The background to collecting military medals is inseparable from a study of history. The earliest British medals, as befits a nation for so long reliant upon naval strength for its independence, were issued to the Navy, beginning with the defeat of the Spanish Armada in 1588. The first true campaign medals awarded to the Army followed the Battle of Waterloo, although many had been issued privately and unofficially before this. As one would expect for a country like Britain, with an outstanding imperial history dating to modern times, a vast field of military medals covering service in Africa, India, and China awaits the attention of the collector. There are, too, the collections relating to major wars, including the Crimean War, Boer War and the two World Wars. Colin Narbeth describes the medals awarded, and the actions which gave rise to special bars, ribbons and stars. Orders and decorations, including the Victoria Cross and the George Cross, both awarded for extreme valour, are described as are the naming of medals and display. As well as this wealth of background information, the author also details the aims to which a new collector should aspire, and discusses the pitfalls to guard against, including the problem of identification of forgeries. The volume is illustrated with numerous photographs selected by the author.

The background to collecting military medals is inseparable from a study of history. The earliest British medals, as befits a nation for so long reliant upon naval strength for its independence, were issued to the Navy, beginning with the defeat of the Spanish Armada in 1588. The first true campaign medals awarded to the Army followed the Battle of Waterloo, although many had been issued privately and unofficially before this. As one would expect for a country like Britain, with an outstanding imperial history dating to modern times, a vast field of military medals covering service in Africa, India, and China awaits the attention of the collector. There are, too, the collections relating to major wars, including the Crimean War, Boer War and the two World Wars. Colin Narbeth describes the medals awarded, and the actions which gave rise to special bars, ribbons and stars. Orders and decorations, including the Victoria Cross and the George Cross, both awarded for extreme valor, are described as are the naming of medals and display. As well as this wealth of background information, the author also details the aims to which a new collector should aspire, and discusses the pitfalls to guard against, including the problem of identification of forgeries. The volume is illustrated with numerous photographs selected by the author.

Contents:
An introduction to "Perspectives on the Renaissance Medal", Stephen K.Scher. Giovanni Bernardi and the question of medal attributions in sixteenth century Italy, Philip Attwood. Changing patterns of antiquarianism in the imagery of the Italian Renaissance medal, John Cunnally. Correct and incorrect: the composition of medallic reverses in late seventeenth century France, Mark Jones. 'Un gran pelago': the impresa and the medal reverse in fifteenth century Italy, Kristen Lippincott. Ancient themes on Erzgebirgishen Medals, Hermann Maue. Text and image: themes on reverses of fifteenth and sixteenth century medals, Graham Pollard. A creative moment: thoughts on the genesis of the German portrait medal, Jeffrey Chipps Smith. Mint and medal in the Renaissance, Alan Stahl. Pisanello's Paragoni, Raymond Waddington. "The Modern Lysippus": A Roman quattrocento medalist in context, Louis Alexander. Visual constructions of the art of war: images for Machiavelli's Prince. Joanna Woods-Marsden.

How did the Anglo-Saxons obtain the treasure that tempted Vikings to raid England frequently in the ninth century and again between 980 and 1018? As Britain then had no gold mine and its lead mines yielded very little silver, this treasure must have been imported. Some may have been given, but most was obtained by trade. Until the ninth century the main source was Francia where there was a lively demand for English produce. Cross Channel trade flourished, much of it passing through the major ports, or wics, that developed in the seventh century. The rapid decline of this trade in the ninth century was caused, not by the Vikings, but by a general shortage of new silver in western Europe after c. 850, reflected in the debasement of the Frankish and Anglo-Saxon coinages. Silver was, however, imported to England by the Danes who settled there in the late ninth century. A very important source of new silver was discovered in the 960s in Germany. This led to a rapid expansion of the German economy that created a demand for raw materials and food from England. Very soon England's towns expanded and its trade, internal and external, grew. Its new wealth attracted Vikings, but trade continued and, although they extracted a great deal of silver, new supplies from Germany enabled the English to maintain their currency. Recent studies have shown that it grew to a peak under Edward the Confessor. This confirms the evidence of Domesday Book that on the eve of the Norman Conquest England was a very rich, highly urbanized, kingdom with a large, well-controlled coinage of high quality. This coinage, and Domesday Book itself, are indeed good evidence that English government was then remarkably effective. Peter Sawyer offers an account of the ways wealth was accumulated and the forms it took in Anglo-Saxon England, with emphasis on recent developments in the study of Anglo-Saxon coins and Domesday Book, and some of their surprising results.

At last the book on Military Medals that collectors have been anxiously awaited! Hundreds of photographs of rare, seldom seen medals, decorations and orders, as well as those awards commonly encountered, with their intricate details captured in spectacular color. Descriptions and value guide give the advanced collector, and the novice, the opportunity to indentify and grade their collections. Covered are medals from: Albania, Austria, Belgium, Bulgaria, Czechoslovakia, Denmark, Finland, France, Germany, Great Britain, Greece, Hungary, Italy, Luxembourg, Montenegro, Netherlands, Norway, Poland, Portugal, Romania, Imperial Russsia, Serbia-Yugoslavia, Spain, Sweden, Turkey, and the United States. Bob Ball and Paul Peters are both collectors and live in Connecticut. Bob Ball is also the author of American Shelf and Wall Clocks, and Cowboy Collectibles and Western Memorabilia (with Edward Vebell), also available from Schiffer Publishing.

In a time before large banking systems, and with paper money just in its infancy, money during the Renaissance meant coinage (mainly gold and silver) and local credit systems. These monetary forms had a significant influence on the ways in which money was understood throughout the period, and shaped discussions on such topics as the meaning of monetary value, the economic, political, religious, and aesthetic uses of coinage, the moral implications of usury and credit systems, and the importance of reputation, both at the state and individual levels. Crucial to the transformation of ideas about money in the period was the growing awareness that the individuals, up to and including the monarch, were powerless to overcome the market forces that determined value and directed the movement of goods and money. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Renaissance presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

The origins of the modern, Western concept of money can be traced back to the earliest electrum coins that were produced in Asia Minor in the seventh century BCE. While other forms of currency (shells, jewelry, silver ingots) were in widespread use long before this, the introduction of coinage aided and accelerated momentous economic, political, and social developments such as long-distance trade, wealth creation (and the social differentiation that followed from that), and the financing of military and political power. Coinage, though adopted inconsistently across different ancient societies, became a significant marker of identity and became embedded in practices of religion and superstition. And this period also witnessed the emergence of the problems of money - inflation, monetary instability, and the breakup of monetary unions - which have surfaced repeatedly in succeeding centuries. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in Antiquity presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

The Ancient Greek Economy: Markets, Households and City-States brings together sixteen essays by leading scholars of the ancient Greek economy specialising in history, economics, archaeology and numismatics. Marshalling a wide array of evidence, these essays investigate and analyse the role of market-exchange in the economy of the ancient Greek world, demonstrating the central importance of markets for production and exchange of goods and services during the Classical and Hellenistic periods. Contributors draw on evidence from literary texts and inscriptions, household archaeology, amphora studies and numismatics. Together, the essays provide an original and compelling approach to the issue of explaining economic growth in the ancient Greek world.

This volume of Medieval European Coinage traces the coinage and monetary history of Britain and Ireland in the early Middle Ages, offering the first major single-volume treatment of the subject in decades. It examines the period from the end of the Roman province of Britain in the fifth century to the Norman Conquest of England in 1066 and the Anglo-Norman invasion of Ireland in 1169-71. The volume re-evaluates the complex seventh- and eighth-century English coinages, follows the evolution of the Anglo-Saxon coinage into one of the most sophisticated monetary systems in medieval Europe, and also covers the coins issued by Viking settlers in parts of England and Ireland. Bringing recent advances in historical and numismatic research to a wider audience, this landmark volume is supported by one of the most complete catalogues of the period illustrating the world-class collection of the Fitzwilliam Museum.

For several years now, sigillography as an independent subarea in the field of Byzantine studies has received increasing attention from both Byzantine studies and related disciplines, because it is the only area still able to provide academia with large amounts of material not previously analysed. The articles of Studies in Byzantine Sigillography deal with all aspects of Byzantine sigillography: presentation of new finds, discussion of new methods, questions of the political and ecclesiastical administration of Byzantinum, prosopography, historical geography, and art historical and iconographical problems. In addition, the volumes contain a loosely arranged list of Byzantine seals, which have been published in essays and auction catalogues, thus enabling those from more obscure publications to be located and identified.

The Roman monetary system was highly complex. It involved official Roman coins in both silver and bronze, which some provinces produced while others imported them from mints in Rome and elsewhere, as well as, in the East, a range of civic coinages. This is a comprehensive study of the workings of the system in the Eastern provinces from the Augustan period to the third century AD, when the Roman Empire suffered a monetary and economic crisis. The Eastern provinces exemplify the full complexity of the system, but comparisons are made with evidence from the Western provinces as well as with appropriate case studies from other historical times and places. The book will be essential for all Roman historians and numismatists and of interest to a broader range of historians of economics and finance.

The articles republished in this volume are ground-breaking studies that employ a large body of religious figural imagery of Byzantine lead seals ranging from the 6th to the 15th century. A number of the studies present tables, charts and graphs in their analysis of iconographic trends and changing popularity of saintly figures over time. And since many of the seals bear inscriptions that include the names, titles or offices of their owners, information often not given for the patrons of sacred images in other media, these diminutive objects permit an investigation into the social use of sacred imagery through the various sectors of Byzantine culture: the civil, ecclesiastical and military administrations. The religious figural imagery of the lead seals, accompanied by their owners' identifying inscriptions, offers a means of investigating both the broader visual piety of the Byzantine world and the intimate realm of their owners' personal devotions. Other studies in the volume are devoted to rare or previously unknown sacred images that demonstrate the value of the iconography of Byzantine lead seals for Byzantine studies in general. This volume includes various articles focusing on sphragistic images of saints and on the religious imagery of Byzantine seals as a means of investigating the personal piety of seal owners, as well as the wider realm of the visual piety and religious devotions of Byzantine culture at all levels. A companion volume includes studies dedicated to the image of Christ, primarily found on imperial seals, various images of the Virgin, and narrative or Christological scenes. (CS1086).

Fram, Golden Hind, Santa Maria, Vasa, HMS Victory are names of famous ships that have played a part in Europes maritime history. The stories associated with these and many other ships are told in this book of 'ship coins'. Each narrative provides the historical background and watercraft experience and circumstance of the soldiers, sailors, admirals and generals, explorers, naval commanders and fishermen who sometimes through bravery and sometimes through human error have merited a place in the historical record, and are associated with particular vessels that have merited the striking of a coin in record and rememberance. This book is the first ever to narrate the history through the medium of ships featured on coins. Each entry contains information on the ships, wherever available (length, beam, depth and tonnage). The book constitutes a catalogue of ship coins organised according to the popular KM numbering system, with groupings under separate headings where ships have a common design. The coin images represent the many different ways in which the ships are depicted. Each volume contains a select bibliography and an index listing the ships, persons and other major topics covered in the narratives. Volume I: Europe will be followed by Volume II: America and Asia, 1800-2008 and Volume III: Africa and Oceania, 1800-2011.

George Washington has been the most popular and widely used subject on coins, medals, tokens, paper money, and postage stamps in America. Attempts on the part of America's lawmakers to eliminate one-dollar bills from circulation, replacing them with coins, have been unsuccessful. The reasons for Americans' reluctance to part with their beloved "Georges" are beyond rational economic considerations, though, tapping into deep-felt emotions. To discard one-dollar bills and to replace them with another form of currency means discarding the metaphorical Father of His Country. Alexander Hamilton, the nation's first Secretary of the Treasury, said that monetary tokens were "vehicles of useful impressions." This numismatic history of George Washington traces examines why his image remains so persistent on American currency. Since the images used were mostly copied from late eighteenth-century paintings and prints, Washington's numismatic legacy is complemented with a close look at the pictorial tradition in which these images were rooted.

This book surveys the medals awarded to British personnel for military service around the world and in two world wars. The campaign medals awarded for the military actions have become a popular field for collectors, since the majority of British awards were officially named, thus making it possible to research the military career of an individual or regiment. This second edition has been extended to include the operations of the British forces in the opening years of the twenty-first century.

Discover a new hobby--or refine your existing techniques--with this practical coin collecting handbook In Coin Collecting For Dummies, professional rare coin dealer Neil Berman delivers a hands-on and fun guide to the intriguing hobby of numismatics--also known as coin collection! You'll learn how to buy, sell, grade, value, handle, and store your coins, as well as how to decide what kind of coins you should collect and how to assemble or diversify your collection. In this book, you'll also find out how to: Evaluate coins based on their age, condition, rarity, and more Navigate and make use of auction houses that deal in the buying and selling of rare coins Make the most of your new hobby by learning where to find rare coins and how to complete your collections There's no one "right" way to collect coins. But Coin Collecting For Dummies will show you how to avoid the most common pitfalls and take advantage of some handy tips, tricks, and best practices that make collecting coins even more fun and exciting. Perfect for the novice collector, or seasoned veterans looking for the latest news in coin grading and history, this book is a must-read for anyone interested in the fascinating world of coin collection.

In a time before large banking systems, and with paper money just in its infancy, money during the Renaissance meant coinage (mainly gold and silver) and local credit systems. These monetary forms had a significant influence on the ways in which money was understood throughout the period, and shaped discussions on such topics as the meaning of monetary value, the economic, political, religious, and aesthetic uses of coinage, the moral implications of usury and credit systems, and the importance of reputation, both at the state and individual levels. Crucial to the transformation of ideas about money in the period was the growing awareness that the individuals, up to and including the monarch, were powerless to overcome the market forces that determined value and directed the movement of goods and money. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Renaissance presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

The nineteenth century was a time of intense monetization of social life: increasingly money became the only means of access to goods and services, especially in the new metropolises; new technologies and infrastructures emerged for saving and circulating money and for standardizing coinage; and paper currencies were printed, founded purely on trust without any intrinsic metallic value. But the monetary landscape was ambivalent so that the forces unifying monetary practice (imperial and national currencies, global monetary standards such as the gold standard) coexisted with the proliferation of local currencies. Money became a central issue in politics, the arts, and sciences - and the modern discipline of economics was born, with its claim to a monopoly on knowing and governing money. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Age of Empire presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

This new 7th edition offers an update to Maurice Bull's previous volume, with new varieties, corrections and rarity values. The arrangement is again done by monarch rather than denomination, and all Bull reference numbers are cross-referenced to the 5th edition. English Silver Coinage is a record of the major and many minor recognised types and die-varieties of English silver coins. This indispensable guide is truly the essential handbook for any collector of English silver coinage.

Bracketed by global financial crises and economic downturns, the modern age has been defined by debates about, and transformations of, money. The period witnessed the consolidation of national currencies and monetary policies as well as the diversification of payment technologies and the proliferation of financial instruments. Throughout, even as it appeared abstracted by finance and depoliticized by expert ideologies, money was revealed again and again to be a powerful medium of cultural imagination and practical inventiveness as well as the site of public and political struggles. Modern money - both as a form of liquidity and as a claim on wealth - remains deeply unsettled, caught between private and public interests and subject to epic struggles over the infrastructures of value creation and circulation and their distributional consequences. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Modern Age presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

The articles republished in this volume are ground-breaking studies that employ a large body of religious figural imagery of Byzantine lead seals ranging from the 6th to the 15th century. A number of the studies present tables, charts and graphs in their analysis of iconographic trends and changing popularity of saintly figures over time. And since many of the seals bear inscriptions that include the names, titles or offices of their owners, information often not given for the patrons of sacred images in other media, these diminutive objects permit an investigation into the social use of sacred imagery through the various sectors of Byzantine culture: the civil, ecclesiastical and military administrations. The religious figural imagery of the lead seals, accompanied by their owners' identifying inscriptions, offers a means of investigating both the broader visual piety of the Byzantine world and the intimate realm of their owners' personal devotions. Other studies in this volume are devoted to rare or previously unknown sacred images that demonstrate the value of the iconography of Byzantine lead seals for Byzantine studies in general. This volume includes studies dedicated to the image of Christ, primarily found on imperial seals, various images of the Virgin, and narrative or Christological scenes. A companion volume presents various articles focusing on sphragistic images of saints and on the religious imagery of Byzantine seals as a means of investigating the personal piety of seal owners, as well as the wider realm of the visual piety and religious devotions of Byzantine culture at all levels. (CS1085)

"The Legend of Alexander the Great on Greek and Roman Coins" will for the first time collect, present and examine the portraits and representations of Alexander the Great on ancient coins of the Greek and Roman periods (c.320 BC to AD 400). It offers a firsthand insight into the posthumous appreciation of his legend by Hellenistic kings, Greek cities, and Roman Emperors. Dahmen combines an introduction to the historical background and basic information on the coins with a comprehensive study of Alexander's numismatic iconography. He also discusses in detail examples of coins with Alexander's portrait. Which are part of a selective presentation of representative coin types in the second part of the study (in which an image and discussion is combined with a characteristic quotation of a source from ancient historiography and a short bibliographical reference).
The numismatic material presented, although representative, will exceed any previously published work on the subject. This book will be useful for classicists, archaeologists, historians and art historians and students.