HarperCollins is proud to present its new range of best-loved, essential classics. 'Blow, winds, and crack your cheeks! rage! blow!' Epic and tragic in its scope, King Lear explores a king's demise into madness and insanity when he is betrayed by two of his manipulative and scheming daughters. It is Cordelia, the third and only daughter who refuses to flatter her father to deceive, who is banished from the kingdom, leading to dramatic and tumultuous events.

"A piece that takes us on an extraordinary journey ... The energy and the vividness of the writing never lets up." The Independent An unexpected meeting at an airport leads to an intense, passionate, head-over-heels relationship. Before long they begin to settle down, buy a house, juggle careers, have kids - theirs is an ordinary family. But then their world starts to unravel and things take a disturbing turn. A tragic, violent look at parenthood and trauma, Denis Kelly's stirring monologue play premiered at The Royal Court Theatre in 2018 starring Carey Mulligan. Published for the first time in Methuen Drama's Modern Classics series, this edition features a new introduction by David Pattie.

This volume critically analyses and theorises Asian interventions in the expanding phenomenon of Global Shakespeare. It interrogates Shakespeare's 'universality' from Asian perspectives: how this has been modified or even replaced by the 'global bard' as a recognisable brand, and how Asian Shakespeares have contributed to or subverted this process by both facilitating the worldwide dissemination of the bard's plays and challenging and resisting the very templates through which they become globally legible. Critically acclaimed Asian productions have prominently figured at premier Western festivals, and popular Asian appropriations like Bollywood, manga and anime have created new kinds of globally accessible Shakespeare. Essays in this collection engage with the emergent critical issues: the efficacy of definitions of the 'local', 'global', 'transnational' and 'cosmopolitan' and of the liminalities and mobilities in between. They further examine the politics of 'West' and 'East', the evolving markers of the 'Asian' and the equation of the 'glocal' with the 'Asian'; they attend to performance and archiving protocols and bring the current debates on translation, appropriation, and world literature to speak to the concerns of global and transnational Shakespeare. These investigations analyse recent innovative Asian theatre productions, popular cinematic and manga appropriations and the increasing presence of Shakespeare in the Asian digital sphere. They provide an Asian standpoint and lens in rereading the processes of cultural globalisation and the mobilisation of Shakespeare.

WHY PUBLISH: - The author applies over 15 years experience and insights as a theatre practitioner to her argument. - The book offers a fresh vantage point for a play that has been exhaustively analysed. - Shakespeare scholarship travels well globally, and so the work will appeal to a broad, international, English-speaking audience.

This volume explores the relationship between the emphasis on performance in Elizabethan humanist education and the flourishing of literary brilliance around the turn of the sixteenth century. This study asks us what lessons we can learn today from Shakespeare's Latin grammar school. What were the cognitive benefits of an education so deeply rooted in what Demosthenes and Quintilian called "actio"-acting? Because of the vast difference between educational practice then and now, we have not often followed one essential thread: the focus on performance. This study examines the connections relevant to the education offered in schools today. This book will be of great interest to teachers, scholars, and administrators in performing arts and education.

This book argues that Shakespeare and various cultures of celebrity have enjoyed a ceaselessly adaptive, symbiotic relationship since the final decade of the sixteenth century, through which each entity has contributed to the vitality and adaptability of the other. In five chapters, Jennifer Holl explores the early modern culture of theatrical celebrity and its resonances in print and performance, especially in Shakespeare's interrogations of this emerging phenomenon in sonnets and histories, before moving on to examine the ways that shifting cultures of stage, film, and digital celebrity have perpetually recreated the Shakespeare, or even the #shakespeare, with whom audiences continue to interact. Situated at an intersection of multiple critical conversations, this book will be of great interest to scholars and graduate students of Shakespeare and Shakespearean appropriations, early modern theater, and celebrity studies.

This innovative work challenges normative binaries in contemporary translation studies and applies frameworks from queer historiography to the discipline in order to explore shifting perceptions of same-sex love and desire in translations and retranslations of William Shakespeare's Sonnets. The book brings together perspectives from poststructuralism, queer theory, and translation history to set the stage for an in-depth exploration of a series of retranslations of the Sonnets from the Czech Republic and Slovakia. The complex and poetic language of the Sonnets, frequently built around era-specific idioms and allusions, has produced a number of different interpretations of the work over the centuries, but questions remain as to how the translation process may omit, retain, or enhance elements of same-sex love in retranslated works across time and geographical borders. In focusing on target cultures which experienced dramatic sociopolitical changes over the course of the twentieth century and comparing retranslations originating from these contexts, Spisiakova finds the ideal backdrop in which to draw parallels between changing developments in power and social structures and shifting translation strategies related to the representation of gender identities and sexual orientations beyond what is perceived to be normative. In so doing, the book advocates for a queer perspective on the study of translation history and encourages questioning traditional boundaries prevalent in the discipline, making this key reading for students and researchers in translation studies, queer theory, and gender studies, as well as those interested in historical developments in Central and Eastern Europe.

"Stolen" tells of five Aboriginal children forcibly removed from their families, brought up in a repressive children's home and trained for domestic service and other menial jobs. Segregated from their community, after their release they begin their journey 'home', not all of them successfully. The pain, the poignancy and sheer desperation of their lives is seen through the children's own eyes as they struggle to make sense of a world where they have been told to forget their families, forget their homes and forget their culture. This tender and moving story, awash with the humour of innocents, goes further than any previous account to bring the tragic story of the Stolen Generations to the Australian stage. 1 act, 2 male, 3 female.

This third volume of the "Shakespeare Set Free" series is written by institute faculty and participants. The volume sparkles with fine recent scholarship and the wisdom and wit of real classroom teachers in all kinds of schools all over the United States.

In this book, you'll find:

Clear and provocative essays written by leading scholars to refresh the teacher and challenge older students

Successful and plainly understandable techniques for teaching through performance

Ways to teach Shakespeare that successfully engage students of every grade and ability level in exploring Shakespeare's language and the magical worlds of the plays

Day-by-day teaching strategies for "Twelfth Night" and "Othello"-- created, taught, written, and edited by teachers with real voices in real classrooms.

'I have caused what might soon be a global situation because you've stopped thinking people like me are worth hearing.' Is something incredible happening in Merthyr? Sixteen-year-old Carys claims to have received the stigmata: Christ's wounds from the Cross. Are her wounds a sign from God? Carys thinks so - she wants to tell the world and demands to be heard. Sian, her teacher, is not so sure, and believes silencing Carys will keep her safe. But can she make sense of what is happening to her student? Lisa Parry's play The Merthyr Stigmatist is a fierce and exhilarating exploration of faith and truth, a hymn to community, and a testament to the power of young people. The play was shortlisted for the inaugural Theatre Uncut Political Playwriting Award, and first presented online in 2021, as a co-production between Sherman Theatre, Cardiff, and Theatre Uncut.

The Eco-Self in Early Modern English Literature>/cite> tracks an important shift in early modern conceptions of selfhood, arguing that the period hosted the birth of a new subset of the human, the eco-self, which melds a deeply introspective turn with an abiding sense of humans' embedment in the world. A confluence of cultural factors produced the relevant changes. Of paramount significance was the rapid spread of literacy in England and across Europe: reading transformed the relationship between self and world, retooled moral reasoning, and even altered human anatomy. This book pursues the salutary possibilities, including the ecological benefits, of this redesigned self by advancing fresh readings of texts by William Shakespeare, Christopher Marlowe, John Webster, and Margaret Cavendish. The eco-self offers certain refinements to ecological theory by renewing appreciation for the rational, deliberative functions that distinguish humans from other species.

This book explores the relationship between multiplicity and representation of non-European and European-American cultures, with a focus on comics and superheroes. The author employs a combination of research methodologies, including close reading of transmedia texts and interviews with transmedia storytellers and audiences, to better understand the way in which diverse cultures are employed as agents of multiplicity in transmedia narratives. The book addresses both commercial franchises such as superhero narratives, as well as smaller indie projects, in an attempt to elucidate the way in which key cultural symbols and concepts are utilized by writers, designers, and producers, and how these narrative choices affect audiences - both those who identify as members of the culture being represented and those who do not. Case studies include fan fiction based on Marvel's Black Panther (2018), fan fiction and art created for the Moana (2016) and Mulan (2020) films, and creations by both U.S.-based and international indie comics artists and writers. This book will appeal to scholars and students of new media, narrative theory, cultural studies, sociocultural anthropology, folkloristics, English/literary studies, and popular culture, transmedia storytelling researchers, and both creators and fans of superhero comics.

There are seven surviving tragedies by Sophocles. Three of them form the Theban Plays, which recount the story of Thebes during and after the reign of Oedipus. Here, David Slavitt translates the remaining tragedies - the "other four plays:" Ajax, Women of Trachis, Electra, and Philoctetes. Punchy and entertaining, Slavitt reads Athena's opening line in Ajax as: "I've got my eye on you, Odysseus. Always." By simplifying the Greek and making obscure designations more accessible - specifying the character Athena in place of "aegis-wearing goddess," for example - his translations are highly performable. The Other Four Plays of Sophocles will help students discover underlying thematic connections across plays as well. Praise for David R. Slavitt: "Slavitt's translation is ...lively and sometimes witty." (Times Literary Supplement, reviewing Slavitt's translation of Seneca). "The best version of Ovid's Metamorphoses available in English today...It is readable, alive, at times slangy, and actually catches Ovid's tone." (Philadelphia Inquirer, reviewing Slavitt's translation of The Metamorphoses of Ovid). "Slavitt's ability is clearly in evidence...These translations are rendered in lucid, contemporary English, bringing before us the atrocities, horrors, and grotesqueries of Imperial Rome. " (Classical Outlook, reviewing Slavitt's translation of Seneca). "Excellent translations that suit the ear and strengthen the feeble spirit of the time...One will do well to read these hymns, these poems, and find nourishment in them in Slavitt's translations." (Anglican Theological Review, reviewing Slavitt's translation of Hymns of Prudentius).

Always drawing together the work of 10 leading playwrights - a mixture of established and current writers - the annual National Theatre Connections anthologies offer young performers between the ages of 13 and 19 an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre's literary department and reflects the past year's programming at the venue in the plays' ideas, themes and styles. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased. For the first time, there is an anthology of monologues for young people available, taken from plays commissioned as part of the National Theatre Connections over the past 20 years. The monologues feature alongside a general introduction by the editor, Anthony Banks (Associate Director for the National Theatre Discover Programme).The volume also contains individual studies of each monologue with the editor's suggested points for discussion, a brief commentary about the play from which the speech is taken, as well as flagging potential performance decisions and offering up dramaturgical suggestions. Each page features one monologue, plus the individual commentary and some background to the play. This anthology of monologues is the ideal resource for teenagers and young people attending auditions either in the amateur or professional theatre world; students leaving secondary school to audition for drama school; as well as teachers of English and Drama looking for suitable dramatic for their students to engage with and perform. It provides suitable scene-study books that are suitable and relevant to the student in terms of tone, style and content. Young actors who have searched for audition material written in the voice of teenage characters will welcome this resource. With a foreword by actor Matt Smith.

Stop it. Stop it! Everyone! We're on holiday, we're meant to be having a nice time. What the hell is wrong with you? Tomas and Ebba are determined to have quality family time with their children, so they head to the Alps on a skiing trip. But when disaster strikes, their family unit is tested to breaking point with hilarious and tragic consequences. Ruben OEstlund's award-winning comedy about a family falling apart is adapted for the stage by Tim Price. This edition was published to coincide with the world premiere at London's Donmar Warehouse in December 2021.

'It's a matter of perception. The hands of time turn at the same speed for everyone. Yet a child waits what seems to be an eternity for summer, whilst an old man watches a year pass in the blinking of an eye.' It's 1984, and as France play Yugoslavia in the Euros, a man meets a woman in a Parisian cafe. He's returning a bag that she lost on the Metro, but he doesn't tell her he stole it... Instead, he tells her the story of Jean-Eugene Robert-Houdin, watchmaker, inventor, and master magician of the nineteenth century. Together they set out to find a vanished theatre beneath a bank vault in the Boulevard des Italiens, to break into a museum in the Trocadero, to uncover the mystery of the Mechanical Turk, to witness the birth of the Kinetograph... and to delve ever deeper into the Art of Illusion. Le Cercle des illusionnistes by Alexis Michalik premiered in Paris in 2014 and won several Moliere Awards. The Art of Illusion, Waleed Akhtar's English translation, opened at Hampstead Theatre, London, in December 2022, directed by Tom Jackson Greaves.

Includes the full French text, accompanied by French-English vocabulary. Notes and a detailed introduction in English put the work in its social and historical context.

'Let's just talk until it goes.' The average person will speak 123,205,750 words in a lifetime. But what if there were a limit? Oliver and Bernadette are about to find out. Lemons Lemons Lemons Lemons Lemons imagines a world where we're forced to say less. It's about what we say and how we say it; about the things we can only hear in the silence; about dead cats, activism, eye contact and lemons, lemons, lemons, lemons, lemons. Sam Steiner's play premiered at Warwick Arts Centre in 2015 and won three Judges' Awards at the National Student Drama Festival, before appearing at Latitude Festival, the Edinburgh Festival Fringe and Camden People's Theatre, London.

'A working-class woman inside the walls of Westminster? If that is not espionage, I do not know what is.' Forever on the right side of history, but on the wrong side of life, Labour MP Ellen Wilkinson is caught between revolutionary and parliamentary politics as she fights for a better world. Battling to save Jewish refugees in Nazi Germany; campaigning for Britain to aid the fight against Franco's Fascists in Spain; leading two hundred workers in the Jarrow Crusade against unemployment and poverty... she pursues each cause with a passionate, reckless conviction. And yet - despite a life spent running into the likes of Albert Einstein and Ernest Hemingway, serving in Churchill's cabinet, having affairs with communist spies and government ministers - she still finds herself, somehow, on the outside looking in. Caroline Bird's play Red Ellen is the remarkable true story of an inspiring and brilliant woman. It was first produced by Northern Stage, Nottingham Playhouse and the Royal Lyceum Theatre Edinburgh in 2022.

As a gay Lebanese-American Maronite Christian in rural Pennsylvania, Joseph Douaihy has a pretty complicated life. But when his father dies as the result of a prank, things truly take a turn for the bizarre. Stephen Karam's play Sons of the Prophet confronts, with intelligence, empathy and tenderness, the inevitability of loss and the equally inevitable comedy which results from our attempts to cope with its consequences. It premiered in Boston in April 2011, transferred Off-Broadway later that year, won the Lucille Lortel, New York Drama Critics' Circle and Outer Critics Circle Awards for Best Play, and was a finalist for the Pulitzer Prize for Drama. It received its European premiere at Hampstead Theatre, London, in 2022, directed by Bijan Sheibani.

The plays in this theater book give teenage performers the chance to reveal the unique identities and motivations of students their own age. These brief plays may be used for speech and drama classrooms, forensic competitions or variety shows. They are easily staged with no sets or costumes. Topics include: how to be popular, jealousy, shoplifting, pranks and more. Included are scripts for girls only, scripts for boys only and scripts for mixed casts. The dialog in all the plays is believable and easy to perform.