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Edvard Munch - Masterpieces from Bergen (Paperback)
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Edvard Munch - Masterpieces from Bergen (Paperback)
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This important publication accompanies a major exhibition at The
Courtauld Gallery, London, of paintings by Edvard Munch, one of the
world's greatest modern artists. The exhibition and catalogue
showcase 18 major works from the collection of KODE Art Museums in
Bergen. The works span the most significant part of Munch's
artistic development and have never before been shown as a group
outside of Scandinavia. KODE houses one of the most important
collections of paintings by Edvard Munch (1863-1944) in the world.
The collection was assembled at the beginning of the 20th century
by the Norwegian industrialist, mill owner and philanthropist
Rasmus Meyer (1858-1916), who was one of the first significant
early collectors of Munch's work. Meyer knew Munch personally and
was astute in acquiring major canvases by the artist that chart his
artistic development. Edvard Munch: Masterpieces from Bergen
explores this group of remarkable works in detail and considers the
important role of Rasmus Meyer as a collector. The exhibition and
publication include seminal paintings from Munch's early 'realist'
phase of the 1880s, such as Morning (1884), which was made when the
artist was just twenty years old, and Summer Night (1889), a
pivotal work that shows the artist's move towards the expressive
and psychologically charged work for which he became famous. These
paintings launched Munch's career and set the stage for his
renowned, highly expressive paintings of the 1890s when his
compositions became powerful projections of his emotions and
imaginative states. Such works are a major feature of the
exhibition that includes remarkable canvases from Munch's famous
'Frieze of Life' series, such as Evening on Karl Johan (1892),
Melancholy (1894-96) and At the Death Bed (1895). Through his
'Frieze of Life' works, Munch intended to address profound themes
of human existence, from love to death. The artist used his own
experiences as source material to make visceral depictions of the
human psyche, which he hoped would help others understand their own
life. Munch's powerful use of colour and form to convey his
subjects marked him out as one of the most radical painters at the
turn of the 20th century. This fully illustrated publication
includes a catalogue of the works, with contributions by leading
experts in their fi eld from KODE and The Courtauld.
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