For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past - the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta.

History and science collide in the fascinating history of anatomy, from artistic explorations by Leonardo da Vinci, and the pioneering, lavishly illustrated book by Andreas Vesalius, to the crimes of William Burke and William Hare in 19th-century Edinburgh. This history of how anatomy was studied focuses on Edinburgh and the West Port murders in 1828 and acknowledges the science's reliance on dead bodies taken without consent. Edinburgh was an important centre for medical teaching at this time but the sixteen murders exposed the darker side of the practice and study of medicine - the bodies were sold by Burke and Hare to the Edinburgh anatomist Dr Robert Knox. The book accompanies a major exhibition at the National Museum of Scotland 2 July-30 October 22 which charts five hundred years of medical exploration.