Bracketed by global financial crises and economic downturns, the modern age has been defined by debates about, and transformations of, money. The period witnessed the consolidation of national currencies and monetary policies as well as the diversification of payment technologies and the proliferation of financial instruments. Throughout, even as it appeared abstracted by finance and depoliticized by expert ideologies, money was revealed again and again to be a powerful medium of cultural imagination and practical inventiveness as well as the site of public and political struggles. Modern money - both as a form of liquidity and as a claim on wealth - remains deeply unsettled, caught between private and public interests and subject to epic struggles over the infrastructures of value creation and circulation and their distributional consequences. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Modern Age presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

The articles republished in this volume are ground-breaking studies that employ a large body of religious figural imagery of Byzantine lead seals ranging from the 6th to the 15th century. A number of the studies present tables, charts and graphs in their analysis of iconographic trends and changing popularity of saintly figures over time. And since many of the seals bear inscriptions that include the names, titles or offices of their owners, information often not given for the patrons of sacred images in other media, these diminutive objects permit an investigation into the social use of sacred imagery through the various sectors of Byzantine culture: the civil, ecclesiastical and military administrations. The religious figural imagery of the lead seals, accompanied by their owners' identifying inscriptions, offers a means of investigating both the broader visual piety of the Byzantine world and the intimate realm of their owners' personal devotions. Other studies in this volume are devoted to rare or previously unknown sacred images that demonstrate the value of the iconography of Byzantine lead seals for Byzantine studies in general. This volume includes studies dedicated to the image of Christ, primarily found on imperial seals, various images of the Virgin, and narrative or Christological scenes. A companion volume presents various articles focusing on sphragistic images of saints and on the religious imagery of Byzantine seals as a means of investigating the personal piety of seal owners, as well as the wider realm of the visual piety and religious devotions of Byzantine culture at all levels. (CS1085)

"The Legend of Alexander the Great on Greek and Roman Coins" will for the first time collect, present and examine the portraits and representations of Alexander the Great on ancient coins of the Greek and Roman periods (c.320 BC to AD 400). It offers a firsthand insight into the posthumous appreciation of his legend by Hellenistic kings, Greek cities, and Roman Emperors. Dahmen combines an introduction to the historical background and basic information on the coins with a comprehensive study of Alexander's numismatic iconography. He also discusses in detail examples of coins with Alexander's portrait. Which are part of a selective presentation of representative coin types in the second part of the study (in which an image and discussion is combined with a characteristic quotation of a source from ancient historiography and a short bibliographical reference).
The numismatic material presented, although representative, will exceed any previously published work on the subject. This book will be useful for classicists, archaeologists, historians and art historians and students.

Groundbreaking collection of articles - drawing upon recent advances in both discovery techniques and classification systems - centred upon the study of early Anglo-Saxon coinage and its iconography. Recent years have seen increasing interest being taken by both scholars and enthusiasts in the remarkable iconography of early Anglo-Saxon coinage. During this period there was a remarkable diversity of intentionally ambiguous imagery conflating the various traditions then extant in England, and indeed the sheer quantity of types produced in post-Roman Britain prior to the establishment of a clear political hierarchy has often been regarded as a daunting hurdle for scholarly research. Although this wealth of material has long been available, recent advances in both discovery techniques and classification systems have seen a renewal of interest in these largely neglected artefacts.This volume draws upon these advances to establish a new benchmark for the study of coin typologies. Going beyond the traditional studies of moneyers, mint marks and monarchs, these essays draw upon the imagery present upon the coins themselves to offer new insights into Anglo-Saxon art and society.

Ecoinomics is designed to equip the reader with a full working knowledge of the global numismatic market and how it differs from country to country; it details the various factors which contribute to the value of a coin, as well as different collecting practices (such as third-party grading in the US). Covering the range of costs and benefits involved with keeping a substantial amount of capital in coins, including performance over time, market trends, tax and insurance, Ecoinomics aims to give the reader the confidence to buy coins and to begin participating in the numismatic market. "Robert Parkinson has written an interesting and informative guide that explains many of the most important topics in numismatics. This book will serve as a valuable resource for new and experienced collectors alike." Max Spiegel, President, Certified Collectibles Group / NGC

Monetary law is essential to the functioning of private transactions and international dealings by the state: nearly every legal transaction has a monetary aspect. Money in the Western Legal Tradition presents the first comprehensive analysis of Western monetary law, covering the civil law and Anglo-American common law legal systems from the High Middle Ages up to the middle of the 20th century. Weaving a detailed tapestry of the changing concepts of money and private transactions throughout the ages, the contributors investigate the special contribution made by legal scholars and practitioners to our understanding of money and the laws that govern it. Divided in five parts, the book begins with the coin currency of the Middle Ages, moving through the invention of nominalism in the early modern period to cashless payment and the rise of the banking system and paper money, then charting the progression to fiat money in the modern era. Each part commences with an overview of the monetary environment for the historical period written by an economic historian or numismatist. These are followed by chapters describing the legal doctrines of each period in civil and common law. Each section contains examples of contemporary litigation or statute law which engages with the distinctive issues affecting the monetary law of the period. This interdisciplinary approach reveals the distinctive conception of money prevalent in each period, which either facilitated or hampered the implementation of economic policy and the operation of private transactions.

"Money is a matter of functions four: a medium, a measure, a standard, a store." But money is always a medium of communication too, whether about price or about political conviction and authority, fealty, desire, or disdain. In a work that spans 4,500 years, 54 experts chart across six volumes how money has made "the world go round" and capture money's complexities in both substance and form. Individual volume editors ensure the cohesion of the whole and, to make it as easy as possible to use, chapter titles are identical across each of the volumes. This gives the choice of reading about a specific period in one of the volumes, or following a theme across history by reading the relevant chapter in each of the six. The six volumes cover: 1 - Antiquity (2500 BCE-500 CE); 2 - Medieval Age (500-1400); 3 - Renaissance (1400-1680); 4 - Age of Enlightenment (1680-1820); 5 - Age of Empire (1820-1920); 6 - Modern Age (1920-present). Themes (and chapter titles) are: Money and its Technologies; Money and its Ideas; Money, Ritual, and Religion; Money and the Everyday; Money, Art, and Representation; Money and its Interpretation; Money and the Issues of the Age The total extent of the pack is approximately 1,680 pages. Each volume opens with a Series Preface, an Introduction, and Notes on Contributors and concludes with Notes, Bibliography, and an Index. The Cultural Histories Series A Cultural History of Money is part of The Cultural Histories Series. Titles are available as hardcover sets for libraries needing just one subject or preferring a tangible reference for their shelves or as part of a fully-searchable digital library. The digital product is available to institutions by annual subscription or on perpetual access via www.bloomsburyculturalhistory.com. Individual volumes for academics and researchers interested in specific historical periods are also available in print or digitally via www.bloomsburycollections.com.

Like other volumes in this series, Ancient History from Coins demystifies a specialism, introducing students (from first year upwards) to the techniques, methods, problems and advantages of using coins to do ancient history.
Coins are a fertile source of information for the ancient historian; yet too often historians are uneasy about using them as evidence because of the special problems attaching to their interpretation. The world of numismatics is not always easy for the non-specialist to penetrate or understand with confidence. Dr Howgego describes and anlyses the main contributions the study of coins can make to ancient history, showing shows through numerous examples how the character, patterns and behaviour of coinage bear on major historical themes. Topics range from state finance and economic policy to imperial domination and political propaganda through coins types.
The period covered by the book is from the invention of coinage (ca 600BC) to AD 400.

eBook available with sample pages: 0203135865

Did you know that some societies once used giant rocks for money? Why do some coins have holes in them? Will plastic soon replace paper currency? The history of money closely parallels the history of chemistry, with advances in material science leading to advances in our physical currency. From the earliest examples of money, through the rise of coins, paper, plastic and beyond, with excursions into corrosion and counterfeiting along the way, this book provides a chemist's eye view into the history of the cash in our pockets. Written in an accessible style that will appeal to the layperson and scientist alike, The Chemistry of Money will be sure to both enlighten and entertain. You will never look at money the same way again!

This is the first scholarly art-historical appraisal of Anglo-Saxon coinage, from its inception in the late sixth century to Offa's second reform of the penny c.792. Outside numismatic circles, this material has largely been ignored because of its complexity, yet artistically this is the most vibrant period of English coinage, with die-cutters showing flair and innovation and employing hundreds of different designs in their work. By analysing the iconography of the early coinage, this book intends to introduce its rich legacy to a wide audience.
Anna Gannon divides the designs of the coins into four main categories: busts (including attributes and drapery), human figures, animals and geometrical patterns, presenting prototypes, sources of the repertoire and parallels with contemporary visual arts for each motif. The comparisons demonstrate the central role of coins in the eclectic visual culture of the time, with the advantages of official sanctioning and wide circulation to support and diffuse new ideas and images. The sources of the motifs clarify the relationship between the many designs of the complex Secondary phase (c.710-50). Contemporary literature and theological writings often offer the key to the interpretation of motifs, hinting at a universal preoccupation with religious themes. The richness of designs and display of learning point to a sophisticated patronage with access to exotic prototypes, excellent craftsmanship and wealth; it is likely that minsters, as rich, learned, and well-organized institutions, were behind some of the coinage. After the economic crises of the mid-eighth century this flamboyant iconography was swept away: with the notable exeption of the coins of Offa, still displaying exciting designs of high quality and inventiveness, reformed issues bore royal names and titles, and strove towards uniformity.

Money Talks is a fast-paced history of the humble British coin, the events which at times literally shaped it and the stories reflected in its creation.It has been used to barter and to bribe, to hold a cloak in place and to pay a king's ransom, been an object of pride and a symbol of courage. The coin has witnessed the great events in history - about kings and queens and the transfer of power - and it speaks to us of generations passed, of battles and heroic deeds, of countries and empires as well as of moments we would rather forget.Money Talks is about how such a small object of desire has been regarded as a symbol of power and authority for more than 2,500 years. It traces British history through the one thing that has come to dominate our lives - hard cash - and it demonstrates how monarchs down the centuries have used it to fund their wars, maintain their lifestyles and portray their image to prove their position or legitimatise dubious claims to the throne.From time to time the coin has slipped out of use altogether as bartering goods was preferred to poor quality coinage for day-to-day business. It has been hoarded for safer times and simply used as adornment.But even as the modern world turns increasingly to electronic transactions moving billions around the world at the touch of a button, the coin retains its place at the heart of everyday life. (In association with Vitabiotics)

This illustrated handbook presents a concise history of the development of the coinage of the early Arab caliphate in the seventh century, tracing its transition from coins that closely resembled Byzantine issues with imperial images to purely aniconic specimens with inscriptions in Arabic. This so-called "Arab-Byzantine series" sheds light on a pivotal period in the history of Syria, Palestine, and Egypt, as formerly Byzantine provinces were slowly Arabicized and Islamicized following the Arab conquests of the 630s and 640s. The historical introduction, which includes descriptions of all the basic types, is followed by a summary catalogue of the recently acquired collection of Arab-Byzantine coins at Dumbarton Oaks.

Coins were the most deliberate of all symbols of public communal identities, yet the Roman historian will look in vain for any good introduction to, or systematic treatment of, the subject. Sixteen leading international scholars have sought to address this need by producing this authoritative collection of essays, which ranges over the whole Roman world from Britain to Egypt, from 200 BC to AD 300. The subject is approached through surveys of the broad geographical and chronological structure of the evidence, through chapters which focus on ways of expressing identity, and through regional studies which place the numismatic evidence in local context.

Coins were the most deliberate of all symbols of public communal identities, yet the Roman historian will look in vain for any good introduction to, or systematic treatment of, the subject. Sixteen leading international scholars have sought to address this need by producing this authoritative collection of essays, which ranges over the whole Roman world from Britain to Egypt, from 200 BC to AD 300. The subject is approached through surveys of the broad geographical and chronological structure of the evidence, through chapters which focus on ways of expressing identity, and through regional studies which place the numismatic evidence in local context.

This is the first scholarly art historical appraisal of early Anglo-Saxon coinage. Anna Gannon examines the many coins produced during this most vibrant period of English coinage. She analyses their prototypes and explores their sources and parallels with contemporary arts, literature, and theology, setting their meaning in context.

Bracketed by global financial crises and economic downturns, the modern age has been defined by debates about, and transformations of, money. The period witnessed the consolidation of national currencies and monetary policies as well as the diversification of payment technologies and the proliferation of financial instruments. Throughout, even as it appeared abstracted by finance and depoliticized by expert ideologies, money was revealed again and again to be a powerful medium of cultural imagination and practical inventiveness as well as the site of public and political struggles. Modern money - both as a form of liquidity and as a claim on wealth - remains deeply unsettled, caught between private and public interests and subject to epic struggles over the infrastructures of value creation and circulation and their distributional consequences. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Modern Age presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

Coin Hoards and Hoarding in the Roman World presents fourteen chapters from an interdisciplinary group of Roman numismatists, historians, and archaeologists, discussing coin hoarding in the Roman Empire from c. 30 BC to AD 400. The book illustrates the range of research themes being addressed by those connected with the Coin Hoards of the Roman Empire Project, which is creating a database of all known Roman coin hoards from Augustus to AD 400. The volume also reflects the range of the Project's collaborations, with chapters on the use of hoard data to address methodological considerations or monetary history, and coverage of hoards from the west, centre, and east of the Roman Empire, essential to assess methodological issues and interpretations in as broad a context as possible. Chapters on methodology and metrology introduce statistical tools for analysing patterns of hoarding, explore the relationships between monetary reforms and hoarding practices, and address the question of value, emphasizing the need to consider the whole range of precious metal artefacts hoarded. Several chapters present regional studies, from Britain to Egypt, conveying the diversity of hoarding practices across the Empire, the differing methodological challenges they face, and the variety of topics they illuminate. The final group of chapters examines the evidence of hoarding for how long coins stayed in circulation, illustrating the importance of hoard evidence as a control on the interpretation of single coin finds, the continued circulation of Republican coins under the Empire, and the end of the small change economy in Northern Gaul.

The narrative of Roman history has been largely shaped by the surviving literary sources, augmented in places by material culture. The numerous surviving coins can, however, provide new information on the distant past. This accessible but authoritative guide introduces the student of ancient history to the various ways in which they can help us understand the history of the Roman republic, with fresh insights on early Roman-Italian relations, Roman imperialism, urban politics, constitutional history, the rise of powerful generals and much more. The text is accompanied by over 200 illustrations of coins, with detailed captions, as well as maps and diagrams so that it also functions as a sourcebook of the key coins every student of the period should know. Throughout, it demystifies the more technical aspects of the field of numismatics and ends with a how-to guide for further research for non-specialists.

A large gap exists in the literature of ancient numismatics between general works intended for collectors and highly specialized studies addressed to numismatists. Indeed, there is hardly anything produced by knowledgeable numismatists that is easily accessible to the academic community at large or the interested lay reader. The Oxford Handbook of Greek and Roman Coinage will fill this gap by providing a systematic overview of the major coinages of the classical world. The handbook begins with a general introduction by volume editor William E. Metcalf followed by an article establishing the history and role of scientific analysis in ancient numismatics. The subsequent thirty-two chapters, all written by an international group of distinguished scholars, cover a vast geography and chronology, beginning with the first evidence of coins in Western Asia Minor in the seventh century BCE and continuing up to the transformation of coinage at the end of the Roman Empire. In addition to providing the essential background and current research questions of each of the major coinages, the handbook also includes articles on the application of numismatic evidence to the disciplines of archaeology, economic history, art history, and ancient history. With helpful appendices, a glossary of specialized terms, indices of mints, persons, and general topics, and nearly 900 halftone illustrations, The Oxford Handbook of Greek and Roman Coinage will be an indispensable resource for scholars and students of the classical world, as well as a stimulating reference for collectors and interested lay readers.

The nineteenth century was a time of intense monetization of social life: increasingly money became the only means of access to goods and services, especially in the new metropolises; new technologies and infrastructures emerged for saving and circulating money and for standardizing coinage; and paper currencies were printed, founded purely on trust without any intrinsic metallic value. But the monetary landscape was ambivalent so that the forces unifying monetary practice (imperial and national currencies, global monetary standards such as the gold standard) coexisted with the proliferation of local currencies. Money became a central issue in politics, the arts, and sciences - and the modern discipline of economics was born, with its claim to a monopoly on knowing and governing money. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Age of Empire presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

The Enlightenment was a time of monetary turmoil and transformation in Europe. Change began with a riot of experimentation, including novel ideas about human agency and capacity to promote economic progress, efforts to reframe divinity in terms (like the providential) compatible with market exchange, new instruments of credit, and innovative institutions such as national banks and capital markets. Europeans, including the settler societies in North America, improvised frantically: people faced the task of everyday exchange in changing media; governments took up the project of creating currencies that supported their political power; artists and writers raced to represent new forms of wealth and interpret the issues they raised; and intellectuals struggled to conceptualize, and tame, patterns of monetary transformation. The result was a rich debate, still unsettled, about the sources of value, the morality of the market, and the very nature of money. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Age of Enlightenment presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

Coinage played a central role in the history of the Athenian naval empire of the fifth century BC. It made possible the rise of the empire itself, which was financed through tribute in coinage collected annually from the empire's approximately 200 cities. The empire's downfall was brought about by the wealth in Persian coinage that financed its enemies. This book surveys and illustrates, with nearly 200 examples, the extraordinary variety of silver and gold coinages that were employed in the history of the period, minted by cities within the empire and by those cities and rulers that came into contact with it. It also examines how coins supplement the literary sources and even attest to developments in the monetary history of the period that would otherwise be unknown. This is an accessible introduction to both the history of the Athenian empire and to the use of coins as evidence.

Coin collectors and enthusiasts have long been familiar with the story of two boys who unearthed a fortune in gold coins while playing in a Baltimore basement in 1934. But the rest of the story trailed off to a few odd details. One of the boys died young, the other ran into trouble with the law. No one seemed to know more.

A lifelong coin collector, Leonard Augsburger was determined to uncover the rest of the story. What happened to the kids? The gold? Who buried it in the first place?

Meticulously researched, "Treasure in the Cellar" delves into the lives of the boys and their families, recreates the hours at the police station after the boys reported what they found, and describes months of courtroom drama as descendents of several former property owners came forward, each claiming the fortune for themselves.

This is a price-guide reference book containing up-to-date values, and lots of historical information on all campaign medals and related items awarded to British and their colonial and local allies from 1793 to 1902. Every significant campaign is covered, including details of the various clasps awarded. The images of medals and maps are full colour, and are often full page sized.