Ce livre est une reimpression de l'ouvrage paru a l'origine en 1902 chez C. Rollin et Feuardent. Cet ouvrage examine le portrait numismatique de Vercingetorix, par l'etude des monnaies gauloises et des monnaies romaines. Deux planches de photos de monnaies gauloises et romaines, situees en fin d'ouvrage, permettent d'illustrer les 37 pages d'etudes de M. Ernest Babelon.

The volume gathers together seventeen articles dedicated to the monetary history of medieval Italy, most of them newly translated into English. The articles in the first section of the volume trace the development of monetisation in Italy from the Lombard period until the rise of the communes, taking Rome, Lazio, Tuscany, and several cities and regions in north-central Italy as case studies. The articles in the second section analyse different aspects of monetary production and circulation in Byzantine Italy, while the third gathers together studies on various aspects of Carolingian coinage: the transition from the Lombard system and the problem of furnishing an adequate supply of silver; mints and royal administration; and the activity and inactivity of mints operating at the edges of the Regnum Italiae. All of the articles share the author's characteristic concern with setting the evidence from written sources against the wealth of new data emerging from recent archaeological research.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The treasure of Buseyra is preserved in the museum of Deir az-Zour in Syria. The coins in the hoard cover a large period from the Sassanian Sovereign Khusro II (590/1-628) until the terminal date 331H/ 941. These coins offer precious information, not only about a large number of mints but about the periods and quantities of minting activity. This treasure is important because it is the first complete hoard of the 10th century discovered in the al-Djazira area. According to Tomas Noonan, the Middle East and Central Asian hoards only amount to ten per cent of the treasures found in northern and eastern Europe and the Nordic countries. In comparing contemporaneous 10th-century silver hoards, and especially the relation between the numbers of coin dies and their representation of their products, we can obtain insights into the flows of money and the balance of payments for each area and each minting city.

The first two chapters provide a resume of how the coinage of the central Roman state changed, developed and stumbled. In Britain most coins in museums and collections come from hoards (coins deposited in a group) or from coins found singly during excavation or walking over fields. These two classes are very different and are examined separately. The author then looks at how coins were used in Roman Britain, and finally explains the differences between Britain and the rest of the Roman Empire. Despite the need for quantitative as well as well as qualitative analysis, Richard Reece has - for the benefit of those who are understandably put off by reams of statistics - banished all numbers and numerical methods to a single short Appendix. The result is a book sparkling with Dr Reece's characteristically incisive insights that can be appreciated by anyone interested in Britain's past.

In-depth study of coinage minted in Theodosian times, in particular the AE2 produced AD 379-381 under Gratian, Valentinian II and Theodosius I. This report analyses the circulation, supply and imitation of the AE2 and its distribution in Spain. Discoveries of large quantities of coins on some excavated sites suggests that this issue was frequently hoarded in the 4th century, ranging from a few coins to several thousand, and by the 5th and 6th century had lost much of its value. Large catalogue.

Minoan sealings are generally treated as historical evidence, shedding light on a long-gone society. The author here treats them from a more art-historical perspective, discussing the internal logic of Minoan and Mycenaean art and the rules applied to the constrcution of am image. She surveys over 100 images, many of bucking animals, and reproduces them in black and white with a detailed catalogue.

The minting of coinage in a territory without previous monetary history or tradition reflects a series of political, social and cultural changes that took place in order to make it possible. Such changes can be traced in the archaeological record thanks to elements apparently as different as coins, ceramics, epigraphy, funerary rites or architecture; these changes thus emerge as some of the most significant points in the colonization process that took place throughout the second century B.C. and at the beginning of the next century in the valley of Cabrera de Mar (ancient Ilduro) and the Laietani territory. This book is exclusively devoted to the mint of Ilduro, its main goal being to study not only the issues produced by the workshop in detail, but also the role that this coinage had in the monetarization of a changing society, that of the Laietani, which had never previously needed to use coinage. To do so, the author of this study endeavours to answer the following questions in as much depth as possible: Who minted the coins? Why? What for? How? Where? When? How many? With the aim of answering the aforementioned questions, this volume has been organized into ten chapters divided in three broader sections dedicated to studying, specifically, each one of the aspects involved in the production of this mint. The chapters considering the location of the workshop and the legends used are fundamental to answer the questions of who minted the coins and where. On the other hand, aspects such as metrology, typology and the technique (metallographic analysis) used by the mint are essential to understand how the coins were minted, and also to put forward a hypothesis as regards the use given to the coin issues discussed in the present study. Finally, the chapters dedicated to the production, classification and chronology of the issues should answer such important questions as when and how much money was put into circulation. This is a book that, in addition to increasing our knowledge of Iberian numismatics, brings us closer to the evolution and production of the coin issues minted in present-day northeastern Spain in general and to the Ilduro workshop in particular.

Money provides a unique and illuminating perspective on the Middle Ages. In much of medieval Europe the central meaning of money was a prescribed unit of precious metal but in practice precious metal did not necessarily change hands and indeed coinage was very often in short supply. Money had economic, institutional, social, and cultural dimensions which developed the legacy of antiquity and set the scene for modern developments including the rise of capitalism and finance as well as a moralized discourse on the proper and improper uses of money. In its many forms - coin, metal, commodity, and concept - money played a central role in shaping the character of medieval society and, in turn, offers a vivid reflection of the distinctive features of medieval civilization. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Medieval Age presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

This study deals with the iconographic theme of imperial Byzantine 'heavenly coronation', or Andre Grabar's couronnement symbolique, with particular attention to fine arts and numismatics. This theme, along with the rituals of imperial investiture, represents the concept of divine kingship in figurative terms, a significant ideological premise for Byzantine theocracy. The book is structured in seven chapters, investigating both the origination and conclusion of the iconographical subject and its political derivations. It attempts to assemble all the known images of the 'heavenly coronation' theme and to explain its political and iconographical roots.

[16:19:22] Jadles (Jamie): Early Japanese Coins is an up-to-date catalogue of pre-Meiji copper, gold and silver coins. As well as official issues, the often decorative provincial issues are covered. A selection of the intriguing Japanese amulets known as E-sen is also included. It replaces Munro and other western works. It is designed to be used both by advanced collectors who have some knowledge of characters, and beginners who will find the layout easy to follow and will quickly gain a knowledge of this coinage. It draws on historical, as well as the latest western and Japanese numismatic sources, and describes the circumstances under which many of the coins were issued and used. Guides to the Japanese language are given, and maps and lists of era names and rulers add to the background information. There is a description of how the coins were made, illustrated from a contemporary document. A Finding Guide is provided for the difficult Kanei Tsuho series, which will enable these coins to be readily attributed from the differences in their calligraphy. A rarity guide, linked to an approximate value, is provided for each coin. The author has been studying and collecting Far Eastern coins for over fifty years, and has also written the prize winning Cast Chinese Coins, and the definitive Qing Cash.