Newly revised and expanded, this second edition of Timon Screech's definitive "Sex and the Floating World" offers a real assessment of the genre of Japanese paintings and prints today known as shunga. Changes in Japanese law in the 1990s enabled erotic images to be published without fear of prosecution, and many shunga picture-books have since appeared. There has, however, been very little attempt to situate the imagery within the contexts of sexuality, gender or power. Questions of aesthetics, and of whether shunga deserve a place in the official history of Japanese art, have dominated, and the question of the use of these images has been avoided. Timon Screech seeks to re-establish shunga in a proper historical frame of culture and creativity. Shunga prints are not like any other form of picture for the simple fact that they are overtly about sex. And once we begin to examine them first and foremost as sexual apparatus, then we must be prepared for some surprises. The author opens up for us the strange world of sexual fantasy in the Edo culture of eighteenth-century Japan, and investigates the tensions in class and gender of those that made and made use of shunga.

This intimate and elegant hardcover art book features contemporary oil paintings of explicit, celebratory, whimsical and intense sexual subject matter by Laura BenAmots. The raw private images are both tantalizing and surprising. The work is non-exploitative mature and playful. Clearly these paintings reflect a fearless celebration of the physical. Eros On Canvas has a clean calm design that creates a type of purity or visual "white noise" in which to view the unambiguous representations float. The title sheet is followed by a table of contents, words (artist's bio and interview), forward by Noel Black and an introduction. The paintings are separated into 3 groups: first is a brief introduction with an eclectic sampling of other artworks by Laura BenAmots concluding with three paintings titled the muses from the portrait series of beautiful men that led to Eros On Canvas; next is a chapter titled Through The Peep Hole comprised of nine miniature images of up-close-and-personal body parts; finally, the body of the book is titled Catching Breath and features a full range of medium and large scale flesh-toned canvases rendering highly private sexual interludes. The book concludes with 2 facsimiles of hand written and typed erotic poems by the painter.

The first commercial camera was introduced in 1839. By 1865 technology enabled ordinary men to create photographic negatives, and they immediately began taking and distributing photos of naked women. The French led the way, and it was the French who produced the first nude magazines in 1880, as souvenirs for patrons of Parisian music halls. Newsstand magazines followed, and the elegant La Vie Parisienne (Paris Life), full of sexy fiction and illustrations, debuted in 1914. It might all have stayed in Paris if not for WWI, when German and American troops carried the magazines home. American Wilford Fawcett launched Capt. Billy's Whiz Bang (named after a WWI bomb) in 1919, helping launch the first sexual revolution of the 1920s, leading to SEX magazine from birth control pioneer Margaret Sanger. Decadent Weimar Berlin produced cabaret, fetish and free love magazines, countered by nudist titles pushing fascist politics, culminating in the 1933 Berlin book burning. The 1930s economic depression boosted demand for cheap escape, and men's magazines delivered. There were film magazines of sexy starlets; "model study" art magazines; hardcore comics called Tijuana Bibles; "spicy" fiction digests with sexy painted covers; and detective titles of bad dames. When another world war erupted it required pinup magazines for fighting men, and after the war new men's magazines rose from the ashes. Volume 1 of this series features over 700 covers and photos from France, Germany, the U.S., England, Turkey, Austria, Spain, Argentina and more, plus informative text.

Tattoo photography pioneer Justice Howard documents the American tattoo community with her highly iconic images. Howard effortlessly captures the essence of her subjects' triumphs, as well as their frailties. Her images enhance both the male and female physical forms, highlighting their strengths and prowess, and expose hidden elements of the human condition in all its kaleidoscopic beauty. Gracing the pages of this graphic dossier are fifty-two models, including Malice, Xanthia Pink, Dejah Garcia, Christine Fury, Mia Tyler, and Amelia Nightmare. Tattoo artist luminaries, such as Mark Mahoney, Freddy Negrete, Rick Walters, Kari Barba, and Robert Atkinson also make appearances, as well as rock gods Evan Seinfeld and Dave Navarro, Sons of Anarchy actor Rusty Coones, Black Veil Brides, Diego Verduzco, and UFC champion Kimo Leopoldo. In front of Justice's lens, these figures appear quite capable of escaping from the pages and conquering the world by storm.

"A fascinating collection of stunning nude photography" LFI, Leica Fotografie International "...the book brings together Rankin's most provocative photographs, which span a 25-year career that's always celebrated the female form." www.fashionbeans.com (UK) #NSFW is an Erotic Greatest Hits of photographer Rankin's nude photography. Throughout his 25 year career, he has returned time and again to photographing the female form. #NSFW presents the most daring shots. Unapologetic. Provocative. Beautiful. It elevates nude photography to the next level, brazen yet intimate. Always wanting to celebrate and empower women, Rankin has brought wit and humour to his nudes, creating playful images that challenge perceptions.

You are probably thinking Rod Berry, who is that? Yes, you are right, it is a pseudonym; we cant publish his real name. Rod Berry mainly lives in eastern Germany and has been doing erotic photography for several years. Rod likes to experiment, and strives to capture the perfect blend of voyeurism and exhibitionism. His work stimulates the imaginations of model, photographer and viewer in all sorts of different ways, because the biggest erogenous zone of all is the one inside our heads.

Striptease recreates the combustible mixture of license, independence, and sexual curiosity that allowed strippers to thrive for nearly a century. Rachel Shteir brings to life striptease's Golden Age, the years between the Jazz Age and the Sexual Revolution, when strippers performed around the country, in burlesque theatres, nightclubs, vaudeville houses, carnivals, fairs, and even in glorious palaces on the Great White Way. Taking us behind the scenes, Shteir introduces us to a diverse cast of characters that collided on the burlesque stage, from tight-laced political reformers and flamboyant impresarios, to drag queens, shimmy girls, cootch dancers, tit serenaders, and even girls next door, lured into the profession by big-city aspirations. Throughout the book, readers will find essential profiles of famed performers, including Gypsy Rose Lee, 'the Literary Stripper'; Lili St. Cyr, the 1950s mistress of exotic striptease; and Blaze Starr, the 'human heat wave'. who literally set the stage on fire. striptease is an insightful and entertaining portrait of an art form at once reviled and embraced by the American public. Blending careful research and vivid narration, Rachel Shteir captures striptease's combination of sham and seduction while illuminating its surprisingly persistent hold on the American imagination.