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Books > Arts & Architecture > Art forms, treatments & subjects > Ceramic arts, pottery, glass
Get inspired and get glazing! Amazing Glaze Recipes and
Combinations provides a captivating collection of sure-fire glaze
recipes and electrifying combinations for low-fire, mid-range, and
high-fire potters. Hundreds of photos and technically-edited
recipes ensure you'll get the best possible results. Whether you're
searching for excitement at cone 6 or looking for the perfect
high-fire shino recipe, you've come to the right place. Join
Gabriel Kline, author of Amazing Glaze and founder of Odyssey
Clayworks, for page after color-filled page of glazes. Start by
learning the keys to success when applying glazes, then choose the
temperature range you want to explore first. Gabriel's collection
of well-tested recipes draw on his decades of experience as an
instructor and leader of a communal arts studio-including current
and past student favorites as well as a few timeless gems. Of
course he doesn't stop there! In addition to plentiful tiles
showing off two-glaze combinations, Gabriel shares multi-glaze
combinations developed through years of trial and error. From
waterfall blues to eye-popping bursts of red, there's a rainbow of
options. Just as in Amazing Glaze, the recipes have all been
technically edited and each one has a photo. By controlling
specific gravity and application, the goal is always getting the
perfect coat of glaze recipe after recipe. Special topics like
majolica and raku firing provide welcome detours, and a variety of
artist features serve as launching points for new explorations.
Stunning galleries from today's top artists provide even more
glazing ideas.
The Ceramics Reader is an impressive editorial collection of essays
and text extracts, covering every discipline within ceramics, past
and present. Tackling such fundamental questions as "why are
ceramics important?", the book also considers the field from a
range of perspectives - as a cultural activity or metaphor, as a
vehicle for propaganda, within industry and museums, and most
recently as part of the 'expanded field' as a fine art medium and
hub for ideas. Newly commissioned material features prominently
alongside existing scholarship, to ensure an international and
truly comprehensive look at ceramics.
This book surveys four thousand years of pottery production and
presents totally unexpected fresh information, using technical and
analytical methods. It provides a study of ancient pottery of
Jerusalem, from the earliest settlement to the medieval city and
brings to light important aspects that cannot be discovered by the
commonly accepted morphological pottery descriptions. Thus, third
millennium BCE pottery appears to have been produced by nomadic
families, mb ceramics were made by professional potters in the Wadi
Refaim, the pottery market of the IA.II pottery cannot be closely
dated and is still produced during the first centuries after the
exile. The new shapes are made by Greek immigrant potters. The book
contains a chapter on the systematics of ceramic studies and
numerous notes about the potters themselves. H. J. Franken is
Emeritus Professor at the State University Leiden, The Netherlands.
Many of the earliest books, particularly those dating back to the
1900s and before, are now extremely scarce and increasingly
expensive. We are republishing these classic works in affordable,
high quality, modern editions, using the original text and artwork.
This title gives a clear, thorough and practical account of firing,
but goes further and explains the techniques and ideas behind this
magical stage of making. It highlights commonly-overlooked details
that can lead to disastrous results and shares tips to help you
achieve the best from your kiln. With over 100 photos, it also
profiles leading makers and shows how their use of kilns
contributes to their unique and beautiful work. Whether read from
cover to cover by the novice or used as a reference book by the
more experienced, this book will be your handbook to successful and
confident firing.
The blue and white porcelain exported by China in the eighteenth
and early nineteenth centuries is an important category of
artifacts and antiques, a fashion-sensitive commodity that was
affected by the ebbs and flows of style and consumer demand. In
this copiously illustrated, comprehensive guide to Chinese export
porcelain, Andrew Madsen offers both a broad overview and detailed
identification and context information for the most common styles
and motifs. His focus on the determination of manufacture dates,
which are based primarily on data collected from armorial decorated
export wares, porcelain cargoes from dated shipwrecks, and tightly
dated archaeological contexts, will allow students, scholars, and
collectors to refine associations with Chinese export porcelain,
revealing the untapped quantity of information that mass-produced
Chinese export porcelain has to offer.
Die inleiding beskryf al die materiale en toerusting, die soorte
glas en veiligheidsmaatreels, en word gevolg deur
stap-vir-stap-tegnieke en wenke oor die natrek en uitsny van
patrone, slyp- en foeliewerk, hoe om die stukke saam te stel,
soldeerwerk, vertinning en die aanwending van patina. Die wye reeks
projekte - in tradisionele en kontemporere style - sluit lampkappe,
kershouers, bewertjies, rame, muurhorlosies, spieels en nog vele
meer in. Die eerste paar projekte word geillustreer met
gedetailleerde stap-vir-stap-foto's om die grondslag neer te le vir
die daaropvolgende projekte waarin meer spesifieke besonderhede
uitgelig word. Al die items in die boek - hetsy dit eenvoudig of
meer uitdagend is - beeld die wonderlike verskeidenheid glas wat
deesdae beskikbaar is pragtig uit. Met die puik kleurfoto's van al
die voltooide items, tegniese wenke regdeur die boek, foto's uit
die studio met uitgebreide byskrifte vir ekstra inspirasie, en
patrone vir die projekte is hierdie boek in moet vir elke
handwerker.
Revised edition of The Glassmakers: a history of Owens-Illinois
Incorporated by Jack Paquette.
A beginner friendly guide to making stained glass art using the most popular and accessible method, copper foil.
The traditional art form of stained glass has become extremely popular again and this collection has everything you need to know to get started on this exciting craft. The effect of sunlight streaming through colourful stained glass is visually stunning and this collection brings the craft right up to date with techniques and projects for a new audience.
There are step-step-instructions and photographs for all the main techniques including creating patterns, glass cutting, polishing, using foils and soldering. Artist and stained glass expert, Noor Springael, also explains how to prepare your workspace, how to work with templates, framing and display techniques and important safety information.
Noor shares all her tips and tricks for making beautiful projects including colour palette, using glass overlays and composition. There are 17 projects ranging from wall hangings, sun catchers, decorative windows, glass floral bouquets, jewellery, candle holders, frames and mirrors. Full sized templates are included for all of the projects.
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Porcelain
(Paperback)
Vivienne Foley
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R748
R597
Discovery Miles 5 970
Save R151 (20%)
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Ships in 12 - 19 working days
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An essential guide to working with porcelain, from its history and
composition, to building, decorating and firing. For thousands of
years, the special properties of porcelain - its delicacy,
translucency and remarkable strength - have fascinated and
inspired, and these qualities continue to appeal to ceramic
artists. However, porcelain is also a notoriously demanding medium
that presents unique challenges. In this inspiring practical guide,
porcelain artist Vivienne Foley introduces you to the material she
has been working with for more than forty years. The book takes a
comprehensive look at all aspects of porcelain, and covers
everything from its composition and workability, to decorating and
glazing. Learn about methods of throwing and building - with a
focus on techniques and faults specific to porcelain, explore
drying and firing, and make use of a useful troubleshooting section
on all the most likely problems and faults along with suggested
remedies. Beginning with the fascinating history of making in
porcelain, from the Imperial kilns of China to the Meissen factory
of Germany and beyond, this book gives you an insight into the way
porcelain has been used in the past and how it has been adapted and
developed for contemporary work, by current artists who are
constantly looking to push the boundaries of possibility.
Illustrated throughout with helpful how-to images, as well as the
beautiful works of current artists, Porcelain is the essential
handbook for any ceramic student or artist seeking to understand
and work with this extraordinary material.
This powerful and insightful work offers a bold celebration of the
innovative, brilliant artists reclaiming the idea of 'women's
work'. In the history of western art, decorative and applied arts -
including textiles and ceramics - have been separated from the
'high arts' of painting and sculpture and deemed to be more
suitable for women. Artists began to reclaim and redefine these
materials and methods, energizing them with expressions of identity
and imagination. Women's Work tells the story of this radical
change, highlighting some of the modern and contemporary artists
who dared to defy this hierarchy and who, through, experimentation
and invention, transformed their medium. The work of these women
has helped underscore the ongoing value of these art forms within
the history of art, championing 'women's work' as powerful mediums
worthy of celebration. With biographical entries on each artist
featured, as well as beautiful images of their artworks, Women's
Work raises up the work of these visionary and groundbreaking
artists, telling their stories and examining their artistic
legacies.
Old, broken objects can become more beautiful than ever! The
thought of throwing away a cherished dish or mug can be
heartbreaking. If you've ever wanted to repair a treasured piece
rather than tossing it in the trash--but didn't know how--the
traditional Japanese art of Kintsugi ("gold repair") offers the
perfect solution! A Beginner's Guide to Kintsugi teaches you the
traditional Japanese techniques of pottery and glass repair based
on the ancient Wabi Sabi idea that imperfections are beautiful, and
visible repairs are part of the "life story" of an object. Author
Michihiro Hori provides simple, safe, and inexpensive methods that
you can do at home using tools and materials that are readily
available online. Hori guides you through the entire process--from
assembling and mixing the materials to reconstructing replacements
for hopelessly shattered shards. With this book, you'll learn how
to: Reinforce cracks, rebuild shattered areas, and apply the
time-honored staple technique Fix broken handles so they are fully
functional again Safely work with lacquer and metallic powders to
achieve beautiful, visible repairs Work with a variety of repair
materials from gold leaf to washi paper Repair pottery and glass
using traditional techniques for stunning results As you take the
time to prepare your materials and work closely with the pieces,
you'll find yourself becoming attuned to the mindful philosophy at
the heart of Kintsugi and the Wabi Sabi principle of appreciating
old and imperfect objects. Most of all, the meditative process of
Kintsugi will help you look at broken objects in a new way.
This book investigates how British contemporary artists who work
with clay have managed, in the space of a single generation, to
take ceramics from niche-interest craft to the pristine territories
of the contemporary art gallery. This development has been
accompanied (and perhaps propelled) by the kind of critical
discussion usually reserved for the 'higher' discipline of
sculpture. Ceramics is now encountering and colliding with
sculpture, both formally and intellectually. Laura Gray examines
what this means for the old hierarchies between art and craft, the
identity of the potter, and the character of a discipline tied to a
specific material but wanting to participate in critical
discussions that extend far beyond clay.
More than 6,000 years ago, ancient civilizations discovered that
terracotta was an ideal material for making simple pots; today, it
is still highly valued for the production of decorative glazed
wares and unglazed garden pots. In Gardenware, potter Martin
Lungley first explores the history of terracotta and then shows,
through clear instructions and sequential color photos, how to get
the best from this wonderfully versatile material. Gardenware
covers the selection and preparation of local clays, throwing and
decorating, press molding, the production of working molds, and all
the specialized techniques involved in the creation of garden pots.
Illustrated in color throughout, and with ample step-by-step
instruction, this is a unique guide for potters of all levels.
Once upon a time pottery schools saw an increase in enrolments
whenever the film Ghost aired on television. Today it is all year
round. Not since the 1970s has there been this level of interest
and appreciation for pottery and ceramics. The return to the
handmade has been driven by our increasingly digital lives and
there are now more makers, sellers and collectors than ever. There
is also a new desire for unique objects made by hand and the
imperfections associated with the marks of the maker. Pottery is
the vehicle that most aptly captures this authenticity. From
decorative pieces to the primarily functional to sculptural works
pushing the boundaries of the medium, Clay surveys the richly
creative output of over 50 studio potters from around the world. It
is a celebration of a new generation of artisans working in clay, a
snapshot not necessarily of what is happening at elite gallery
level, but rather a behind-the-scenes look at the unique and
eclectic offerings from small studios around the world.
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