The gripping biography of a man and his passion for art. In 1857, George A. Lucas, a young Baltimorean who was fluent in French and enamored of French art, arrived in Paris. There, he established an extensive personal network of celebrated artists and art dealers, becoming the quintessential French connection for American collectors. The most remarkable thing about Lucas was not the art that he acquired for his clients (who included William and Henry Walters, the founders of the Walters Art Museum, and John Taylor Johnston, the founding president of the Metropolitan Museum of Art) but the massive collection of 18,000 paintings, drawings, sculptures, and etchings, as well as 1,500 books, journals, and other sources about French artists, that he acquired for himself. Paintings by Cabanel, Corot, and Daubigny, prints by Whistler, Manet, and Cassatt, and portfolios of information about hundreds of French artists filled his apartment and spilled into the adjacent flat of his mistress. Based primarily on Lucas's notes and diaries, as well as thousands of other archival documents, Stanley Mazaroff's A Paris Life, A Baltimore Treasure tells the fascinating story of how Lucas brought together the most celebrated French artists with the most prominent and wealthy American collectors of the time. It also details how, nearing the end of his life, Lucas struggled to find a future home for his collection, eventually giving it to Baltimore's Maryland Institute. Without the means to care for the collection, the Institute loaned it to the Baltimore Museum of Art, where most of the art was placed in storage and disappeared from public view. But in 1990, when the Institute proposed to auction or otherwise sell the collection, it rose from obscurity, reached new glory as an irreplaceable cultural treasure, and became the subject of an epic battle fought in and out of court that captivated public attention and enflamed the passions of art lovers and museum officials across the nation. A Paris Life, A Baltimore Treasure is a richly illustrated portrayal of Lucas's fascinating life as an agent, connoisseur, and collector of French mid-nineteenth-century art. And, as revealed in the book, following Lucas's death, his enormous collection continued to have a vibrant life of its own, presenting new challenges to museum officials in studying, conserving, displaying, and ultimately saving the collection as an important and intrinsic part of the culture of our time.

"Chanel fans rejoice. . . . As glamorous and chic as you'd expect."--The Observer (on the first edition) A comprehensive and captivating overview of all of Karl Lagerfeld's Chanel collections, showcasing his creations through original catwalk photography This fully revised edition of the first overview of Karl Lagerfeld's (1933-2019) Chanel creations maintains every exceptional detail of the first edition. Images of key looks and short informative texts bring to life each season--now with 22 new collections, including Lagerfeld's final show for the house and the work of his successor, Virginie Viard. Beautifully produced, this book will stand as the ultimate reference on Lagerfeld's iconic Chanel looks and serve as a lasting tribute to one of the most talented and influential fashion designers in history. Opening with an introductory essay about Lagerfeld and his vision for Chanel, the book explores the collections chronologically, revealing the designer's inspired reinvention of classic Chanel style elements from season to season. Each collection is illustrated with a curated selection of catwalk images (filled with photos of top fashion models, including Cara Delevingne, Linda Evangelista, Kate Moss, and Claudia Schiffer), showcasing hundreds of spectacular clothes, from luxurious haute couture to trendsetting ready-to-wear, accessories, beauty looks, and set designs.

The extraordinary sculptures of Belgian artist Jean-Michel Folon The first half of Belgian artist Jean-Michel Folon's (1934-2005) career was devoted to posters, illustrations, and television animations that brought him international acclaim for their diversity and virtuosity; his illustrations appeared in magazines including The New Yorker, Fortune, and Esquire. In the 1990s, he pivoted to sculpture, focusing on statuary and working with both direct carving and modeling, which he then translated to bronze or stone. This is the first publication to explore the entirety of Folon's sculptural work. Drawing inspiration from the Cyclades, the Etruscans, from African masks and Indian totems, Folon's sculptures are characterized by their frontality and corporality. Distributed for Mercatorfonds Exhibition Schedule: Villers-la-Ville, Brussels (October 24, 2020-February 21, 2021)

The Bodleian Library possesses a significant collection of Latin medieval manuscripts from Germany, most of them acquired and donated by Archbishop Laud in the 1630s. They are precious survivals from the period of the Thirty Years' War. Their significance arises not just from the number of individual manuscripts but from the fact that they represent substantial portions of the libraries of ecclesiastical houses in Wurzburg, Mainz and Eberbach. This book presents a detailed description of the fifty-six manuscripts from Wurzburg in the Bodleian, most of them from the cathedral chapter (the Domstift St. Kilian). The majority date from the ninth century, and are extremely important from a textual and palaeographical point of view: they constitute the most important single library of Carolingian manuscripts in the British Isles. Wurzburg was one of the leading Anglo-Saxon foundations on the continent of Europe, planting cultural roots which are manifested in almost every aspect of the manuscripts themselves. The catalogue provides authoritative and superbly detailed descriptions of these manuscripts in all their aspects, especially their texts - there are many important early copies of the texts of the Church Fathers - and their scripts, some of whose forms are unique to Wurzburg. Detailed attention is also paid to the physical characteristics of the manuscripts, their decoration, binding, and provenance. Each of the manuscripts is illustrated.

While the demonstrations of Spring 1968 all around the world were not the playing field of DPPI's (Diffusion Presse Photo International) photographers, the latter happily continued to flourish in the extraordinary world of motor racing, the atmosphere of which they captured to perfection. Their purpose was both to translate into images impressions like the frightening average speed per lap of 243 km/hr of the Belgian Grand Prix on the Spa-Francorchamps track or the clearance, complete with major skidding, of a snow-covered pass during the Monte-Carlo Rally, and to serve as complicit witnesses to the mixture of tension and freedom that inhabits these men and women of the racing world who gathered each weekend to share triumph and tragedy. It comes as no surprise that such a concentration of action and emotion made a strong impression on the public and inspired brands and emerging marketing services seeking new channels of communication. Text in English and French.

'Free as they want to be': Artists Committed to Memory is the companion publication to the FotoFocus biennial exhibition that is scheduled for Fall 2022 and will run at the National Underground Railroad Freedom Center until Spring 2023. This project considers the historic and contemporary role that photography and film have played in remembering legacies of slavery and its aftermath while examining the social lives of Black Americans within various places including the land, at home, in photographic albums, at historic sites, and in public memory. This exhibition acknowledges artists' constant involvement with efforts to explore the possibilities of freedom and their relationship to it. Their quest to be 'as free as they want to be' is envisioned in the subject matter they explore as well as in their persistent drive to innovate aesthetic practices in photographic media. The publication presents some 20 artists working in photography, video, silkscreen, projection, and mixed media installation. Free as they want to be is inspired by the words of James Baldwin and the timely theme of FotoFocus, World Record, as well as events of late that have shaped the world as we know it. The artists selected for this publication are on the frontlines, creating, documenting, and writing. The works they have conceived reflect defining moments in the struggle for racial justice and equality. Free as they want to be presents an occasion to reflect upon the past, to mark significant defining moments - both triumphs and tragedies - that characterize a people and their experiences in the present - and to propose future possibilities. The artists offer images that advance a different sense of empowerment. Their images thus play an integral part in casting resilient narratives as they commemorate endurance, longevity, and accomplishment. The timing of a publication like this could not be more urgent given the human toll of the pandemic, widening economic disparities, the threat of war, voting rights, global migration crises, and quotidian violence. Proposed Artists: Terry Adkins; Radcliffe Bailey; J.P. Ball Studio; Sadie Barnett; Dawoud Bey; Sheila Pree Bright; Bisa Butler; Omar Victor Diop; Nona Faustine; Adama Delphine Fawundu; Daesha Devon Harris; Isaac Julien; Cathy Opie; Hank Willis Thomas; Lava Thomas; Carrie Mae Weems; Wendel White; William Earle Williams; anonymous tintype photographer - photo album

Every map tells a story. Some provide a narrative for travellers, explorers and surveyors or offer a visual account of changes to people's lives, places and spaces, while others tell imaginary tales, transporting us to fictional worlds created by writers and artists. In turn, maps generate more stories, taking users on new journeys in search of knowledge and adventure. Drawing on the Bodleian Library's outstanding map collection and covering almost a thousand years, 'Talking Maps' takes a new approach to map-making by showing how maps and stories have always been intimately entwined. Including such rare treasures as a unique map of the Mediterranean from the eleventh-century Arabic 'Book of Curiosities', al-Sharif al-Idrisi's twelfth-century world map, C.S. Lewis's map of Narnia, J.R.R. Tolkien's cosmology of Middle-earth and Grayson Perry's twenty-first-century tapestry map, this fascinating book analyses maps as objects that enable us to cross sea and land; as windows into alternative and imaginary worlds; as guides to reaching the afterlife; as tools to manage cities, nations, even empires; as images of environmental change; and as digitized visions of the global future. By telling the stories behind the artefacts and those generated by them, 'Talking Maps' reveals how each map is not just a tool for navigation but also a worldly proposal that helps us to understand who we are by describing where we are.

This catalogue for the 5th Art Brut Biennial at the Collection de l'Art Brut in Lausanne highlights the museum's holdings with a focus on the subject of belief. In a wide range of mediums, the show reveals the particular link between Art Brut and Outsider artists, religion, and the occult. The subjects of these works include deities, saints, religious figures, as well as abstract compositions, symbolist paintings, and ritual objects. With their diverse and original representations of belief, these artists transcend the often difficult conditions of their lives.

The Strehlow Archive is one of Australia's most important collections of film, sound, archival records and museum objects relating to the ceremonial life of Aboriginal people. The aim of this book is to provide a significant study of the relationship of archives to contemporary forms of digital mediation. The volume introduces a specific archive, the Strehlow Collection, and tracks the ways in which its materials and research dissemination practices are influenced by media forms we now identify with the emergence of digital technology.

Gandhara is a name central to Buddhist heritage and iconography. It is the ancient name of a region in present-day Pakistan, bounded on the west by the Hindu Kush mountain range and to the north by the foothills of the Himalayas. 'Gandhara' is also the term given to this region's sculptural and architectural features between the first and sixth centuries CE. This book re-examines the archaeological material excavated in the region in the nineteenth and early twentieth centuries and traces the link between archaeological work, histories of museum collections and related interpretations by art historians. The essays in the volume underscore the diverse cultural traditions of Gandhara - from a variety of sources and perspectives on language, ethnicity and material culture (including classical accounts, Chinese writings, coins and Sanskrit epics) - as well as interrogate the grand narrative of Hellenism of which Gandhara has been a part. The book explores the making of collections of what came to be described as Gandhara art and reviews the Buddhist artistic tradition through notions of mobility and dynamic networks of transmission. Wide ranging and rigorous, this volume will appeal to scholars and researchers of early South Asian history, archaeology, religion (especially Buddhist studies), art history and museums.

Emotionally resonant photographs of everyday life in the Jewish Lodz Ghetto taken during WWII From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910-91) was a member of an official team documenting the implementation of Nazi policies in the Lodz Ghetto. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the war, Ross returned to Poland to retrieve them. Although some were destroyed by nature and time, many negatives survived. This compelling volume, originally published in 2015 and now available in paperback, presents a selection of Ross's images along with original prints and other archival material including curfew notices and newspapers. The photographs offer a startling and moving representation of one of humanity's greatest tragedies. Striking for both their historical content and artistic quality, his photographs have a raw intimacy and emotional power that remain undiminished. Distributed for the Art Gallery of Ontario