This book is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

The collection includes exclusive, one-on-one interviews conducted over the past six years with 27 of today's best-known violinists (plus one conductor/composer): Hilary Hahn, Joshua Bell, Sarah Chang, David Garrett, Anne Akiko Meyers, Ruggiero Ricci, Maxim Vengerov, Nadja Salerno-Sonnenberg, Gil Shaham and Adele Anthony, Rachel Barton Pine, Nicola Benedetti, Anne-Sophie Mutter, Zachary DePue, James Ehnes, Simon Fischer, Augustin Hadelich, Janine Jansen, Leila Josefowicz and Esa-Pekka Salonen, Philippe Quint, Tasmin Little, Elmar Oliveira, Stanley Ritchie, Lara St. John, Philip Setzer, Clara-Jumi Kang and Judy Kang. It's a celebration of one of the world's most enduring instruments, and the people who are helping carry forth the violin's legacy into a new generation. "The Violinist.com Interviews: Volume 1" includes a foreword by Grammy Award-winning violinist Hilary Hahn, who writes, "Laurie addresses topics that are comfortable but all-consuming, such as current projects, and delves into the delicate nuances of creativity. She captures specific moments in time. I love that. In this collection, you can observe her at work, but you will also travel along with her interview subjects."

As both composer and critic, Peggy Glanville-Hicks contributed to the astonishing cultural ferment of the mid-twentieth century. Her forceful voice as a writer and commentator helped shape professional and public opinion on the state of American composing. The seventy musical works she composed ranged from celebrated operas like Nausicaa to intimate, jewel-like compositions created for friends. Her circle included figures like Virgil Thomson, Paul Bowles, John Cage, and Yehudi Menuhin. Drawing on interviews, archival research, and fifty-four years of extraordinary pocket diaries, Suzanne Robinson places Glanville-Hicks within the history of American music and composers. "P.G.H." forged alliances with power brokers and artists that gained her entrance to core American cultural entities such as the League of Composers, New York Herald Tribune, and the Harkness Ballet. Yet her impeccably cultivated public image concealed a private life marked by unhappy love affairs, stubborn poverty, and the painstaking creation of her artistic works. Evocative and intricate, Peggy Glanville-Hicks clears away decades of myth and storytelling to provide a portrait of a remarkable figure and her times.

The story of a revolution in music and technology, told through a century of recordings of the music of Johann Sebastian Bach

In "Reinventing Bach," his remarkable second book, Paul Elie tells the electrifying story of how musicians of genius have made Bach's music new in our time, at once restoring Bach as a universally revered composer and revolutionizing the ways that music figures into our lives.

As a musician in eighteenth-century Germany, Bach was on the technological frontier--restoring organs, inventing instruments, and perfecting the tuning system still in use today. Two centuries later, pioneering musicians began to take advantage of breakthroughs in audio recording to make Bach's music the sound of modern transcendence. The sainted organist Albert Schweitzer played to a mobile recording unit set up at London's Church of All Hallows in order to spread Bach's organ works to the world beyond the churches. Pablo Casals, recording at Abbey Road Studios, made Bach's cello suites existentialism for the living room; Leopold Stokowski and Walt Disney, with "Fantasia," made Bach the sound of children's playtime and Hollywood grandeur alike. Glenn Gould's "Goldberg Variations" opened and closed the LP era and made Bach the byword for postwar cool; and Yo-Yo Ma has brought Bach into the digital present, where computers and smartphones put the sound of Bach all around us. In this book we see these musicians and dozens of others searching, experimenting, and collaborating with one another in the service of Bach, who emerges as the very image of the spiritualized, technically savvy artist.

"Reinventing Bach" is a gorgeously written story of music, invention, and human passion--and a story with special relevance in our time, for it shows that great things can happen when high art meets new technology.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

Mozart's Marriage of Figaro was one of his most successful works after its premiere in 1786. While the opera continues to be widely performed, the overture to the opera is performed even more often as a concert piece. This is a Pocket Score of the opera, designed for study and reference for performers.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Practical Method for Beginners, Op. 599. Czerny's piano exercises have been revered since they were created. Together with Hanon's The Virtuoso Pianist and Czerny's own The School of Velocity, Czerny's Practical Method for Beginners on the Pianoforte is among the most widely practiced set of exercises in the piano repertoire.

Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax and are mobilized as the result of a transgressive, anti-syntactic impulse. In Audacious Euphony, author Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major and minor triads have two distinct natures: one based on their acoustic properties, and the other on their ability to voice-lead smoothly to each other in the chromatic universe. Whereas their acoustic nature underlies the diatonic tonality of the classical tradition, their voice-leading properties are optimized by the pan-triadic progressions characteristic of the 19th century. Audacious Euphony develops a set of inter-related maps that organize intuitions about triadic proximity as seen through the lens of voice-leading proximity, using various geometries related to the 19th-century Tonnetz. This model leads to cogent analyses both of particular compositions and of historical trends across the long nineteenth century. Essential reading for music theorists, Audacious Euphony is also a valuable resource for music historians, performers and composers.

Beethoven permeates American culture. His image appears on countless busts and coffee mugs; his music is heard in movie scores, TV soundtracks, commercials, and pop songs; he is Schroeder s god in Peanuts and Chuck Berry s freaked-out parent in "Roll over Beethoven." In this book, Michael Broyles seeks to understand the composer as he exists in the American imagination and explores how Beethoven became a cultural icon. Broyles examines Beethoven s appearance in a variety of contexts: American commercialism, the Afrocentrist and black power movements, and the modernist critique of Romanticism. He considers portrayals of Beethoven in American film and theater and the uses of his music in film scores, as well as references to Beethoven and his music in disco, country, rock, and rap. In the end, he shows that to examine Beethoven on American soil is to examine America itself."

Mozart's own words, edited by Friedrich Kerst and Henry Edward Krehbiel

Written by a young Mozart in 1772, the three divertimenti commonly known as the Salzburg Symphonies are works that bridge two common forms - the divertimento of the time and the Italian symphony of the time. While the true divertimento of the time was 5 movements, these works are each three movements in length, as was the Italian symphony of the time. These works are light-hearted and less demanding on the players than many of Mozart's later works. Today, the are performed either by string orchestra or by string quartet.

'It will take more than an earthquake to keep me from doing my work...'
Music changed Romel Joseph's life. But on Jan. 12, 2010, it also saved it.
That's when the blind musician and educator became trapped under three stories of rubble-the remains of the music school he founded in Port-au-Prince, Haiti-following the earthquake that devastated his country. But Romel, filled with faith in God and a desire to realize his dreams, remained alert. He survived, he says, by performing a different violin concerto or sonata every hour until the moment of his rescue.
The Miracle of Music captures his remarkable ordeal, which has captivated audiences around the world. His story has been featured in The Miami Herald, The Washington Post, the London Times, the CBS News with Katie Couric, the BBC, and others. But the narrative has been incomplete-until now.
This inspiring story is about how a blind Haitian boy became a Juilliard-trained violinist, a world-renowned musician, and used the music in his soul to overcome his life's obstacles and help those around him. It is about the successful struggle to keep open the New Victorian School, a premiere music education institution, despite untold obstacles. It is about the hopes and dreams and perseverance of a country. And it is about love and empathy that keeps us going even when the ground is shaking under our feet.

Mozart's Serenade No. 12 in C minor (K 388), often referred to as Nacht Musique, is a work for Woodwind Octet that has become widely played. The work consists of four movements, with a canon in the Minuet movement. This work was also transcribed by Mozart for String Quintet and survives as K 406 in that form.

This book aids the listener in getting beneath the surface of Beethoven's two beloved symphonies.Composers often write pieces in highly contrasting moods in very close proximity. But no composer took this process further than Beethoven. His famous "Fifth Symphony", with an opening familiar to anyone, became the standard for the Romantic, tragedy to triumph, 'victory symphony'. The sunny Sixth however represents a high-water mark of relaxed lyricism. On a superficial listening, they couldn't sound more different from one another. Yet by examining them more closely it is revealed that they have more in common than their emotional trajectories might suggest.This book aids the listener in getting beneath the surface of these two beloved symphonies, revealing that however disparate the expressive message, the language and style remain Beethoven's - a symphonic voice as powerful in struggle and victory as in relaxation and meditation."Magnum Opus" is a series for anyone seeking a greater familiarity with the cornerstones of Western Classical Music - operatic, choral and symphonic. Always passionate, down-to-earth, and authoritative on the works and their creators, "Magnum Opus" is an indispensable resource for anyone's musical library and the perfect gift for the music-lover in your life.

John Hunt was born in Windsor and Graduated from University College London, in German language and literature. He has worked in personnel administration, record retailing and bibliographic research for a government agency and is on the lecture panel of the National Federation of Music Societies. In his capacity as Chairman of the Furtwangler Society UK, John Hunt has attended conventions in Rome, Paris and Zurich and has contributed to important reference works about Furtwangler by John Ardoin and Joachim Matzner. He has also translated from the German Jurgen Kesting's important monograph on Maria Callas. John Hunt has published discographies of over 80 performing artists, several of which have run into two or more editions.

In "Beethoven", Edmund Morris, the author of three bestselling presidential biographies and a lifelong devotee of the great composer, brings him to life as a man of astonishing complexity and overpowering intelligence. A gigantic, compulsively creative personality unable to tolerate constraints, he was not so much a social rebel as an astute manipulator of the most powerful and privileged aristocrats in Germany and Austria, at a time when their world was threatened by the rise of Napoleon Bonaparte. But Beethoven's achievement rests in his immortal music. Struggling against progressive, incurable deafness (which he desperately tried to keep secret), he nonetheless produced towering masterpieces, such as his iconic Fifth and Ninth symphonies. With sensitivity and insight, Edmund Morris illuminates Beethoven's life, including his interactions with the women he privately lusted for but held at bay, and his work, whose grandeur and beauty were conceived 'on the other side of silence.'

A" New York Times" Notable Book of the Year
A" San Francisco Chronicle" Notable Bay Area Book of the Year A book unlike anything ever written by a composer--part memoir, part description and explication of the creative process--"Hallelujah Junction" is an absorbing journey across the musical landscape of America and through the life and times of John Adams, one of today's most admired and performed composers.

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music.
In Music in the Nineteenth Century, Richard Taruskin offers a panoramic tour of this magnificent century in the history music. Major themes addressed in this book include the romantic transformation of opera, Franz Schubert and the German lied, the rise of virtuosos such as Paganini and Liszt, the twin giants of nineteenth-century opera, Richard Wagner and Giuseppe Verdi, the lyric dramas of Bizet and Puccini, and the revival of the symphony by Brahms. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

In his lifetime Joseph Haydn enjoyed huge popularity throughout Europe. As a composer of symphonies, quartets, masses, and oratorios he was readily acknowledged by Mozart, Beethoven, and others as a commanding figure. He is one of the founding fathers of classical music, yet only in the last 50 years have his works become available in reliable editions, and much biographical detail has come to light at the same time. Meanwhile, his music is more popular today than it has been at any time since his death. Published to coincide with the 200th anniversary of Haydn's death, this detailed, scholarly, and lively Companion draws together a wealth of biographical detail and expert analysis for the the first time in an accessible, engaging format. It covers Haydn's life and times, and his music, including its performance and reception. The Companion focuses on the period of Haydn's life (1732-1809), but extends forward to the end of the 20th century, to cover Haydn's reputation in the 19th century, attempts at complete editions, and modern scholarship. Selected feature entries cover such topics as Haydn's life and personality, major genres in which he worked, performance practice, dissemination, and the Enlightenment. The A-Z text is complemented by a full list of Haydn's works, family trees, a map, and a list of first lines.

Wolfgang Amadeus Mozart's Eine Kleine Nachtmusik (A Little Night Music) is likely the most recognized (and most widely played) piece of classical music in the string quartet repertoire. This is a Performer's Edition pocket score designed for study and reference in a compact book. Material is from the Performer's Edition release of Eine Kleine Nachtmusik.

Literary critics such as Virginia Woolf and Lionel Trilling had noted intuitive affinities between the art of Jane Austen and that of Mozart, but this 1983 book was the first to compare their artistic style and individual works in a comprehensive way. Extended comparisons are of course difficult because of the intrinsic differences between prose fiction and instrumental music.

In "Jane Austen and Mozart," Robert K. Wallace has succeeded in making illuminating comparisons of spirit and form in the work of these two artists. His book celebrates the achievements of Austen and Mozart by comparing their stylistic significance in the history of their separate arts and by offering comparisons of three Austen novels with three Mozart piano concertos.

In exploring precise similarities between the two artists, Wallace shows how the art and criticism of one field can illuminate the art and criticism of another. Above all, Jane Austen and Mozart attempts to show the degree to which three masterpieces by each artist have comparable meaning and value.