As world powers realign their cultural, economic and political outlooks, there is no better time to consider how Afro-Eurasia's complex network of ancient trade routes - which spanned the vastness of the steppe, vertiginous mountain ranges, fertile river plains and forbidding deserts across the continents and on to the seas beyond - fostered economic activity and cultural, political and technological communication. From silk to slaves, fashion to music, religion to science the movement of interaction of goods, people and ideas was crucial to the flourishing of peoples and their cultures across this vast region. Edited by Susan Whitfield, an established authority on the subject, with contributions from over 80 leading scholars from across the globe, Silk Roads situates the ancient routes against the landscapes that defined them, to reveal the raw materials that they produced, the means of travel that were employed to traverse them and the communities that were shaped by them. Organized by terrain, from steppe to desert to ocean, each section includes detailed maps, a historical overview, thematic essays and features showcasing art, buildings and archaeological discoveries. A wealth of photographs reveals the breathtaking and often forbidding landscapes encountered by travellers and traders through the millennia. With one section inscribed as a World Heritage Corridor by UNESCO in 2014 and others to follow, and China claiming the Silk Roads as the precursor of its Belt Road Initiative, this network of ancient trade routes and the interaction along them has never been of greater interest or importance than today. This beautiful publication honours the astonishing diversity in the way cultures advance and flourish not in spite of their differences, but because of them.

Frances Stark deftly deploys text, image and literary sources in her drawings, collages, paintings and video works that reflect on her roles as artist, mother, woman and teacher. Throughout her career she has experimented with alternative modes of expression, as in her critically acclaimed video, My Best Thing; her PowerPoint work Structures that fit my opening (and other parts considered in relation to their whole); and the performance Put a Song in Your Thing. Companion to an exhibition that documents Stark's 25-year long career, this book contains 125 works in which Stark employs words and images to create provocative and self-referential works that speak to the complexities of daily life. This book includes full-page detailed images that provide an insight into the highly tactile and complex nature of Stark's work. Also included are newly commissioned essays and a collection of brief reflections by a variety of prominent artists and writers whom Stark asked to revisit specific topics they've discussed or written about previously.Filled with high-quality reproductions and thoughtful commentary, this book is the definitive resource on Stark's accomplished, varied and affecting body of work. Published in association with Hammer Museum, Los Angeles

The rural idyll is a powerful force in the British national imagination. This highly original and vibrant study will examine how key moments in art history have shaped the concept of the idyll and how contemporary artists continue to access and often challenge this concept. From High Art to propaganda, garden centres to air fresheners, contemporary art to computer games - a constellation of powerful images and ideas contribute to our understandings of the rural. This publication offers new ways of thinking about the rural idyll and the countryside more broadly, through the innovative integration of a wide range of art and visual cultures. These include classic landscapes by artists such as Blake, Claude, Constable and Turner, works of modern British art, and contemporary works by artists who present new perspectives on the rural idyll. Crucially, this volume will enter these familiar and unfamiliar art works into a productive dialogue with an extensive range of visual cultures which populate everyday life now and in the past, for instance Frank Newbould's iconic wartime recruitment posters of 1942-44 and rural-themed video games. In the contemporary art world the rural is seriously under-represented as an arena of critical inquiry and artistic production. This publication will make a significant contribution towards redressing this situation. In addition to the new scholarship on the rural idyll - by academic experts from a wide range of disciplines, encompassing the spheres of art history, contemporary art, poetry, literature, rural history, agriculture, and everyday life - it will include interviews with ten key contemporary artists who are working with the rural in innovative ways. It will also contain newly commissioned material from leading artists and writers which articulate the themes of the publication in ways that differ from the traditional catalogue essay. It will include a specially commissioned visual essay by Jeremy Deller. Deller will select a series of images from the exhibition and elsewhere and combine them with short pieces of text that develop the questions and themes discussed throughout the book in creative and open-ended visual dialogue. There will also be a new commission from the Scottish poet and writer Kathleen Jamie, whose moving observations on the relationships between nature and everyday life, articulate the embeddedness of the rural idyll into the mundane and the quotidian.

Glasgow Museums has the finest collection of Italian paintings of any civic museums service in the UK. It includes some 150 paintings ranging from the late 14th century to the late 19th century. This catalogue begins with an historical introduction to the collection and its donors, and includes 192 colour reproductions.