restrictions and unfair punishments. Bligh's remarkable journey back to safety is well documented, but the fates of the mutinous men remain shrouded in mystery. Some settled in Tahiti only to face capture and court martial, others sailed on to form a secret colony on Pitcairn Island, the most remote inhabited island on earth, avoiding detection for twenty years. When an American captain stumbled across the island in 1808, only one of the Bounty mutineers was left alive. Told by a direct descendant of Fletcher Christian, Men Without Country details the journey of the Bounty, and the lives of the men aboard. Lives dominated by a punishing regime of hard work and scarce rations, and deeply divided by the hierarchy of class. It is a tale of adventure and exploration punctuated by moments of extreme violence - towards each other and the people of the South Pacific. For the first time, Christian provides a comprehensive and compelling account of the whole story - from the history of trade and exploration in the South Seas to Pitcairn Island, which provided the mutineers' salvation, and then became their grave.

It seems that not even world war could stop crime in Sydney. In fact, World War Noir confirms that war and crime - in the form of sex, drugs, alcohol, racketeering and other illicit activities - go hand in hand. A companion book to the later glory days of the Sydney underworld from Sydney Noir, here Michael Duffy and Nick Hordern tell the story of a time when many Australians were not as patriotic as we have been told. With soldiers' pockets full of cash and the freedom of being on leave, criminal possibilities opened up during World War II. Told from the ground - or the gutter - up, World War Noir is a raw and broad-ranging tale that confounds expectations and reveals a grittier truth. Sales Points Vividly describes the leading characters of the Sydney underworld during World War II including corrupt cops, prostitutes, gunmen, sly grog traders and bookmakers Provides an alternative history of Sydney during World War II, depicting a city far less patriotic, and far more hell bent on pleasure, than we have been led to believe Taps into the popular non-fiction crime genre Written in the same bold, engaging style as their successful book Sydney Noir Duffy and Hordern are experienced journalists known for their interest in Sydney's crime history A new way of thinking about war on the homefront, especially around Anzac Day Duffy and Hordern created and run the Sydney Crime Museum website and its associated Facebook page. [Duffy is about to start posting on the blog and FB again]

After decades of silence, Serving Our Country is the first comprehensive history of Aboriginal and Torres Strait Islander people's participation in the Australian defence forces. While Indigenous Australians have enlisted in the defence forces since the Boer War, for much of this time they defied racist restrictions and were denied full citizenship rights on their return to civilian life. In Serving Our Country Mick Dodson, John Maynard, Joan Beaumont, Noah Riseman and Alison Cadzow and others reveal the courage, resilience and trauma of Indigenous defence personnel and their families, and document the long struggle to gain recognition for their role in the defence of Australia.

This book tells of one of the most expansive and rapid phases of human migration in prehistory, a period during which Polynesians reached and settled nearly every archipelago scattered across some 28 million square kilometres of the Pacific Ocean, an area now known as East Polynesia. Through an engaging narrative and over 400 maps, diagrams, photographs, and illustrations, Crowe conveys some of the skills, innovation, resourcefulness, and courage of the people that drove this extraordinary feat of maritime expansion. In this masterful work, Andrew Crowe integrates a diversity of research and viewpoints in a format that is both accessible to the lay reader and required reading for any serious scholar of this fascinating region.

Featuring contributions from leading lawyers, historians and social scientists, this path-breaking volume explores encounters of laws, people, and places in Australia since 1788. Its chapters address three major themes: the development of Australian settler law in the shadow of the British Empire; the interaction between settler law and First Nations people; and the possibility of meaningful encounter between First laws and settler legal regimes in Australia. Several chapters explore the limited space provided by Australian settler law for respectful encounters, particularly in light of the High Court's particular concerns about the fragility of Australian sovereignty. Tracing the development of a uniquely Australian law and the various contexts that shaped it, this volume is concerned with the complexity, plurality, and ambiguity of Australia's legal history.

New Zealand was the last major landmass, other than Antarctica, to be settled by humans. The story of this rugged and dynamic land is beautifully narrated, from its origins in Gondwana some 80 million years ago to the twenty-first century. Philippa Mein Smith highlights the effects of the country's smallness and isolation, from its late settlement by Polynesian voyagers and colonisation by Europeans - and the exchanges that made these people Maori and Pakeha - to the dramatic struggles over land and recent efforts to manage global forces. A Concise History of New Zealand places New Zealand in its global and regional context. It unravels key moments - the signing of the Treaty of Waitangi, the Anzac landing at Gallipoli, the sinking of the Rainbow Warrior - showing their role as nation-building myths and connecting them with the less dramatic forces, economic and social, that have shaped contemporary New Zealand.

The recent floods that ravaged Queensland saw three-quarters of the state declared a disaster zone.from the capital city on the Brisbane River to remote rural communities.and caused billions of dollars worth of damage, forcing thousands to abandon their homes. This latest assault by nature reminds us all that, despite its stark beauty, the Australian landscape has a deadly edge. It is a place of flood, fire, earthquake and ferocious storms. The Australian Book of Disasters features enthralling stories of catastrophe.and survival and courage in the face of enormous odds. With chapters covering the breadth of this harsh land, it includes detailed accounts of the events burnt into Australia's national memory, from the Dunbar shipwreck in 1857 to the Black Saturday bushfires of 2009, and finishing with an in-depth look at the Queensland floods of 2010-2011. From the same series as The Australian Book of True Crime and The Australian Book of Heroism.

This book is the first of its kind to investigate the ongoing significance of industrial craft in deindustrialising places such as Australia. Providing an alternative to the nostalgic trope of the redundant factory 'craftsman', this book introduces the intriguing and little-known trade of engineering patternmaking, where objects are brought to life through the handmade 'originals' required for mass production. Drawing on oral histories collected by the author, this book highlights the experiences of industrial craftspeople in Australian manufacturing, as they navigate precarious employment, retraining, gendered career pathways, creative expression and technological change. The book argues that digital fabrication technologies may modify or transform industrial craft, but should not obliterate it. Industrial craft is about more than the rudimentary production of everyday objects: it is about human creativity, material knowledge and meaningful work, and it will be key to human survival in the troubled times ahead.

The sources of the Papua conflict are grouped into four sets of issues. First is the issue of the marginalization of indigenous Papuans, and the discriminatory impacts on them resulting from the economic development of, political conflicts in, and mass migrations to Papua since 1970. Second is the issue of the failure of development, particularly in the fields of education, health, and economic empowerment. Third is the issue of contradictions between Papuan and Jakartan constructions of political identity and history. Fourth is the issue of accountability for past state violence toward Indonesian citizens in Papua. The above four issues and agendas can be woven together to form a mutually interrelated policy strategy for comprehensive long-term resolution of the Papuan conflict.The atmosphere of Reformasi, and the existence of the accommodative Law No. 21/2001 on Special Autonomy (UU Otsus), a responsive central government, as well as the very large size of Papuas budget, lead the LIPI team to have faith that the problems of Papua can be resolved with justice, peace and dignity. Co-published with Yayasan Pustaka Obor Indonesia. The ISEAS edition is for sale in all countries except Indonesia.

'They have left here today!' he calls to the others. When King puts his hand down above the ashes of the fire, it is to find it still hot. There is even a tiny flame flickering from the end of one log. They must have left just hours ago.' MELBOURNE, 20 AUGUST 1860. In an ambitious quest to be the first Europeans to cross the harsh Australian continent, the Victorian Exploring Expedition sets off, farewelled by 15,000 cheering well-wishers. Led by Robert O'Hara Burke, a brave man totally lacking in the bush skills necessary for his task; surveyor and meteorologist William Wills; and 17 others, the expedition took 20 tons of equipment carried on six wagons, 23 horses and 26 camels. Almost immediately plagued by disputes and sackings, the expeditioners battled the extremes of the Australian landscape and weather: its deserts, the boggy mangrove swamps of the Gulf, the searing heat and flooding rains. Food ran short and, unable to live off the land, the men nevertheless mostly spurned the offers of help from the local Indigenous people. In desperation, leaving the rest of the party at the expedition's depot on Coopers Creek, Burke, Wills and John King made a dash for the Gulf in December 1860. Bad luck and bad management would see them miss by just hours a rendezvous back at Coopers Creek, leaving them stranded in the wilderness with practically no supplies. Only King survived to tell the tale. Yet, despite their tragic fates, the names of Burke and Wills have become synonymous with perseverance and bravery in the face of overwhelming odds. They live on in Australia's history - and their story remains immediate and compelling.

Charts the making of colonial spaces in settler colonies of the Pacific Rim during the last two centuries. Contributions journey through time, place and region, and piece together interwoven but discrete studies that illuminate transnational and local experiences - violent, ideological, and cultural - that produced settler-colonial space.

This is the first major collaborative reappraisal of Australia's experience of empire since the end of the British Empire itself.
The volume examines the meaning and importance of empire in Australia across a broad spectrum of historical issues-ranging from the disinheritance of the Aborigines to the foundations of a new democratic state. The overriding theme is the distinctive Australian perspective on empire. The country's adherence to imperial ideals and aspirations involved not merely the building of a 'new Britannia' but also the forging of a distinctive new culture and society. It was Australian interests and aspirations which ultimately shaped 'Australia's Empire'.
While modern Australians have often played down the significance of their British imperial past, the contributors to this book argue that the legacies of empire continue to influence the temper and texture of Australian society today.

Bondi Beach is a history of an iconic place. It is a big history of geological origins, management by Aboriginal people, environmental despoliation by white Australians, and the formation of beach cultures. It is also a local history of the name Bondi, the origins of the Big Rock at Ben Buckler, the motives of early land holders, the tragedy known as Black Sunday, the hostilities between lifesavers and surfers, and the hullabaloos around the Pavilion. Pointing to a myriad of representations, author Douglas Booth shows that there is little agreement about the meaning of Bondi. Booth resolves these representations with a fresh narrative that presents the beach's perspective of a place under siege. Booth's creative narrative conveys important lessons about our engagement with the physical world.

The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English.
The first book of its kind, Pacific Islands Writing offers a broad-ranging introduction to the postcolonial literatures of the Pacific region. Drawing upon metaphors of oceanic voyaging, Michelle Keown takes the reader on a discursive journey through a variety of literary and cultural contexts in the Pacific, exploring the Indigenous literatures of Polynesia, Melanesia, and Micronesia, and also investigating a range of European or Western writing about the Pacific, from the adventure fictions of Herman Melville, R. L. Stevenson, and Jack London to the Pakeha European) settler literatures of Aotearoa/New Zealand. The book explores the relevance of 'international' postcolonial theoretical paradigms to a reading of Pacific literatures, but it also offers a region-specific analysis of key authors and texts, drawing upon Indigenous Pacific literary theories, and sketching in some of the key socio-historical trajectories that have inflected Pacific writing. Well-established Indigenous Pacific authors such as Albert Wendt, Witi Ihimaera, Alan Duff, and Patricia Grace are considered alongside emerging writers such as Sia Figiel, Caroline Sinavaiana-Gabbard, and Dan Taulapapa McMullin. The book focuses primarily upon Pacific literature in English - the language used by the majority of Pacific writers - but also breaks new ground in examining the growing corpus of francophone and hispanophone writing in French Polynesia, New Caledonia, and Easter Island/Rapa Nui.

The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English. In a provocative contribution to the series, Graham Huggan presents fresh readings of an outstanding, sometimes deeply unsettling national literature whose writers and readers just as unmistakably belong to the wider world. Australian literature is not the unique province of Australian readers and critics; nor is its exclusive task to provide an internal commentary on changing national concerns. Huggan's book adopts a transnational approach, motivated by postcolonial interests, in which contemporary ideas taken from postcolonial criticism and critical race theory are productively combined and imaginatively transformed. Rejecting the fashionable view that Australia is not, and never will be, postcolonial, Huggan argues on the contrary that Australian literature, like other settler literatures, requires close attention to postcolonial methods and concerns. A postcolonial approach to Australian literature, he suggests, is more than just a case for a more inclusive nationalism; it also involves a general acknowledgement of the nation's changed relationship to an increasingly globalized world. As such, the book helps to deprovincialize Australian literary studies. Australian Literature also contributes to debates about the continuing history of racism in Australia-a history in which the nation's literature has played a constitutive role, as both product and producer of racial tensions and anxieties, nowhere more visible than in the discourse it has produced about race, both within and beyond the national context.

The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English. In a provocative contribution to the series, Graham Huggan presents fresh readings of an outstanding, sometimes deeply unsettling national literature whose writers and readers just as unmistakably belong to the wider world. Australian literature is not the unique province of Australian readers and critics; nor is its exclusive task to provide an internal commentary on changing national concerns. Huggan's book adopts a transnational approach, motivated by postcolonial interests, in which contemporary ideas taken from postcolonial criticism and critical race theory are productively combined and imaginatively transformed. Rejecting the fashionable view that Australia is not, and never will be, postcolonial, Huggan argues on the contrary that Australian literature, like other settler literatures, requires close attention to postcolonial methods and concerns. A postcolonial approach to Australian literature, he suggests, is more than just a case for a more inclusive nationalism; it also involves a general acknowledgement of the nation's changed relationship to an increasingly globalized world. As such, the book helps to deprovincialize Australian literary studies. Australian Literature also contributes to debates about the continuing history of racism in Australia-a history in which the nation's literature has played a constitutive role, as both product and producer of racial tensions and anxieties, nowhere more visible than in the discourse it has produced about race, both within and beyond the national context.

The early arrival of the missionaries in Aotearoa set the scene for a new 'moral colony' that would be founded on religious precepts and modern Christian beliefs. It did not take long for a combination of circumstances to confound the aspirations of the Church Missionary Society, the Church in Rome and all those who followed. Historian Peter Lineham examines Christianity in New Zealand through the lens of cultural development, and asks: If the various denominations and faiths set out to shape New Zealand, how did the very fluid fact of New Zealand change those faiths? From the Presbyterian south to the enclaves of Catholicism, who shaped whom? And what is the legacy of that influence? Why do we have afternoon tea? And what were debutante balls? Religion had a hand in the societal habits and milestones we all take for granted.

This book examines how convicts played a key role in the development of capitalism in Australia and how their active resistance shaped both workplace relations and institutions. It highlights the contribution of convicts to worker mobilization and political descent, forcing a rethink of Australia's foundational story. It is a book that will appeal to an international audience, as well as the many hundreds of thousands of Australians who can trace descent from convicts. It will enable the latter to make sense of the experience of their ancestors, equipping them with the necessary tools to understand convict and court records. It will also provide a valuable undergraduate and postgraduate teaching tool and reference for those studying unfree labour and worker history, social history, colonization and global migration in a digital age.

This groundbreaking study understands the 'long history' of human rights in Australia from the moment of their supposed invention in the 1940s to official incorporation into the Australian government bureaucracy in the 1980s. To do so, a wide cast of individuals, institutions and publics from across the political spectrum are surveyed, who translated global ideas into local settings and made meaning of a foreign discourse to suit local concerns and predilections. These individuals created new organisations to spread the message of human rights or found older institutions amenable to their newfound concerns, adopting rights language with a mixture of enthusiasm and opportunism. Governments, on the other hand, engaged with or ignored human rights as its shifting meanings, international currency and domestic reception ebbed and flowed. Finally, individuals understood and (re)translated human rights ideas throughout this period: writing letters, books or poems and sympathising in new, global ways.