Posing Sex: Toward a Perceptual Ethics for Literary and Visual Art views the long and provocative tradition of representing the sexual act in Western art as an occasion for challenging assumptions about personhood. It is uncontroversial that what Singer dubs the "sex image," the artist's posing of human figures in the act of coitus, is an enduring compositional armature for artists from antiquity to the present. Singer, however, makes the quite controversial claim that this aesthetic practice, in literature and painting especially, serves as a powerful metier for exploring how the mind is continuous with the sensuously lively body rather than its rationalistic antagonist. Singer draws upon a rich philosophical tradition-from the Greek Stoics, Descartes, Spinoza, and Hegel to contemporary theorists of perception and aesthetic agency-to show how the stakes of aesthetic experience epitomized in the sex image are essentially ethical. Referencing a broad range of image-based artworks-literary, painterly, and cinematic-Singer illustrates the proposition that "posing sex" broadens the scope of our knowledge about how feeling reciprocates with reason-giving.

In A Third Look, Joseph Maida reflects on Lee Friedlander's nudes from the 1970's and 80's, reinterpreting this series as a cutting edge homage both to Friedlander, the modernist titan of photography, and to LGBTQIA+ bodies across gender and identity spectra. When curator John Szarkowski first presented Friedlander's nudes in a solo exhibition at the Museum of Modern Art (MoMA) in 1991, he wrote that "the qualities of generosity and openness, and the habit of continual exploration-of logical extemporization enlivened by an unassuming audacity" make Friedlander's nudes so "richly and rewardingly complex." Maida, viewing the traits of openness, exploration, extemporization, and audacity as queerness itself, reimagined Friedlander's nudes by picturing different bodies in A Third Look to converse with Friedlander's. Maida calls their feminist reclamation of history "a visual queering of modernist photography, providing a visible reconciliation of where the canon of art photography has historically allowed us to see" with the broader spectrum of the human nude.

The first collection of Ms. Jensen's luscious ladies was greeted with such enthusiasm, we simply had to invite Barbara to create an entirely NEW gallery - which she did with abundant energy and precision Meet the even-hotter honeys from a truly gifted illustrator Yet another eye-popping collection of cuties - semi-clothed AND, as advertised - "Clothing Optional"

A celebration of the human body and spirit in more than 100 photographs - all nude, all taken at night. These photographs illustrate the hard work and the dedication it takes to succeed in dancing, acting, photography - or really any creative endeavour that at first may be incredibly frightening or make you feel vulnerable, but once achieved offers an exhilaration previously unimagined. The photos were shot over 200 nights, with 300 different dancers, in more than 400 locations, in all kinds of weather. The photos are grouped by theme - Vulnerability, Ferocity, Stability, Ecstasy - and include shots from sunset to dawn, in spectacular black and white and glorious colour. Many will be accompanied by an inspiring quote. Additional text will include Jordan's introductory essay, describing how he came up with the book idea and how he is inspired by the dancers he photographs, as well as "Behind the Scenes" stories of how the shot was achieved and "In Their Shoes" - words from the dancers on what it was like to be photographed in nude in public.

The first Yale French Studies issue on photography, examining French photography's place in art, identity, and society through a lens of diversity and interdisciplinary investigation In its first issue on photography, this volume of Yale French Studies presents multiple avenues of interdisciplinary investigation designed to intersect and open up new areas of inquiry in the twenty-first century. These intersections push beyond traditional geographic and gender boundaries, exploring women's photography, new cultural contexts, trans orientalism, and minority and marginalized bodies. As they do so, they ask us to reconsider the way that we conceive of photography's place in the past and in our lives today.

A painter of prodigious talent and sly wit, Aly Fell has managed to make the tricky crossover from commercial work in television and gaming into the world of fantasy illustration. From his base in the UK, Aly has gained both notoriety and a growing fan base via his paperback covers and web-comic work. Now assembled for the first time are his favourite pieces reflecting his favourite subject -- the female form.

This collection of over 250 contemporary retro-style cheesecake, glamour, and hot rod pinup photographs by Northern California artist Marilee Caruso takes women from all backgrounds and transforms them into the classy yet stimulating bombshells of our parents' and grandparents' day. Inspired by icons such as Marilyn Monroe, Bettie Page, or Sophia Loren, each portrait provides a nostalgic glance into the mood, style, and sex appeal of the 1930s, '40s, '50s, and '60s era pin-up girl. From black and white Hollywood starlets to greasy hot rod honeys, this bevy of gorgeous gals has been revamped with vintage hair and makeup, wardrobe, and posing. Shot with high-quality digital technology of the 21st century, each image is reminiscent of the drawings of Gil Elvgrin and Alberto Vargas.

"I like depicting sexy, strong women - the spirit of a dominatrix. Through my work I explore the part of my personality that enjoys teasing and provocation. In doing this, I've seen the change and growth of myself as a person, a woman, a lover, a critical open-minded thinker and, most important, as an artist." - Alejandra Guerrero. In the second decade of the twenty-first century we are witnessing an unprecedented exploration of female sexual power, while on the other hand reactionary cultural forces contrive to keep women as defenceless as possible. In this context, the work of photographer Alejandra Guerrero can be understood as a clarion call. Hers is a rarefied visual art that marks a turning point for female sexuality in erotica, her eloquent tableaux revealing the intricate ways in which women exert their erotic power. Here we see a future in which women dictate raw, yet refined desires. Each moment comes from the erotic fever dreams of the participants and the desires of the woman behind the camera. Sometimes, when Guerrero turns the lens upon herself, those moments are one and the same. Contents: We delight in wickedness by Violet Blue; Plates; Biographies; Credits.

She's ruthless, amoral, and unstoppable. The fact that she's got a body that turns strong men into puddles of sex-addled goo always works in her favour! She's Magenta, and when she's not solving crimes, she's probably committing a few! Italy's bad bad girl is back for a whole new slate of wild and wicked adventures, along with her equally pneumatic (but not quite so clever) pal Lucrezia! Once again Celestino Pes and Nik Guerra team up for retro-fun with their always-naughty curvy creation - Magenta.

This intimate and elegant hardcover art book features contemporary oil paintings of explicit, celebratory, whimsical and intense sexual subject matter by Laura BenAmots. The raw private images are both tantalizing and surprising. The work is non-exploitative mature and playful. Clearly these paintings reflect a fearless celebration of the physical. Eros On Canvas has a clean calm design that creates a type of purity or visual "white noise" in which to view the unambiguous representations float. The title sheet is followed by a table of contents, words (artist's bio and interview), forward by Noel Black and an introduction. The paintings are separated into 3 groups: first is a brief introduction with an eclectic sampling of other artworks by Laura BenAmots concluding with three paintings titled the muses from the portrait series of beautiful men that led to Eros On Canvas; next is a chapter titled Through The Peep Hole comprised of nine miniature images of up-close-and-personal body parts; finally, the body of the book is titled Catching Breath and features a full range of medium and large scale flesh-toned canvases rendering highly private sexual interludes. The book concludes with 2 facsimiles of hand written and typed erotic poems by the painter.