The Roman monetary system was highly complex. It involved official Roman coins in both silver and bronze, which some provinces produced while others imported them from mints in Rome and elsewhere, as well as, in the East, a range of civic coinages. This is a comprehensive study of the workings of the system in the Eastern provinces from the Augustan period to the third century AD, when the Roman Empire suffered a monetary and economic crisis. The Eastern provinces exemplify the full complexity of the system, but comparisons are made with evidence from the Western provinces as well as with appropriate case studies from other historical times and places. The book will be essential for all Roman historians and numismatists and of interest to a broader range of historians of economics and finance.

This volume of Medieval European Coinage deals with the coinage of south Italy, Sicily and Sardinia between the mid-tenth century, when Part I ended, and the reign of Ferdinand the Catholic, on the threshold of the modern era. It thus covers very different coinages of the immediate pre-Norman period and those of the Norman, Hohenstaufen, Angevin and Aragonese dynasties, which in turn ruled part or the whole of the Mezzogiorno. The complex background to the history of this region makes its coinages among the most interesting of medieval Europe. They have rarely been studied together or in a single volume, and the work, which makes extensive use of written evidence and coin finds, will take its place as the standard work of reference for the foreseeable future.

Coins are one of the most abundant sources for our study of the past, yet their value as historical evidence is relatively neglected because of a general lack of knowledge of numismatic techniques. This volume of essays, offered by a circle of friends, colleagues and pupils working in Britain, Europe and North America, is intended to pay tribute to Philip Grierson's unique contribution to the study of numismatic method. A medievalist by training, through his wide-ranging interests in coins and coinage Grierson has commanded the respect of historians and numismatists of all periods for the originality and good sense of his prolific scholarship. More than any other living scholar, he has been responsible for making available an understanding of numismatic expertise to specialist and non-specialist audiences.

Examines the styles and contexts of portrait statues produced during one of the most dynamic eras of Western art, the early Hellenistic age. Often seen as the beginning of the Western tradition in portraiture, this historical period is here subjected to a rigorous interdisciplinary analysis. Using a variety of methodologies from a wide range of fields - anthropology, numismatics, epigraphy, archaeology, history, and literary criticism - an international team of experts investigates the problems of origins, patronage, setting, and meanings that have consistently marked this fascinating body of ancient material culture.

This, the first volume of Medieval European Coinage, surveys the coinage of Western Europe from the fall of the Roman Empire in the West in the fifth century to the emergence of recognizable 'national' political units in the tenth. It starts with the Vandals, Visigoths, Burgundians and other Germanic invaders of the Empire, whose coins were modelled on contemporary issues of the Western or Eastern emperors. The coinage of the Franks is followed from early Merovingian times through to the establishment and subsequent fragmentation of the Carolingian empire. Italy is represented by the coinages of the Ostrogoths, Lombards, Carolingians and popes down to the Ottoman conquest in the mid-tenth century. The coinage of the Anglo-Saxons is traced from the introduction of minting in the early seventh century to the emergence of a united kingdom during the first half of the tenth century, including the aberrant coinages of Northumbria and the Anglo-Viking coinages of the Danelaw.

This volume (the first of two) publishes all Anglo-Saxon and British coins in Norwegian museum collections from the Iron Age up to 1016 (the death of AEthelred II 'the Unready'). Together, the two volumes contain images and descriptions of over 4,000 coins, making this important material available for analysis by archaeologists, historians and numismatists of the Viking Age and Anglo-Saxon England for the first time. Finds of English coins constitute some of the most important Norwegian evidence for Viking activity, and for economic life in Norway before the first royal coinage was issued by King Harald Hardrada in the mid-eleventh century. Anglo-Saxon coins made their way to Norway in such numbers through Viking raiding activity, trade and payments of tribute; consequently these collections provide a broad perspective of late Anglo-Saxon coinage as well as an outstanding series of rarities. These include historically significant early Viking-Age finds, the B. F. Brekke collection of Anglo-Scandinavian coins, an Agnus Dei penny of AEthelred II and the unique 'Pointed Helmet' penny of AEthelred II. The volume also includes a comprehensive and up-to-date list of hoards and coin finds, and the first detailed English-language account of the history of the Norwegian numismatic collections. It follows the Sylloge of Coins of the British Isles series format in illustrating all the coins, allowing detailed study of eight museum collections.

Coin collectors and enthusiasts have long been familiar with the story of two boys who unearthed a fortune in gold coins while playing in a Baltimore basement in 1934. But the rest of the story trailed off to a few odd details. One of the boys died young, the other ran into trouble with the law. No one seemed to know more.

A lifelong coin collector, Leonard Augsburger was determined to uncover the rest of the story. What happened to the kids? The gold? Who buried it in the first place?

Meticulously researched, "Treasure in the Cellar" delves into the lives of the boys and their families, recreates the hours at the police station after the boys reported what they found, and describes months of courtroom drama as descendents of several former property owners came forward, each claiming the fortune for themselves.

This fully-illustrated catalogue publishes 2021 pre-imperial ancient Greek coins from an area of Asia Minor covering Caria to Commagene but excluding Cyprus. Each coin is carefully photographed and its description appears opposite for ease of reference. Technical details are supplied for each coin, with comparanda and provenances in nearly every case. This welcome addition to the Sylloge Nummorum Graecorum series continues the cataloguing of the Ashmolean Museum's rich holdings. It will be of interest to numismatists, coin collectors, and scholars and students of the archaeology and history of the Greek world.

This illustrated handbook presents a concise history of the development of the coinage of the early Arab caliphate in the seventh century, tracing its transition from coins that closely resembled Byzantine issues with imperial images to purely aniconic specimens with inscriptions in Arabic. This so-called "Arab-Byzantine series" sheds light on a pivotal period in the history of Syria, Palestine, and Egypt, as formerly Byzantine provinces were slowly Arabicized and Islamicized following the Arab conquests of the 630s and 640s. The historical introduction, which includes descriptions of all the basic types, is followed by a summary catalogue of the recently acquired collection of Arab-Byzantine coins at Dumbarton Oaks.

The articles republished in this volume are ground-breaking studies that employ a large body of religious figural imagery of Byzantine lead seals ranging from the 6th to the 15th century. A number of the studies present tables, charts and graphs in their analysis of iconographic trends and changing popularity of saintly figures over time. And since many of the seals bear inscriptions that include the names, titles or offices of their owners, information often not given for the patrons of sacred images in other media, these diminutive objects permit an investigation into the social use of sacred imagery through the various sectors of Byzantine culture: the civil, ecclesiastical and military administrations. The religious figural imagery of the lead seals, accompanied by their owners' identifying inscriptions, offers a means of investigating both the broader visual piety of the Byzantine world and the intimate realm of their owners' personal devotions. Other studies in the volume are devoted to rare or previously unknown sacred images that demonstrate the value of the iconography of Byzantine lead seals for Byzantine studies in general. This volume includes various articles focusing on sphragistic images of saints and on the religious imagery of Byzantine seals as a means of investigating the personal piety of seal owners, as well as the wider realm of the visual piety and religious devotions of Byzantine culture at all levels. A companion volume includes studies dedicated to the image of Christ, primarily found on imperial seals, various images of the Virgin, and narrative or Christological scenes. (CS1086).

These essays by Hahn and West will deal respectively with the formation of the collection and the figure of Bent Juel-Jensen, the seminal Aksumite coin collector in Oxford (as well as a medical doctor, academic, and traveller). They will also discuss recent problems that have emerged regarding the study of this coinage. In its entirety, this publication will make a fundamental contribution to this area of research and be an indispensable acquisition for many institutions and individuals.

This latest volume from the Sylloge of Coins of the British Isles publishes the first portion of the Lord Stewartby Collection, the most important assemblage of Scottish coins ever put together by a private individual. The collection has a depth and range across all metals and denominations, which is exceptional and makes it an important academic resource for researchers, whether numismatists or historians, or as a reference point for collectors.

This new 7th edition offers an update to Maurice Bull's previous volume, with new varieties, corrections and rarity values. The arrangement is again done by monarch rather than denomination, and all Bull reference numbers are cross-referenced to the 5th edition. English Silver Coinage is a record of the major and many minor recognised types and die-varieties of English silver coins. This indispensable guide is truly the essential handbook for any collector of English silver coinage.

This book records, illustrates, and discusses the context of more than 1,000 coins from the Anglo-Saxon period, assembled by the author during 60 years of scholarly research and deposited by him in the Fitzwilliam Museum, Cambridge, on lifetime loan. The composition of the collection reflects this research and is therefore particularly strong in the so-called sceattas and stycas of the kingdom of Northumbria, and also in silver pennies of Edward the Elder from the early 10th century, as well as the issues of AEthelred II and Cnut which immediately preceded and followed the former's death in 1016. A textual chapter discusses and points to a resolution of the discrepancy in 9th-century Northumbrian chronology as presented by Norman historians and from analysis of the coinage. A later chapter reviews the evidence of documents, hoards and the analytical study of the surviving coinage for the dates and durations of its periodic renewal in the fifty years after its reform by Edgar c.973.

"The Legend of Alexander the Great on Greek and Roman Coins" will for the first time collect, present and examine the portraits and representations of Alexander the Great on ancient coins of the Greek and Roman periods (c.320 BC to AD 400). It offers a firsthand insight into the posthumous appreciation of his legend by Hellenistic kings, Greek cities, and Roman Emperors. Dahmen combines an introduction to the historical background and basic information on the coins with a comprehensive study of Alexander's numismatic iconography. He also discusses in detail examples of coins with Alexander's portrait. Which are part of a selective presentation of representative coin types in the second part of the study (in which an image and discussion is combined with a characteristic quotation of a source from ancient historiography and a short bibliographical reference).
The numismatic material presented, although representative, will exceed any previously published work on the subject. This book will be useful for classicists, archaeologists, historians and art historians and students.

The articles republished in this volume are ground-breaking studies that employ a large body of religious figural imagery of Byzantine lead seals ranging from the 6th to the 15th century. A number of the studies present tables, charts and graphs in their analysis of iconographic trends and changing popularity of saintly figures over time. And since many of the seals bear inscriptions that include the names, titles or offices of their owners, information often not given for the patrons of sacred images in other media, these diminutive objects permit an investigation into the social use of sacred imagery through the various sectors of Byzantine culture: the civil, ecclesiastical and military administrations. The religious figural imagery of the lead seals, accompanied by their owners' identifying inscriptions, offers a means of investigating both the broader visual piety of the Byzantine world and the intimate realm of their owners' personal devotions. Other studies in this volume are devoted to rare or previously unknown sacred images that demonstrate the value of the iconography of Byzantine lead seals for Byzantine studies in general. This volume includes studies dedicated to the image of Christ, primarily found on imperial seals, various images of the Virgin, and narrative or Christological scenes. A companion volume presents various articles focusing on sphragistic images of saints and on the religious imagery of Byzantine seals as a means of investigating the personal piety of seal owners, as well as the wider realm of the visual piety and religious devotions of Byzantine culture at all levels. (CS1085)

In a time before large banking systems, and with paper money just in its infancy, money during the Renaissance meant coinage (mainly gold and silver) and local credit systems. These monetary forms had a significant influence on the ways in which money was understood throughout the period, and shaped discussions on such topics as the meaning of monetary value, the economic, political, religious, and aesthetic uses of coinage, the moral implications of usury and credit systems, and the importance of reputation, both at the state and individual levels. Crucial to the transformation of ideas about money in the period was the growing awareness that the individuals, up to and including the monarch, were powerless to overcome the market forces that determined value and directed the movement of goods and money. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Renaissance presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

This is a price-guide reference book containing up-to-date values, and lots of historical information on all campaign medals and related items awarded to British and their colonial and local allies from 1793 to 1902. Every significant campaign is covered, including details of the various clasps awarded. The images of medals and maps are full colour, and are often full page sized.

A large gap exists in the literature of ancient numismatics between general works intended for collectors and highly specialized studies addressed to numismatists. Indeed, there is hardly anything produced by knowledgeable numismatists that is easily accessible to the academic community at large or the interested lay reader. The Oxford Handbook of Greek and Roman Coinage will fill this gap by providing a systematic overview of the major coinages of the classical world. The handbook begins with a general introduction by volume editor William E. Metcalf followed by an article establishing the history and role of scientific analysis in ancient numismatics. The subsequent thirty-two chapters, all written by an international group of distinguished scholars, cover a vast geography and chronology, beginning with the first evidence of coins in Western Asia Minor in the seventh century BCE and continuing up to the transformation of coinage at the end of the Roman Empire. In addition to providing the essential background and current research questions of each of the major coinages, the handbook also includes articles on the application of numismatic evidence to the disciplines of archaeology, economic history, art history, and ancient history. With helpful appendices, a glossary of specialized terms, indices of mints, persons, and general topics, and nearly 900 halftone illustrations, The Oxford Handbook of Greek and Roman Coinage will be an indispensable resource for scholars and students of the classical world, as well as a stimulating reference for collectors and interested lay readers.

Discover a new hobby--or refine your existing techniques--with this practical coin collecting handbook In Coin Collecting For Dummies, professional rare coin dealer Neil Berman delivers a hands-on and fun guide to the intriguing hobby of numismatics--also known as coin collection! You'll learn how to buy, sell, grade, value, handle, and store your coins, as well as how to decide what kind of coins you should collect and how to assemble or diversify your collection. In this book, you'll also find out how to: Evaluate coins based on their age, condition, rarity, and more Navigate and make use of auction houses that deal in the buying and selling of rare coins Make the most of your new hobby by learning where to find rare coins and how to complete your collections There's no one "right" way to collect coins. But Coin Collecting For Dummies will show you how to avoid the most common pitfalls and take advantage of some handy tips, tricks, and best practices that make collecting coins even more fun and exciting. Perfect for the novice collector, or seasoned veterans looking for the latest news in coin grading and history, this book is a must-read for anyone interested in the fascinating world of coin collection.

Like other volumes in this series, Ancient History from Coins demystifies a specialism, introducing students (from first year upwards) to the techniques, methods, problems and advantages of using coins to do ancient history.
Coins are a fertile source of information for the ancient historian; yet too often historians are uneasy about using them as evidence because of the special problems attaching to their interpretation. The world of numismatics is not always easy for the non-specialist to penetrate or understand with confidence. Dr Howgego describes and anlyses the main contributions the study of coins can make to ancient history, showing shows through numerous examples how the character, patterns and behaviour of coinage bear on major historical themes. Topics range from state finance and economic policy to imperial domination and political propaganda through coins types.
The period covered by the book is from the invention of coinage (ca 600BC) to AD 400.

eBook available with sample pages: 0203135865

Studies of seals and sealing practices have traditionally investigated aspects of social, political, economic, and ideological systems in ancient societies throughout the Old World. Previously, scholarship has focused on description and documentation, chronology and dynastic histories, administrative function, iconography, and style. More recent studies have emphasized context, production and use, and increasingly, identity, gender, and the social lives of seals, their users, and the artisans who produced them. Using several methodological and theoretical perspectives, this volume presents up-to-date research on seals that is comparative in scope and focus. The cross-cultural and interdisciplinary approach advances our understanding of the significance of an important class of material culture of the ancient world. The volume will serve as an essential resource for scholars, students, and others interested in glyptic studies, seal production and use, and sealing practices in the Ancient Near East, Egypt, Ancient South Asia and the Aegean during the 4th-2nd Millennia BCE.

This is the first scholarly art-historical appraisal of Anglo-Saxon coinage, from its inception in the late sixth century to Offa's second reform of the penny c.792. Outside numismatic circles, this material has largely been ignored because of its complexity, yet artistically this is the most vibrant period of English coinage, with die-cutters showing flair and innovation and employing hundreds of different designs in their work. By analysing the iconography of the early coinage, this book intends to introduce its rich legacy to a wide audience.
Anna Gannon divides the designs of the coins into four main categories: busts (including attributes and drapery), human figures, animals and geometrical patterns, presenting prototypes, sources of the repertoire and parallels with contemporary visual arts for each motif. The comparisons demonstrate the central role of coins in the eclectic visual culture of the time, with the advantages of official sanctioning and wide circulation to support and diffuse new ideas and images. The sources of the motifs clarify the relationship between the many designs of the complex Secondary phase (c.710-50). Contemporary literature and theological writings often offer the key to the interpretation of motifs, hinting at a universal preoccupation with religious themes. The richness of designs and display of learning point to a sophisticated patronage with access to exotic prototypes, excellent craftsmanship and wealth; it is likely that minsters, as rich, learned, and well-organized institutions, were behind some of the coinage. After the economic crises of the mid-eighth century this flamboyant iconography was swept away: with the notable exeption of the coins of Offa, still displaying exciting designs of high quality and inventiveness, reformed issues bore royal names and titles, and strove towards uniformity.