High Renaissance maiolica, produced in Italy in the orbit of Raphael and other artists, is widely known and has been extensively studied. This istoriato, or narrative, maiolica graces the collections of many of the world's greatest museums. But not for almost 100 years has attention been focused on magnificent works that preceded it in the 14th and 15th centuries, which were at times prized by contemporary patrons more highly than precious metals. Maiolica before the age of Raphael refocuses the spotlight of contemporary scholarship onto the birth of design in Italian maiolica, and its evolution from c. 1350 up until 1500. It was during this formative period that its characteristic tin-based glaze, with the pure and brilliant white surface it offered the late-medieval potter, engendered some of the most rapid and exciting innovations in all ceramic art. Potters began to decorate the surfaces of their earthenware vessels (of an increasingly varied spectrum of shapes and forms) with squirming, meticulous designs of unparalleled ingenuity and expression that incorporated multisensory influences from luxury contemporary textiles, metalwork, and exotic lustreware from Islamic Spain. Presenting over forty rare objects from the foremost centres of production that have survived in private hands, this catalogue explores the spread and evolution of the medium, as well as the history of collecting and the changing taste for Italian pre-Renaissance pottery in the modern era.

In Painted Pottery of Honduras Rosemary Joyce describes the development of the Ulua Polychrome tradition in Honduras from the fifth to sixteenth centuries AD, and critically examines archaeological research on these objects that began in the nineteenth century. Previously treated as a marginal product of Classic Maya society, this study shows that Ulua Polychromes are products of the ritual and social life of indigenous societies composed of wealthy farmers engaged in long-distance relationships extending from Costa Rica to Mexico. Drawing on concepts of agency, practice, and intention, Rosemary Joyce takes a potter's perspective and develops a generational workshop model for innovation by communities of practice who made and used painted pottery in serving meals and locally meaningful ritual practices.

This book opens up a neglected chapter in the reception of Athenian drama, especially comedy; and it gives stage-centre to a particularly attractive and entertaining series of vase-paintings, which have been generally regarded as marginal curiosities. These are the so-called `phlyax vases', nearly all painted in the Greek cities of South Italy in the period 400 t0 360 BC. Up till now, they have been taken to reflect some kind of local folk-theatre, but Oliver Taplin, prompted especially by three that have only been published in the last twelve years, argues that most, if not all, reflect Athenian comedy of the sort represented by Aristophanes. This bold thesis opens up questions of the relation of tragedy as well as comedy to vase-painting, the cultural climate of the Greek cities in Italy, and the extent to which Athenians were aware of drama as a potential `export'. It also enriches appreciation of many key aspects of Aristophanic comedy: its metatheatre and self-reference, its use of stage-action and stage-props, its unabashed indecency, and its polarised relationship, even rivalry, with tragedy. The book has assembled thirty-six photographs of vase-paintings. Many are printed here for the first time outside specialist publications that are not readily accessible.

The Ceramics Reader is an impressive editorial collection of essays and text extracts, covering every discipline within ceramics, past and present. Tackling such fundamental questions as "why are ceramics important?", the book also considers the field from a range of perspectives - as a cultural activity or metaphor, as a vehicle for propaganda, within industry and museums, and most recently as part of the 'expanded field' as a fine art medium and hub for ideas. Newly commissioned material features prominently alongside existing scholarship, to ensure an international and truly comprehensive look at ceramics.

This book surveys four thousand years of pottery production and presents totally unexpected fresh information, using technical and analytical methods. It provides a study of ancient pottery of Jerusalem, from the earliest settlement to the medieval city and brings to light important aspects that cannot be discovered by the commonly accepted morphological pottery descriptions. Thus, third millennium BCE pottery appears to have been produced by nomadic families, mb ceramics were made by professional potters in the Wadi Refaim, the pottery market of the IA.II pottery cannot be closely dated and is still produced during the first centuries after the exile. The new shapes are made by Greek immigrant potters. The book contains a chapter on the systematics of ceramic studies and numerous notes about the potters themselves. H. J. Franken is Emeritus Professor at the State University Leiden, The Netherlands.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

* Complete instructions in text and step-by-step photographs * Make a wide variety of practical and decorative items - herb and garden markers, bowls, serving dishes, hanging panels, house numbers, jewelry cases, and more - by fusing glass * Full-size patterns, materials lists, and beautiful finished project photos are included for each project

A beginner friendly guide to making stained glass art using the most popular and accessible method, copper foil.

The traditional art form of stained glass has become extremely popular again and this collection has everything you need to know to get started on this exciting craft. The effect of sunlight streaming through colourful stained glass is visually stunning and this collection brings the craft right up to date with techniques and projects for a new audience.

There are step-step-instructions and photographs for all the main techniques including creating patterns, glass cutting, polishing, using foils and soldering. Artist and stained glass expert, Noor Springael, also explains how to prepare your workspace, how to work with templates, framing and display techniques and important safety information.

Noor shares all her tips and tricks for making beautiful projects including colour palette, using glass overlays and composition. There are 17 projects ranging from wall hangings, sun catchers, decorative windows, glass floral bouquets, jewellery, candle holders, frames and mirrors. Full sized templates are included for all of the projects.

Contemporary Raku is a complete guide to this exciting, dramatic and beautiful art form. It explains the making, glazing and firing methods employed for producing Raku-ware, and features contributions and insights from leading makers. Recognizing the deeper values of the practice, the book also considers the influences and sources of inspiration behind the work of these makers. It introduces the necessary tools and equipment, and advises on essential health and safety measures. It explains how to make vessels and forms with step-by-step photo sequences. Recipes for clay bodies and glazes for the beginner and the more experienced maker are included. Details are given on the Raku-firing process and the range of kilns used. Finally, it explores the practice of 'Naked Raku'. With over 300 illustrations, it is a stunning and detailed account to this magical process.

The blue and white porcelain exported by China in the eighteenth and early nineteenth centuries is an important category of artifacts and antiques, a fashion-sensitive commodity that was affected by the ebbs and flows of style and consumer demand. In this copiously illustrated, comprehensive guide to Chinese export porcelain, Andrew Madsen offers both a broad overview and detailed identification and context information for the most common styles and motifs. His focus on the determination of manufacture dates, which are based primarily on data collected from armorial decorated export wares, porcelain cargoes from dated shipwrecks, and tightly dated archaeological contexts, will allow students, scholars, and collectors to refine associations with Chinese export porcelain, revealing the untapped quantity of information that mass-produced Chinese export porcelain has to offer.

This practical and beautiful book covers a wide range of inventive, decorative techniques and encourages the maker to be adventurous and experimental. By building a repertoire of decorating skills and methods, it shows how the maker can create distinctive marks and surfaces on clay, thereby making their work individual and unique. With so many ideas and clear, practical instruction to the techniques, this book is an essential reference for makers of all skill levels, and is sure to inspire a new and creative stream of work. From embossing, engraving, printing and embellishing the clay surface using coloured slips, underglaze colours, oxides and glazes. Coloured clay and smoke firing effects, as well as the exciting potential of mixed media. The importance of mark-making tools and advice on making a personal collection. With insights from individual makers who generously share their discoveries and decorative experiments Over 450 lavish photos illustrate the techniques and ideas covered

For almost a century scholars have been perplexed by Cypro-Phoenician (or Black-on-Red) pottery. In this major study, Dr. Schreiber's research, coupled with her own work in the field, resolves the pottery's origin and provides a fresh assessment of the chronology of the region. Transporting perfumed oil around the Mediterranean and Near East, the pottery offers valuable clues to Iron Age trade - shipping, cargoes, and trading entrepots. Dr Schreiber investigates the sources of perfumed oil and the relative roles of Cyprus and Phoenicia in trade to the Aegean islands. The book provides archaeologists and historians with a work of key significance in unravelling the human narrative of the early centuries of the 1st millennium BC.

Revised edition of The Glassmakers: a history of Owens-Illinois Incorporated by Jack Paquette.

Die inleiding beskryf al die materiale en toerusting, die soorte glas en veiligheidsmaatreels, en word gevolg deur stap-vir-stap-tegnieke en wenke oor die natrek en uitsny van patrone, slyp- en foeliewerk, hoe om die stukke saam te stel, soldeerwerk, vertinning en die aanwending van patina. Die wye reeks projekte - in tradisionele en kontemporere style - sluit lampkappe, kershouers, bewertjies, rame, muurhorlosies, spieels en nog vele meer in. Die eerste paar projekte word geillustreer met gedetailleerde stap-vir-stap-foto's om die grondslag neer te le vir die daaropvolgende projekte waarin meer spesifieke besonderhede uitgelig word. Al die items in die boek - hetsy dit eenvoudig of meer uitdagend is - beeld die wonderlike verskeidenheid glas wat deesdae beskikbaar is pragtig uit. Met die puik kleurfoto's van al die voltooide items, tegniese wenke regdeur die boek, foto's uit die studio met uitgebreide byskrifte vir ekstra inspirasie, en patrone vir die projekte is hierdie boek in moet vir elke handwerker.

An essential guide to working with porcelain, from its history and composition, to building, decorating and firing. For thousands of years, the special properties of porcelain - its delicacy, translucency and remarkable strength - have fascinated and inspired, and these qualities continue to appeal to ceramic artists. However, porcelain is also a notoriously demanding medium that presents unique challenges. In this inspiring practical guide, porcelain artist Vivienne Foley introduces you to the material she has been working with for more than forty years. The book takes a comprehensive look at all aspects of porcelain, and covers everything from its composition and workability, to decorating and glazing. Learn about methods of throwing and building - with a focus on techniques and faults specific to porcelain, explore drying and firing, and make use of a useful troubleshooting section on all the most likely problems and faults along with suggested remedies. Beginning with the fascinating history of making in porcelain, from the Imperial kilns of China to the Meissen factory of Germany and beyond, this book gives you an insight into the way porcelain has been used in the past and how it has been adapted and developed for contemporary work, by current artists who are constantly looking to push the boundaries of possibility. Illustrated throughout with helpful how-to images, as well as the beautiful works of current artists, Porcelain is the essential handbook for any ceramic student or artist seeking to understand and work with this extraordinary material.

A comprehensive guide with recipes for making your own lustres and techniques for applying and firing them. A lustre is a thin layer of metal which is deposited onto the surface of the pot during firing and which produces a lustrous surface. Lustres are very sought after, fabulous surfaces which can lure you in and keep you spellbound. They can be coloured as golds, coppers, reds and blues, or have a colourless sheen like mother of pearl. Although lustre is a complex technique, this handbook explains and simplifies the process of creating various types of lustre for you to enjoy producing spectacular results. The book offers various recipes for making your own lustres and techniques for applying and firing, and shows you the results of Greg Daly's extensive testing to point you in the right direction. One of the most commonly used lustres today is a resin lustre (known as the 'commercial' lustre) which contains some dangerous carcinogens thinners. There is therefore an advantage to making your own lustre using more natural materials, which will also give you an infinite variety of effects.

More than 6,000 years ago, ancient civilizations discovered that terracotta was an ideal material for making simple pots; today, it is still highly valued for the production of decorative glazed wares and unglazed garden pots. In Gardenware, potter Martin Lungley first explores the history of terracotta and then shows, through clear instructions and sequential color photos, how to get the best from this wonderfully versatile material. Gardenware covers the selection and preparation of local clays, throwing and decorating, press molding, the production of working molds, and all the specialized techniques involved in the creation of garden pots. Illustrated in color throughout, and with ample step-by-step instruction, this is a unique guide for potters of all levels.

A concise and accessible introduction to throwing, with step-by-step instructions and tips. Throwing is an important skill for any potter to master, using only a few tools, the guidance of their hands, and the momentum of a wheel. This book is an essential companion for anyone attempting to master the art of forming pots on the wheel. Having spent his life making pots and teaching others to make them, Richard Phethean describes essential techniques for working on the wheel with an eye for the practical. Learn about a range of forms, from simple domestic pots such as mugs, jugs, bowls and teapots to more complex vessels with oval shapes or cut edges, with the aim of building your confidence in throwing techniques. The book features clearly illustrated step-by-step instructions and diagrams for creating each type of vessel. Finally, get some inspiration from the work of contemporary potters discussing their techniques and featuring some of their stunning pieces.