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Books > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
Rodney Trudgeon's Concert Notes is a collection of essays on famous classical, orchestral compositions. The pieces in this collection have appeared in concert programmes that have accompanied performances by the Cape Town and Johannesburg Philharmonic Orchestras.
Rodney Trudgeon is a well-known radio host and presenter on Fine Music Radio. He is an expert on the range of musical genres that broadly fall under the category "classical music". The text that comprises Rodney Trudgeon's Concert Notes is structured alphabetically according to composer and gives a broad overview of the development of classical music, starting with the Baroque period and ending with modern, atonal music. Each piece is dedicated to a particular musical composition, describing its highlights, its history, and what makes it unique.
Broadly, the pieces are grouped together according to the following three broad categories: ouvertures, concertos, and symphonies, mimicking the structure of concert programmes. Each entry also includes a short biography of its composer. Trudgeon's style is easy to read and accessible to all readers: from those who
listen to classical music regularly to those who are unfamiliar with it. Overall, this collection is a useful and informative musical guide, making a case for listening to orchestral music.
Although best known as the sister of Felix Mendelssohn, Fanny
Mendelssohn Hensel (1805-47) was a virtuoso pianist and a composer
of considerable merit in her own right. Her oeuvre of more than 400
compositions remained largely unknown for more than a century after
her untimely death, and her newly rediscovered reputation as a
composer rests chiefly with her piano music. This volume is the
first American publication of her important early works. Reproduced
directly from rare first editions, its contents include "Vier
Lieder fur das Pianoforte, "Op. 2, Op. 6, and Op. 8, in addition to
two selections from S"ix Melodies pour le Piano," Op. 4 and Op. 5.
Introduction.
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