"We do not understand music--it understands us." This aphorism by
Theodor W. Adorno expresses the quandary and the fascination many
listeners have felt in approaching Beethoven's late quartets. No
group of compositions occupies a more central position in chamber
music, yet the meaning of these works continues to stimulate
debate. William Kinderman's The String Quartets of Beethoven stands
as the most detailed and comprehensive exploration of the subject.
It collects new work by leading international scholars who draw on
a variety of historical sources and analytical approaches to offer
fresh insights into the aesthetics of the quartets, probing
expressive and structural features that have hitherto received
little attention. This volume also includes an appendix with
updated information on the chronology and sources of the quartets
and a detailed bibliography.
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