Extraordinary cigarette lighters can be found in the strangest of places--in a garage sale, at a swap meet, perhaps even in your own basement. This convenient, revised and updated handheld guide introduces a history of lighters through a comprehensive, alphabetical presentation of styles, organized according to company name and dating from the late 1800s through the 1980s.Well-known makers such as Dunhill, Ronson, Evans, Scripto, and Zippo are included, as well as unusual lighters from lesser known companies. Never before has a book shown such variety of lighters with this much detail and color: over 800 lighters are illustrated along with current updated market values, along with over 35 new images. Whether you are a collector of lighters or interested in design, this book will give you insight into the style, beauty, and value of cigarette lighters. And once you start collecting, it may be hard to break the habit!

Andrea Fulvio's Illustrium imagines and the Beginnings of Classical Archaeology is a study of the book recognized by contemporaries as the first attempt (1517) to publish artifacts from Classical Antiquity in the form of a chronology of portraits appearing on coins. By studying correspondences between the illustrated coins and genuine, ancient coins, Madigan parses Fulvio's methodology, showing how he attempted to exploit coins as historical documents. Situated within humanist literary and historical studies of ancient Rome, his numismatic project required visual artists closely to study and assimilate the conventions of ancient portraiture. The Illustrium imagines exemplifies the range and complexity of early modern responses to ancient artifacts.

The publication of the great eighteenth-century collection of William Hunter in Glasgow University marks an important stage in the British SNG project. This catalogue of the first half of the Hunterian's Roman Provincial coins illustrates the 2428 coins produced in the West, and East as far as Commagene. 'Greek Imperial' coins have perhaps still to be fully appreciated in the context of the Roman Empire. From the death of Caesar to the reign of Diocletian, almost a thousand cities in the provinces issued coins with types and inscriptions that symbolize their cultural identity. The coins published in this substantial volume offer a wealth of information about many aspects of local life in that period, including religion, architecture and administration.

This is the second and concluding volume in the SCBI series devoted to the collection of Anglo-Saxon and Norman coins in the Grosvenor Museum, Chester. The Grosvenor Museum's holdings in this field derive partly from the matchless collection of coins of the Chester mint formed during the first half of the twentieth century by Dr Willoughby Gardner (1860-1953), and partly from a succession of major hoards of tenth-century date discovered in the city of Chester at intervals since the 1850s. As a result, the Grosvenor Museum collection is of national importance for the study of tenth-century Anglo-Saxon coinage, and the present volume describes and illustrates hundreds of previously unpublished coins of this period. The volume also contains an introductory essay discussing the history of the Chester mint between its foundation in the early years of the tenth century and the major reform of the English coinage carried out in the closing years of the reign of King Edgar (959-75). It explains how to distinguish coins struck at Chester from comparable coins struck at neighbouring mints including Derby, Stafford and Tamworth, and puts on record the fact that during Chester's mid-tenth-century heyday its moneyers were more numerous and probably more productive than those at such other major English cities as London and Winchester.

This fully-illustrated catalogue publishes 1601 ancient Greek coins issued by cities stretching from the modern Crimea to the area of Aeolis on the west coast of modern Turkey. This is a most welcome addition to the SNG's cataloguing of the Ashmolean Museum's rich holdings, the first since Part IV appeared in 1981. It will be of interest to numismatists, coin collectors, and scholars and students of the archaeology and history of the Greek world.

This full illustrated catalogue will become the standard reference work for Scottish coins of the middle and later sixteenth century, which include some of the most beautiful coins ever minted in Britain. The collection at the National Museums of Scotland is undoubtedly the largest and most comprehensive public collection of this series in the world.
The volume covers the period which commenced with the innovations of James V's second coinage in 1526 and concluded with the last of James VI's issues prior to the Union of the Crowns and the consequent harmonization of the Scottish and English coinages. It therefore includes all the issues of the period during which the Scottish precious metal coinage reached its apogee in terms of artistic excellence and Renaissance-inspired design. Paradoxically, this was also a time during which poor quality, base metal, coins were minted in enormous quantities. Every coin of the period in the NMS collections is described; every gold and silver piece is illustrated, along with many examples from the large accumulations of everyday coins.
A full introduction gives an account of the history of Scottish coin production from 1526 to 1603, and discusses a pioneering metallurgical analysis of Scottish billon coinage issues.
An essential tool for numismatists, museum curators and coin collectors, this catalogue will also appeal to all those interested in the art of the Renaissance.

This fully illustrated catalogue of coins of Edward the Confessor and Harold II in the superb collection of the Swedish Royal Coin Cabinet is a fundamental reference work for anyone studying or identifying late Anglo-Saxon coins. The volume catalogues and illustrates 1,280 coins of Edward the Confessor, the largest collection ever published, alongside detailed discussion of the moneyers' names and commentary on a number of specific names. The majority of coins come from Swedish Viking-age finds, and the contents of 108 finds with coins of Edward the Confessor and Harold I are also surveyed. The volume includes a supplement to Part VI (Anglo-Norman coins) which publishes 72 additional coins from the Stockholm collection.

This catalogue completes the publication of the great eighteenth-century collection of William Hunter in Glasgow University, an important stage in the British SNG project. It illustrates the remaining 2581 Roman provincial coins produced in the East from Cyprus to Egypt, about half of which were produced at Alexandria.
For over three hundred years the Roman Empire had no uniform standardized 'Euro'. In addition to the Roman Imperial coins, hundreds of provincial cities stamped symbols of their own cultural identity and civic pride on the coins they issued for local use. The coins published in this substantial volume offer a wealth of information about many aspects of local life in that period, including religion, architecture and administration.
Part I (978-0-19-726282-5; 2004) published the coins issued in the West and Asia Minor.

The rich collections of the Hermitage Museum include a remarkable series of Norman and later medieval British coins. Unlike the Hermitage's Anglo-Saxon coins which are mainly from Russian finds, the coins in this volume come from three major private collectors of the nineteenth century. They include some 60 coins of William I, purchased in London, that derive from the 1833 hoard from Beauworth, Sussex. For the later middle ages the collection is particularly rich in gold coinage. Virtually all of the 493 coins are illustrated for the first time. They will be a valuable source for medieval numismatists and for those interested in the history of the Hermitage and its collections. This volume complements Hermitage Museum, Part I (ISBN 0-19-726187-6). Parts II and III will follow.