To be successful, a musician often has to be an entrepreneur:
someone who starts a performing venue, develops patrons, and
promotes the project aggressively. Accomplishing this requires
musicians to acquire social and business skills and to be highly
opportunistic in what they do. In The Musician as Entrepreneur,
1700 1914, international scholars investigate cases of musical
entrepreneurship between around 1700 and 1914 in Britain, France,
Germany, and the United States. By uncovering the ways in which
musicians such as Telemann, Beethoven, Paganini, and Liszt
conducted their daily business, the authors reveal how musicians
reshaped the frameworks of musical culture and, in the process, the
nature of the music itself."
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