Classical and Romantic Performing Practice 1750-1900 (Paperback)

The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.

General

Imprint:	Oxford UniversityPress
Country of origin:	United States
Release date:	June 2004
First published:	May 2004
Authors:	Clive Brown (Professor of Applied Musicology)
Dimensions:	233 x 155 x 29mm (L x W x T)
Format:	Paperback
Pages:	676
ISBN-13:	978-0-19-516665-1
Categories:	Books > Arts & Architecture > Music > Western music, periods & styles > Classical music (c 1750 to c 1830) Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900) Books > Arts & Architecture > Music > Techniques of music > General Books > Music > Techniques of music > General Books > Music > Western music, periods & styles > Classical music (c 1750 to c 1830) Books > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900) Promotions
LSN:	0-19-516665-5
Barcode:	9780195166651

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