This book comprises papers presented at a one-day seminar at the Museum of London, which highlighted change and development in the field of the scientific analysis and conservation of coins. The papers are diverse and reflect a multi-disciplinary approach to the subject.

As the name indicates, KOINON is a journal that encourages contributions to the study of classical numismatics from a wide variety of perspectives. The journal includes papers concerning iconography, die studies, provenance research, forgery analysis, translations of excerpts from antiquarian works, specialized bibliographies, corpora of rare varieties and types, ethical questions on laws and collecting, book reviews, and more. The editorial advisory board is made up of members from all over the world, with a broad range of expertise covering virtually all the major categories of classical numismatics from archaic Greek coinage to late Medieval coinage.

A presentation of the various indigenous coin issues that circulated in Eastern Arabia during the pre-Islamic era as attested in five private collections studied by the author. The basis for the classification is a corpus of 529 coins selected from those collections for publication here. Geographically, the coins came from two distinct regions which today comprise the Eastern Province of the Kingdom of Saudi Arabia and the Emirate of Umm al-Qaiwain in the United Arab Emirates. Foreign issues were rare in these areas, although a handful of Sasanian, Roman, Seleucid, Greek, Phoenician, Nabataean, Elymaean, Parthian and Sabaean coins have been attested to in the collections that form the basis of this work.

From the Celts to the Tudors, the Georgians to our Queen - coins from all around the United Kingdom show many wonderful designs. With 22 full page illustrations to colour in, each providing a contextual history, this book will provide hours of fun for coin enthusiasts of all ages.

As the name indicates, KOINON is a journal that encourages contributions to the study of classical numismatics from a wide variety of perspectives. The journal will include papers concerning iconography, die studies, provenance research, forgery analysis, translations of excerpts from antiquarian works, specialized bibliographies, corpora of rare varieties and types, ethical questions on laws and collecting, book reviews, and more. The editorial advisory board is made up of members from all over the world, with a broad range of expertise covering virtually all the major categories of classical numismatics from archaic Greek coinage to late Medieval coinage. Table of contents for the inaugural issue: Why a New Journal in Classical Numismatics? An Editorial by Nicholas J. Molinari; GREEK NUMISMATICS; Sophocles' Trachiniae and the Apotheosis of Herakles: The Importance of Acheloios and Some Numismatic Confirmations - by Nicholas J. Molinari; Provenance Lost and Found: Alfred Bourguignon - by John Voukelatos; A Philip III Tetradrachm Die Pair Recycled by Seleukos I - by Lloyd W.H. Taylor; Blundered Era Date on Coin of Arados, Civic Year 119 - by Martin Rowe; ROMAN NUMISMATICS; Sotto l'egida di Minerva: Echi monetali delle imprese britanniche da Cesare ai Severi - by Luigi Pedroni; A Doubted Variety of M. Aemilius Scaurus and P. Plautius Hypsaeus Vindicated - by Jordan Montgomery and Richard Schaefer; Redating Nepotian's Usurpation and the Coinage of Magnentius - by Shawn Caza; A previously unrecorded reverse for Constantine I - by Victor Clark; The Dating and the Sequence of the Persid Frataraka Revisited - by Wilhelm Museler; ORIENTAL NUMISMATICS; The Kilwa Coins of Sultan al-Hasan ibn Sulayman in their Historical Context - by N.J.C. Smith; An Introduction to Parthian Silver Fractions, The Little Anomalies of Arsacid Coinage - by Bob Langnas; An interesting denaro tornese of the Barons Revolt of 1459-1464 and some considerations regarding Nicola II di Monforte - by Andrei Bontas; A CATALOG OF NEW VARIETIES

Studies of seals and sealing practices have traditionally investigated aspects of social, political, economic, and ideological systems in ancient societies throughout the Old World. Previously, scholarship has focused on description and documentation, chronology and dynastic histories, administrative function, iconography, and style. More recent studies have emphasized context, production and use, and increasingly, identity, gender, and the social lives of seals, their users, and the artisans who produced them. Using several methodological and theoretical perspectives, this volume presents up-to-date research on seals that is comparative in scope and focus. The cross-cultural and interdisciplinary approach advances our understanding of the significance of an important class of material culture of the ancient world. The volume will serve as an essential resource for scholars, students, and others interested in glyptic studies, seal production and use, and sealing practices in the Ancient Near East, Egypt, Ancient South Asia and the Aegean during the 4th-2nd Millennia BCE.

Potamikon attempts to solve a question that has perplexed scholars for hundreds of years: Who exactly is the man-faced bull featured so often on Greek coinage? It approaches this question by examining the origin of the iconography and traces its development throughout various Mediterranean cultures, finally arriving in Archaic and Classical Greece in the first millennium BC. Within the context of Greek coinage, the authors review all the past arguments for the identity of the man-faced bull before incorporating the two leading theories (Local River Gods vs. Acheloios) into a new theory of local embodiments of Acheloios, thereby preserving the sanctity of the local rivers while recognizing Acheloios as the original god of all water. The second part of the book exhibits many of these 'Sinews of Acheloios' as they appear throughout the Greek world on bronze coinage, in each case paying careful attention to the reasons a specific group adopted the iconography and shedding further light on the mythos of Acheloios.

"Money is a matter of functions four: a medium, a measure, a standard, a store." But money is always a medium of communication too, whether about price or about political conviction and authority, fealty, desire, or disdain. In a work that spans 4,500 years, 54 experts chart across six volumes how money has made "the world go round" and capture money's complexities in both substance and form. Individual volume editors ensure the cohesion of the whole and, to make it as easy as possible to use, chapter titles are identical across each of the volumes. This gives the choice of reading about a specific period in one of the volumes, or following a theme across history by reading the relevant chapter in each of the six. The six volumes cover: 1 - Antiquity (2500 BCE-500 CE); 2 - Medieval Age (500-1400); 3 - Renaissance (1400-1680); 4 - Age of Enlightenment (1680-1820); 5 - Age of Empire (1820-1920); 6 - Modern Age (1920-present). Themes (and chapter titles) are: Money and its Technologies; Money and its Ideas; Money, Ritual, and Religion; Money and the Everyday; Money, Art, and Representation; Money and its Interpretation; Money and the Issues of the Age The total extent of the pack is approximately 1,680 pages. Each volume opens with a Series Preface, an Introduction, and Notes on Contributors and concludes with Notes, Bibliography, and an Index. The Cultural Histories Series A Cultural History of Money is part of The Cultural Histories Series. Titles are available as hardcover sets for libraries needing just one subject or preferring a tangible reference for their shelves or as part of a fully-searchable digital library. The digital product is available to institutions by annual subscription or on perpetual access via www.bloomsburyculturalhistory.com. Individual volumes for academics and researchers interested in specific historical periods are also available in print or digitally via www.bloomsburycollections.com.