Putting the "leather" in Leathernecks and the "Gee" in GI's, SQP is delighted to present a new wing in the vast Gallery Girls museum, this time showcasing the women of wartime! From the naughty nose-art girls of WW2 to the hell-bent hellions of modern combat, Bombshells! contains mega-tons of magnificent warrior maidens, with artists like Pelaez, Mitch Byrd, Pedro Cuevas, J.L. Czerniawski, and a mighty battalion of others! Oh, you'll stand at full attention even while seated, this band of sisters are so hot! Tennnnn HUT! Cover art by Dave Dunstan. 64 pages black and white plus color covers.

Nothing excels like excess, and when you're showcasing a heavyweight illustrator like Claudio Aboy, a second helping of his outstanding work is simply a must-do! His first volume of exceptionally good 'bad girls' proved to be one of the best sellers in the SQP line of art books! Claudio was quite happy to chain himself back to his drawing board and whip up an entirely 'new' collection of drawings that focus on his favourite subject - the female form! Aboy paints, pencils, and inks - he's a triple threat of breath-taking talent. If you like ladies done the Argentine way (trust us - it's a treat!), then this second tome of torrid lovelies is just what you've been looking for! Scorchin' hot!

Selling your soul to the Devil has never paid such delicious dividends! Here is a collection of satanic sirens who use their under-worldly charms to entrance and entrap mortal men to their eternal doom. This is the latest in one of our most popular line of books - fiery females in bed with the Dark Lord himself! It includes art by Boada, Tomas Giorello, Meriggi, Pelaez, Maraschi, Blas Gallego, Pascarelli, Torres, Quintabani, and others. Cover Painting by Dorian Cleavenger.

It started in 1978 with an ordinary coffee shop near Kyoto. Word spread that the waitresses wore no panties under their miniskirts. Similar establishments popped up across the country. Men waited in line outside to pay three times the usual coffee price just to be served by a panty-free young woman. Within a few years, a new craze took hold: the no-panties "massage" parlor. Increasingly bizarre services followed, from fondling clients through holes in coffins to commuter-train fetishists. One particularly popular destination was a Tokyo club called "Lucky Hole" where clients stood on one side of a plywood partition, a hostess on the other. In between them was a hole big enough for a certain part of the male anatomy. Taking the Lucky Hole as his title, Nobuyoshi Araki captures Japan's sex industry in full flower, documenting in more than 800 photos the pleasure-seekers and providers of Tokyo's Shinjuku neighborhood before the February 1985 New Amusement Business Control and Improvement Act put a stop to many of the country's sex locales. Through mirrored walls, bed sheets, the bondage and the orgies, this is the last word on an age of bacchanalia, infused with moments of humor, precise poetry, and questioning interjections. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

While candy-colored pinup may be popular with some, this is a collection of dark, sexy images that truly reflect the sophisticated side of the pinup genre. Seemingly ripped from the men's magazines of yesteryear, these photos are so authentic looking down to the smallest detail as if they were actually taken decades ago. Bullet bras, seamed stockings, high heels, and girdles bursting at the seams! Internationally published photographer Mark Anthony Lacy specializes in bringing out the allure and sensuality of his female subjects. He combines his backgrounds in art, architecture, film, and photography to create incredibly authentic vintage tableaus in his New York studio.

Vincent Stephens in a man well-known for his ability to showcase young ladies in knots and straps, but he also has a penchant for cheeky goodness as well! Chunk in the trunk as never looked better, as Stephens sets his trained eye (and active imagination) on the back end of the female mystique! Bootylicious? Most definitely!

The subjects of her recent art are a logical continuation of the larger narrative of Benjamin's body of work: She works to excavate the female human experience as she knows it. Benjamin muses on intimacy, sexuality, self-perception, body dysmorphia, and trauma through her avatars. Her work is diaristic, approaching her subjects through the lens of her own personal experience; each piece can easily feel like a self-portrait. Her women are simultaneously self-assured and crumbled, standing defiantly on their own two hairy legs, yet seeking the shoulder of an empathetic viewer to cry on. Benjamin uses her art to sort through her own trauma and self-analysis, and seeks to give faces, bodies, and narratives to the different facets of her own womanhood.

Newly revised and expanded, this second edition of Timon Screech's definitive "Sex and the Floating World" offers a real assessment of the genre of Japanese paintings and prints today known as shunga. Changes in Japanese law in the 1990s enabled erotic images to be published without fear of prosecution, and many shunga picture-books have since appeared. There has, however, been very little attempt to situate the imagery within the contexts of sexuality, gender or power. Questions of aesthetics, and of whether shunga deserve a place in the official history of Japanese art, have dominated, and the question of the use of these images has been avoided. Timon Screech seeks to re-establish shunga in a proper historical frame of culture and creativity. Shunga prints are not like any other form of picture for the simple fact that they are overtly about sex. And once we begin to examine them first and foremost as sexual apparatus, then we must be prepared for some surprises. The author opens up for us the strange world of sexual fantasy in the Edo culture of eighteenth-century Japan, and investigates the tensions in class and gender of those that made and made use of shunga.

The life and work of an essential photographer whose feminism and pictorialist images distanced her from the mainstream In the first book devoted to Anne Brigman (1869-1950), Kathleen Pyne traces the groundbreaking photographer's life from Hawai'i to the Sierra and elsewhere in California, revealing how her photographs emerged from her experience of local place and cultural politics. Brigman's work caught the eye of the well-known photographer Alfred Stieglitz, who welcomed her as one of the original members of his Photo-Secession group. He promoted her work as exemplary of his modernism and praised her Sierra landscapes with female nudes-work that at the time separated Brigman from the spiritualized upper-class femininity of other women photographers. Stieglitz later drew on Brigman's images of the expressive female body in shaping the public persona of Georgia O'Keeffe into his ideal woman artist. This nuanced account reasserts Brigman's place among photography's most important early advocates and provides new insight into the gender and racialist dynamics of the early twentieth-century art world, especially on the West Coast of the United States.

Celebrated photographer Robert Mapplethorpe challenged the limits of censorship and conformity, com- bining technical and formal mastery with unexpected, often provocative content that secured his place in history. Mapplethorpe's artistic vision helped shape the social and cultural fabric of the 1970s and 80s and, following his death in 1989 from AIDS, informed the political landscape of the 1990s. His photographic works continue to resonate with audiences all over the world. Throughout his career, Mapplethorpe preserved studio files and art from every period and vein of his production, including student work, jewelry, sculptures, and commercial assignments. The resulting archive is fascinating and astonishing. With over four hundred illustrations, this volume surveys a virtually unknown resource that sheds new light on the artist's motivations, connections, business acumen, and tal- ent as a curator and collector.

Text in English & German. Sean McCall lives and works in Los Angeles. A professional fashion and advertising photographer looks back at a career spanning three decades in the industry. His work has appeared in numerous magazines, including Allure, Bazaar, Glamour, GQ, Mademoiselle, Sunset, Vogue and several books. He has worked together with fashion designers Gaultier, Dior, Tommy Hilfiger and Hudson. Many sports stars and screen legends have posed for him, including Ali McGraw, Angelina Jolie, Art Link Etter, Bo Derek, Caprice Bourret, Charlton Heston, Chris Farley, Dita Von Teese, Erwin "Magic" Johnson, Gary Busey, James Coburn, Muhammed Ali, Steve Guttenberg and Tommy Chong. Like many photographers, McCall has an impressive back catalogue; there are enough erotic photos of Dita Von Teese, among others, to fill an entire library. Together with the artist, we perused the archive and made a selection we have called "LA Nudes Confidential". It gives insight into some "hot" photo sessions.

Text in English, French & German. The complete epilated body is quite big in fashion today. Right after their intimate shaving these models of Alex Truew show up nude with orgasmic brazenness before his camera: bulged pubic hill, glossy rift, breezy pussy. So they pose insolently, and with infectious gaiety open-air or lolled at a luxury couch, exposing their clean cunt cheerfully smiling. It is obvious that they love their sex. They love it and they caress it devotedly. In these pictures you can see the wind of freedom blowing: youthfully, gaily, and provoking. Their skin becomes so hypersensitive when their sex is completely shaved that a simple puff of fresh air suffices to excite them. A breeze on the clit blossom, or a small targeted blow of the tongue suffices to ignite arousal -- yes, of course! The female sex is so sensitive!

Hollywood honeys and classic movie monsters. Sci-Fi femmes and Hammer horror queens. Lady vampires and creatures that go "rub" in the night It's all part of the imagination and twisted joy Carlos Valenzuela brings to every one of his paintings. Bring your own popcorn

Even in the Western world, which seems completely accustomed to a widespread appearance of risque images, an erotic painting from five hundred years ago can still manage to create a sensation. This book, the fifteenth title in the popular Guide to Imagery series, is a delightful romp through the portrayal of love and sexuality in art--age-old subjects depicted in all cultures. The volume surveys Western artworks illustrating more or less explicitly delicate or amorous subjects. The gamut of possibilities is vast, ranging from chaste tenderness to overwhelming frenzies of the senses, from Classical allusion to sexual fantasy.
A series of general themes is presented, with a detailed reading of the significance and symbolic content of the individual works illustrating each theme. In the paintings of the past, the reader will encounter gestures, objects, places, and situations that seem familiar and that offer the traditional setting of "love scenes" from every epoch. The volume closes with a chapter highlighting some of the most famous couples of all time."