This volume covers the major stages in the history of Greek pottery production, both figured and plain, as they are understood today. It provides an up-to-date evaluation of ways of studying Greek pottery and encourages new approaches. There is a detailed analysis of the subject matter of figured scenes covering some of the main preoccupations of ancient Greece: myth, fantasy and everyday life. Furthermore, it sets the artefacts in the context of the societies that produced them, highlighting the social, art historical, mythological and economic information that can be revealed from their study. This volume also covers a hitherto neglected area: the history of the collecting of Greek pottery through the Renaissance and up to the present day. It shows how market values have gradually increased to the high prices of today and goes on to take a closer look at the enthusiasm of the collectors.

The Red and the Black covers the major stages in the history of Greek pottery production, both figured and plain, as they are understood today. It provides an up-to-date evaluation of ways of studying Greek pottery and encourages new approaches.
There is a detailed analysis of the subject matter of figured scenes covering some of the main preoccupations of ancient Greece: myth, fantasy and everyday life. Furthermore, it sets the artefacts in the context of the societies that produced them, highlighting the social, art historical, mythological and economic information that can be revealed from their study.
This volume also covers a hitherto neglected area: the history of the collecting of Greek pottery through the Renaissance and up to the present day. It shows how market values have gradually increased to the high prices of today and goes on to take a closer look at the enthusiasm of the collectors.

eBook available with sample pages: HB:0415126606

Whimsical Victorian novelties in clear and colored glass are displayed in over 590 beautiful color photos and over 80 black and white vintage advertisements and catalog images. Novelty candy containers, decanters, perfume bottles, paperweights, toothpick and match holders, shakers, butter dishes, condiment jars, celeries, and tableware in fanciful forms ranging from animals and humans to fruit, vegetables, personal apparel, furniture, and vehicles all have their place in this fascinating book. The text provides valuable information about the many companies that made these varied and amusing wares, including Fostoria Glass*TM, Hocking Glass*TM, Indiana Tumbler & Goblet*TM, Specialty Glass*TM, United States Glass*TM, and Wheeling Glass Letter & Novelty Company*TM, to name just a few. A bibliography and values in the captions are also provided.

The colorful earthenwares known as Majolica are popular once again, part of the nostalgic revival of Victorian taste in interior decoration. Majolica's long history begins with Italian Renaissance tin-glazed wares; over the centuries its styles and techniques spread to France and England. With the advent of mechanization, the wares could be mass produced. Majolica became popular among the rising middle class in England, Europe, and the United States. This book presents a new analysis of Majolica set against its cultural-historical background. Hundreds of forms in dozens of patterns, especially American and British ware with a sampling of European pieces, are displayed in over 550 color photographs. The text presents new research and the examples are individually identified by style, pattern, maker, size, and date. Short histories of the manufacturers are presented as they relate to Majolica wares. The up-to-date price guide will be a valuable tool for collectors and dealers.

This book adds more than 750 color photos to the record of materials on Noritake collectibles presented in Spain's 1997 book on this subject-a work with more than 1,200 color photos. This book, like the previous one, is comprehensive. It covers non-dinnerware porcelains made by the Noritake Company between about 1908 and the 1970s. The emphasis, however, is on the 1920s and works with Art Deco characteristics. The backstamp materials have been expanded, updated, and made very user-friendly. In addition, there is a substantial and thought-provoking essay on the historical and cultural roots of Art Deco, in general, along with a thorough discussion of the distinguishing features of Art Deco Noritake fancy line porcelains of the 1920s.

Create your own magical artefacts with this official craft book of projects from the Harry Potter films! From your very own Hogwarts acceptance letter to a golden snitch and a pop-up Goblet of Fire, this official book of craft projects from the Harry Potter films covers a whole range of magical artefacts that fans know and love. With five levels of difficult rating, and detailed instructions and step-by-step photographs for each project, you will soon be able to create an elder wand, a crystal ball, a time-turner and more! Organised into chapters, the book covers the journey to Hogwarts, recognisable books and potions from the classroom, magical objects from sports clubs and competitions, and of course, the dangerous restricted section of the library! This it the perfect book for Harry Potter fans looking to immerse themselves in the Wizarding World.

An essential guide to low firing and producing natural finishes without using glazes. This book explores the techniques of firing and finishing at low temperature without using glazes or electric kilns. Many ancient cultures and contemporary potters use methods of low firing, adding slips and burnishing pieces to create a more natural finish. As these techniques can be achieved without a kiln, for example using old dustbins, pits dug out of the earth or bonfires, it means that providing you have some outdoor space, the process can be done on a low budget. With many illustrations of beautiful work by contemporary makers for inspiration, this step-by-step guide to low firing and natural finishes is suitable for potters of all levels, including beginners. Get started in no time with practical approaches to burnishing, terra sigillata, smoke-firing, pit-firing, saggar firing and raku techniques.

Potters and Patrons in Edo Period Japan: Takatori Ware and the Kuroda Domain traces the development of one of Japan's best-documented ceramic types, from its beginnings around 1600 until the abolition of the domain system in 1871. Using historical records, archaeological material from early kilns and consumer sites, and the results of comparative chemical analysis, this study explores the operation of Takatori as the official ceramic workshop of the Kuroda, lords of one of the largest domains in Japan. Spanning cultural, aesthetic, economic and practical aspects, this book presents Takatori ware as an ideal archetype with which to compare developments in elite ceramics in other parts of Japan throughout the Edo period. In addition to its scholarly examination of the operation of a domain-sponsored ceramics workshop over more than 250 years, the book includes illustrations of examples from each of the seven Takatori workshop locations, including beautiful pieces that have never before appeared in print.

The Conservation and Restoration of Ceramics brings together the wide range of current information relevant to the practising conservator. The book opens with a discussion of the fundamental nature of the ceramic medium, information which is of primary importance when selecting treatments or considering preventive conservation measures. Details on techniques are given in a series of chapters covering the restoration and conservation processes, but the emphasis is on the basic principles involved in the choice of materials and methods. The nature and properties of materials commonly in use are fully discussed and guidance is given on the facilities and equipment needed. Also covered in the book are old restoration materials and methods, the ethics of ceramics conservation, examination and recording, display treatments and emergency procedures. Now in paperback, this book will be invaluable to practising conservators and readers of conservation as well as of interest to museum curators and collectors.

The ultimate guide to the potential of ceramic transfer printing as a creative medium. This book is ideal for anyone wishing to combine ceramics with print and transfers, a very exciting area which has enormous scope for creativity. Ceramic transfers or decals are one of the prime methods of decorating industrially-made ceramics. They also offer exciting creative potential for studio-based artists or designer-makers. A ceramic transfer is traditionally made by printing ceramic ink onto a special paper and allows pictures, patterns or text to be transferred onto ceramic forms - 2D and 3D. Importantly, print can achieve distinct aesthetic effects on ceramics that are not possible by using other decoration methods such as hand painting. Drawing on over twenty years of experience, Kevin Petrie offers a focused analysis of the potential of ceramic transfer printing as a creative medium. Discover the specific materials and techniques for making versatile screen-printed ceramic transfers - from the 'low tech' to the more sophisticated. In this book, you can also explore other approaches by artist researchers as well as recent developments with digital transfers. A range of case studies shows the potential and diversity of the transfer printing approach in this area, which extends beyond ceramics to include printing on enamel, metal and glass.

Stunning to look at and exciting to make, stained glass work is perennially popular. Discover the rich and versatile craft of stained glass with this complete beginner's guide. Bestselling author and professional stained glass artist Lynette Wrigley shows you everything you need to know to make beautiful decorative pieces for the home. Thirty-one step-by-step projects range from copper foiled and leaded window panels to candle holders, mirror and picture frames, lightcatchers, and more. Expert methods for cutting and polishing, tracing patterns and soldering are explained with the novice in mind. Even if you've never cut a piece of glass before, Stained Glass Projects for Beginners will inspire you with the fascinating potential of stained glass.

Paperweight collectors are usually familiar with the histories and products of the French manufacturers Clichy, Baccarat, and Saint Louis, but many know little about English makers from early times to the present day. This book, dedicated solely to the English paperweight makers and containing paperweight examples from the early nineteenth century to 1980, will fill that gap. Gathered together for the first time in one book are the world's largest collections of Bacchus paperweights, as well as many previously unknown and never before photographed paperweights from English glasshouses, all rivaling the best from the French makers. By comparing canes, colors, and styles with one of the hundreds of examples shown in this book, collectors should now be able to identify their own previously unknown weights, and the fake "1848" dated paperweights and inkwells can now be attributed to the right factories and time periods. With over 400 beautiful color photographs, detailed, fascinating descriptions of the weights, and a value guide, this book is a must for paperweight enthusiasts and collectors everywhere.

This book covers the development of mosaics in Britain from the invasion to the end of Roman Britain. The technical side of the art form is covered as well as prefabrication. It covers those mosaics based in towns as well as more rural locations. Many of the mosaics have been lost but are recorded in coloured engravings. The author has a large collection of illustrations of both existing and lost mosaic pavements. The uniqueness of some British depictions of such well known characters as Orpheus are also explored here. Reconstructions by the author of some sections of figured mosaics based on examples found elsewhere in the empire are included. The author's recent work on the newly discovered Boxford mosaic, that is the most important mosaic found in Britain for over 50 years, is explored here for the first time. Anthony Beeson is the former archivist of the Association for the Study and Preservation of Roman Mosaics, a member of the board of trustees of the Association for Roman Archaeology and The Roman Baths Foundation, a prolific writer of papers on Roman art and architecture and has lectured on the subject of Roman mosaics.

Old, broken objects can become more beautiful than ever! The thought of throwing away a cherished dish or mug can be heartbreaking. If you've ever wanted to repair a treasured piece rather than tossing it in the trash--but didn't know how--the traditional Japanese art of Kintsugi ("gold repair") offers the perfect solution! A Beginner's Guide to Kintsugi teaches you the traditional Japanese techniques of pottery and glass repair based on the ancient Wabi Sabi idea that imperfections are beautiful, and visible repairs are part of the "life story" of an object. Author Michihiro Hori provides simple, safe, and inexpensive methods that you can do at home using tools and materials that are readily available online. Hori guides you through the entire process--from assembling and mixing the materials to reconstructing replacements for hopelessly shattered shards. With this book, you'll learn how to: Reinforce cracks, rebuild shattered areas, and apply the time-honored staple technique Fix broken handles so they are fully functional again Safely work with lacquer and metallic powders to achieve beautiful, visible repairs Work with a variety of repair materials from gold leaf to washi paper Repair pottery and glass using traditional techniques for stunning results As you take the time to prepare your materials and work closely with the pieces, you'll find yourself becoming attuned to the mindful philosophy at the heart of Kintsugi and the Wabi Sabi principle of appreciating old and imperfect objects. Most of all, the meditative process of Kintsugi will help you look at broken objects in a new way.

When your favorite cup is broken, kitsugi can bring new life. Instead of lamenting the breakage embrace and love the opportunity to create something new and beautiful through mending. This is the appeal of kintsugi. Kintsugi is the mindful Japanese art of repairing broken ceramics and glassware by appreciating the cracks and chips as design elements--bringing new life to cherished items. Kintsugi:The Wabi Sabi Art of Japanese Ceramic Repair shares traditional methods you can practice in your own home. Step-by-step lessons in repairs suited to every level of experiences--filling cracks to completely rebuilding and finishing a broken piece--fill the pages of this in-depth yet unintimidating guide. Ceramics and lacquer guru Kaori Mochinaga offers a complete course in using urushi lacquer and metallic powder in the traditional Japanese way. Your broken piece soon becomes whole again, and more meaningful than ever before. From assessing the damages and selecting the repair methods, to applying the finishing touches, you'll learn all the essential kintsugi techniques, including: How to seal a fine crack or repair a chipped rim Techniques for rebuilding a shard, restoring a handle, even reconstructing a multi-shard piece And much more--and all of it with the use of non-toxic lacquers and powders There's something here for every type of repair--from clean, simple breaks to more challenging reconstructions as you learn the techniques. Assemble your tools, set up your workspace, and let this book guide you through the mindful art of kintsugi!

Developing your own glazes can be tricky and success is dependent on many factors. In this book, ceramicist Greg Daly aims to demystify the process with practical advice and complete, step-by-step instructions. He covers all the essentials, from planning your recipes and recording results to mixing glazes and finding the correct firing temperature. This hands-on technical guidance is supported with helpful how-to images and example tests and recipes.

For any potter beginning to experiment with fired colour, texture and decoration in their work, Developing Glazes is an essential reference, revealing workable, exciting methods for achieving the glaze results you want.

Fully updated and revised, with new photographs and glaze recipes, this is the third edition of this classic guide to ash glazes. Forever curious and eager to learn new things about ceramics, Phil Rogers constantly tinkered with clay bodies, glaze formulae and approaches to firing. This volume is his seminal work on transforming ash into glaze: an essential text for all potters and ceramicists with additional relevance today with its focus on prioritising the use of natural resources. Ash Glazes examines the practicalities of collecting and testing wood ashes, demonstrates the process of making them into glazes and offers a step-by-step guide to using them to decorate your pots. This edition, updated and revised by Hajeong Lee Rogers, is a celebration of pottery at its best. Starting with an introduction to the history of ash glazes, then moving on to a wide range of practical advice and methods, the book is enlivened by photographs of the work of potters from around the world, who use ash in colourful and imaginative ways. It provides true inspiration for working potters and delight for all those interested in contemporary ceramics.

This text explains simply, step-by-step, how even inexperienced amateurs can achieve excellent results when they embark on porcelain restoration. Would-be restorers are introduced to the many options available and encouraged to discover which techniques suit their individual circumstances.;Each stage in the process is illustrated and there is advice on the functions and uses of specialist tools. The book should prove of use to the experienced professional restorer as well as the novice.

The Handbook of Glaze Recipes is an essential studio companion for any potter. Covering a comprehensive range of glazes including porcelain, crystalline and raku as well as stoneware and earthenware, each recipe is illustrated with a useful test tile to demonstrate the effects of opaque, matte, and transparent glazes on different clays and at varying temperatures, and numbered for ease of reference. The book also features an introduction to the basics of mixing, applying and adjusting glazes, and correcting typical glaze faults. It also includes many clay body recipes, including a variety of ones for porcelain, wood firing and even Egyptian paste. Compiled by studio potter and glaze expert Linda Bloomfield, and based not only on on years of meticulously recorded tests, but also researched from a large assortment of established ceramic artists, The Handbook of Glaze Recipes is a must-have resource for any potter wishing to experiment or expand their glazes and clay bodies.

The Uncommon Denominatorpresents a spectrum of aesthetic eloquence and technical mastery in the ceramic arts.Hirsch has achieved professional recognition both as a ceramic artist and teacher. The Uncommon Denominator: A Tribute to Richard Hirsch presents a spectrum of aesthetic eloquence and technical mastery in the ceramic arts. Originally published to coincide with a traveling exhibition, this catalog celebrates the career of Hirsch through the work of a selection of his alumni. He has achieved professional recognition both as a ceramic artist and teacher. During his teaching career, which has spanned over thirty years, he has been a faculty member of two prominent craft programs: the Program in Artisanry at Boston University, and currently, the School for American Crafts at Rochester Institute of Technology. Many of Hirsch's former students have established their own outstanding careers in the contemporary ceramics field. Represented in The Uncommon Denominator are notable examples of the renaissance in utilitarian pottery, continued interest in the vessel aesthetic, and the investigation of both figurative and abstract sculpture.

The Imperial Glass Company produced a wide range of beautiful glassware in many patterns and forms from 1901 to 1984. A thorough text and over 540 beautiful photos explore the many patterns, unique items, art glass pieces, private mould objects, wares made for customers to alter or decorate, and the glassware made in non-production colors that were produced by this prolific firm. Among the patterns displayed are Washington, New Rochelle, Pillar Flute, Laced Edge, Empire, Hobnail, Monticello, Cathay, "Molly," and "Zippered Heart." The text provides a brief history of Imperial, discussions of the firm's patterns, wares, the companies that contracted with Imperial for special items, and a detailed bibliography. Prices for the wares displayed are found in the captions. This book will be a treasure for everyone who appreciates beautiful glassware.

This book presents a thorough look at the multitude of fascinating and beautiful ceramic forms produced by the British potter George Jones and his firm, including majolica wares and "Abbey" blue and white transfer printed ceramics. Over 700 color photographs amply display the diverse table, tea, toilet, and ornamental ware types produced by George Jones and his manufactory from the mid-nineteenth century well into the twentieth. A detailed history recording George Jones's life as a potter, the contributions of his family members, and those of a number of artisans who designed and decorated the firm's distinctive wares provides hours of absorbing and enlightening reading as well. To help readers determine the age of their George Jones wares with accuracy, registration dates for many of the patterns and ceramic shapes are provided, along with the various manufacturer's marks and their dates of usage. Values for the wares, a detailed bibliography, and several appendices round out the book Geoffrey Godden has called "...the ultimate work on this Stoke firm."

The industrial pottery at Abingdon, Illinois, made artware from 1934 to 1950 before returning to its mainstay, plum-bingware or sanitary-ware, as it was called at "The Pottery." Yankee ingenuity was used to cope with the Great Depression when managers came up with the idea of making artware using their usual "industrial strength" materials and processes. This decision resulted in artware with unusually strong bodies and glazes. For the veteran collector of Abingdon Pottery as well as the novice, this is an Encyclopedia of Shapes, a Dictionary of Colors, a Holy Grail of Collecting, richly illustrated in over 700 photographs and painstakingly researched. It also has a detailed value guide according to mold number and mold type.