2020 Wall Street Journal Holiday Gift Books Selection Today the salary cap is an NBA institution, something fans take for granted as part of the fabric of the league or an obstacle to their favorite team's chances to win a championship. In the early 1980s, however, a salary cap was not only novel but nonexistent. The Cap tells the fascinating, behind-the-scenes story of the deal between the NBA and the National Basketball Players Association that created the salary cap in 1983, the first in all of sports, against the backdrop of a looming players' strike on one side and threatened economic collapse on the other. Joshua Mendelsohn illustrates how the salary cap was more than just professional basketball's economic foundation-it was a grand bargain, a compromise meant to end the chaos that had gripped the sport since the early 1960s. The NBA had spent decades in a vulnerable position financially and legally, unique in professional sports. It entered the 1980s badly battered, something no one knew better than a few legendary NBA figures: Larry Fleisher, general counsel and negotiator for the National Basketball Players Association; Larry O'Brien, the commissioner; and David Stern, who led negotiations for the NBA and would be named the commissioner a few months after the salary cap deal was reached. As a result, in 1983 the NBA and its players made a novel settlement. The players gave up infinite pay increases, but they gained a guaranteed piece of the league's revenue and free agency to play where they wished-a combination that did not exist before in professional sports but as a result became standard for the NBA, NFL, and NHL as well. The Cap explores in detail not only the high-stakes negotiations in the early 1980s but all the twists and turns through the decades that led the parties to reach a salary cap compromise. It is a compelling story that involves notable players, colorful owners, visionary league and union officials, and a sport trying to solidify a bright future despite a turbulent past and present. This is a story missing from the landscape of basketball history.

Unlike the stories of most visible Division I college athletes, Amanda Ottaway's story has more in common with those of the 80 percent of college athletes who are never seen on TV. The Rebounders follows the college career of an average NCAA Division I women's basketball player in the twenty-first century, beginning with the recruiting process, when Ottaway is an eager, naive teenager, and ending when she's a more contemplative twentysomething alumna. Ottaway's story, along with the journeys of her dynamic Wildcat teammates at Davidson College in North Carolina, covers in engaging detail the life of a mid-major athlete: recruitment, the preseason, body image and eating disorders, schoolwork, family relationships, practice, love life, team travel, game day, injuries, drug and alcohol use, coaching changes, and what comes after the very last game. In addition to the everyday issues of being a student athlete, The Rebounders also covers the objectification of women athletes, race, sexuality, and self-expression. Most college athletes, famous or not, play hard, get hurt, fail, and triumph together in a profound love of their sport and one another, and then their careers end and they figure out how to move on. From concussions and minor injuries to classrooms, parties, and relationships, Ottaway understands the experience of a Division I women's basketball player firsthand. The Rebounders is, at its core, a feminist coming-of-age story, an exploration of what it means to be a young woman who loves a sport and discovers herself through it.

Buying In: Big-Time Women's College Basketball and the Future of College Sports juxtaposes the rise of women's college sports with the historical transformations that set the stage for contemporary big-time college sports. Aaron Miller draws on positive psychology to create a new framework he calls "positive anthropology." He uses this lens to highlight the accomplishments of women's college basketball teams and engages with college athlete exploitation, pay-for-play, and other contemporaneous issues that affect both women's and men's teams, though women's teams are often excluded from the popular conversation. With insights drawn from - and applicable to - a wide range of scholarly fields in the humanistic social sciences, this book will be of particular interest to scholars, researchers and educators working in the fields of sports studies, gender studies, education, sociology, history, and anthropology, as well as anyone interested in the future of big-time college sport and higher education. This book poses and answers the question: "How can scholars help envision a brighter future for all college athletes, male and female?"

Jump Shooting to a Higher Degree chronicles Sheldon Anderson's basketball career from grade school in small-town Moorhead, Minnesota, in the 1960s, to inner-city high school and college ball in Minneapolis, to a professional career in West Germany, and finally to communist Poland, where he did PhD research while on a basketball junket behind the Iron Curtain in the late 1980s. Because he was the only American player in the league at the time, and with help from a Polish scholar, Anderson was one of the first Western scholars to gain access to Communist Party documents. He's also likely the only American scholar to have funded his research by playing semi-pro basketball in a communist country. Jump Shooting to a Higher Degree is much more than a basketball story. Anderson provides insights into the everyday lives of people on either side of the Iron Curtain, such as the English coach he played for in West Germany, an elderly woman he visited many times in East Germany, and a sailmaker's family he lived with in Warsaw. He reflects on German, Polish, and Cold War history, providing a commentary on the times and the places where he lived and played, and the importance of basketball along the way.