The Chrysler Museum of Art in Norfolk, Virginia, is renowned for its encyclopedic collection of glass with more than ten thousand glass objects spanning nearly three thousand years. Distinguished in the areas of nineteenth-century American, French, and English glass, including important works by Louis C. Tiffany, the Museum has recently made noteworthy acquisitions from the twentieth and twenty-first centuries. Glass: Masterworks from the Chrysler Museum of Art features seventy-five exceptional works from the collection and includes a history of glass at the Museum, from its founding in 1933 to the present. Lavishly illustrated, each work of art is accompanied by a detailed scholarly entry that explores the object's significance and broader historical context.

The Royal Pavilion and Museums Trust cares for five venues in Brighton and Hove, including the spectacular Royal Pavilion, a royal palace created by George IV as his summer retreat, designed in its final form by John Nash in a Moghul Indian style and set in landscaped picturesque gardens. The Trust's other venues are Brighton Museum and Art Gallery that holds important local history and archaeology, world art, and decorative art collections; Preston Manor a large house preserved in the Edwardian style with a beautiful walled garden; The Booth Museum of natural history; and Hove Museum and Art Gallery. The Trust cares for around one million objects, many of international importance and covering a wide range of subjects and types. In this enjoyable and richly illustrated guide, Hedley Swain, the Trust's CEO, shares highlights from The Trust's vast collections.

An unprecedented survey of modern lighting design foregrounding its materials, innovators, and far-reaching influence Offering the first comprehensive history of lighting design from the 20th and 21st centuries, Electrifying Design: A Century of Lighting explores how lighting has been integral to the development of modern design both in terms of aesthetics and technological advances. This fascinating book outlines the key aspects of lighting as a unique and creative artistic discipline and examines themes such as different typologies, the quality of light, and the evolution of the bulb. A series of essays by Sarah Schleuning and Cindi Strauss showcase lighting designs from different time periods and geographic locations and feature the work of significant figures, including Poul Henningsen, Ingo Maurer, and Gino Sarfatti. With over 130 illustrations of functional and sometimes fantastical designs, a historical timeline, and comprehensive artist biographies, this handsome volume expands our understanding of an understudied but influential art form and demonstrates lighting's central role as both an expression of and a catalyst for innovations in modern and contemporary design. Published in association with the Museum of Fine Arts, Houston Exhibition Schedule: Museum of Fine Arts, Houston (February 21-May 16, 2021) High Museum of Art, Atlanta (July 2-September 26, 2021)

Gandhara is a name central to Buddhist heritage and iconography. It is the ancient name of a region in present-day Pakistan, bounded on the west by the Hindu Kush mountain range and to the north by the foothills of the Himalayas. 'Gandhara' is also the term given to this region's sculptural and architectural features between the first and sixth centuries CE. This book re-examines the archaeological material excavated in the region in the nineteenth and early twentieth centuries and traces the link between archaeological work, histories of museum collections and related interpretations by art historians. The essays in the volume underscore the diverse cultural traditions of Gandhara - from a variety of sources and perspectives on language, ethnicity and material culture (including classical accounts, Chinese writings, coins and Sanskrit epics) - as well as interrogate the grand narrative of Hellenism of which Gandhara has been a part. The book explores the making of collections of what came to be described as Gandhara art and reviews the Buddhist artistic tradition through notions of mobility and dynamic networks of transmission. Wide ranging and rigorous, this volume will appeal to scholars and researchers of early South Asian history, archaeology, religion (especially Buddhist studies), art history and museums.

The Strehlow Archive is one of Australia's most important collections of film, sound, archival records and museum objects relating to the ceremonial life of Aboriginal people. The aim of this book is to provide a significant study of the relationship of archives to contemporary forms of digital mediation. The volume introduces a specific archive, the Strehlow Collection, and tracks the ways in which its materials and research dissemination practices are influenced by media forms we now identify with the emergence of digital technology.

As a discipline, Archaeology has developed rapidly over the last half-century. The increase in so-called 'public archaeology,' with its wide range of television programming, community projects, newspaper articles, and enhanced site-based interpretation has taken archaeology from a closed academic discipline of interest to a tiny minority to a topic of increasing interest to the general public. This book explores how archaeologists share information - with specialists from other disciplines working within archaeology, other archaeologists, and a range of non-specialist groups. It emphasises that to adequately address contemporary levels of interest in their subject, archaeologists must work alongside and trust experts with an array of different skills and specializations. Drawing on case studies from eleven countries, Sharing Archaeology explores a wide range of issues raised as the result of archaeologists' communication both within and outside the discipline. Examining best practice with wider implications and uses beyond the specified case studies, the chapters in this book raise questions as well as answers, provoking a critical evaluation of how best to interact with varied audiences and enhance sharing of archaeology.

The first detailed discussion of the greatest timepieces from the exceptional collection of The Metropolitan Museum of Art Among the world's great technological and imaginative achievements is the invention and development of the timepiece. Examining for the first time the Metropolitan Museum's unparalleled collection of European clocks and watches created from the early middle ages through the 19th century, this fascinating book enriches our understanding of the origins and evolution of these ingenious works. It showcases 54 extraordinary clocks, watches, and other timekeeping devices, each represented with an in-depth description and new photography showing the exterior as well as the inner mechanisms. Included are an ornate celestial timepiece that accurately predicts the trajectory of the sun, moon, and stars and a longcase clock by David Roentgen that shows the time in the ten most important cities of the day. These works, created by clockmakers, scientists, and artists in England, Germany, France, Italy, and the Netherlands, have been selected for their artistic beauty and design excellence, as well as for their sophisticated and awe-inspiring mechanics. Built upon decades of expert research, this publication is a long-overdue survey of these stunning visual and technological marvels. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art (10/26/15-05/22/16)

Extensively illustrated, this is the first accessible publication on the history of tapestry in over two decades. Woven with dazzling images from history, mythology and the natural world, and breath-taking in their craftsmanship, tapestries were among the most valuable and high-status works of art available in Europe from the medieval period to the end of the eighteenth century. Over 600 historic examples hang in National Trust properties in England and Wales - the largest collection in the UK. This beautifully illustrated study by tapestry expert Helen Wyld, in association with the National Trust, offers new insights into these works, from the complex themes embedded in their imagery, to long-forgotten practices of sacred significance and ritual use. The range of historical, mythological and pastoral themes that recur across the centuries is explored, while the importance of the 'revival' of tapestry from the late nineteenth century is considered in detail for the first time. Although focussed on the National Trust's collection, this book offers a fresh perspective on the history of tapestry across Europe. Both the tapestry specialist and the keen art-history enthusiast can find a wealth of information here about woven wall hangings and furnishings, including methods of production, purchase and distribution, evolving techniques and technologies, the changing trends of subject matter across time, and how tapestries have been collected, used and displayed in British country houses across the centuries.

Folk art proves that producing utilitarian objects can provide an opportunity for self-expression. From decoys to sea chests, folk art is not only rooted in the useful but in the realities of living. Some folk art makes daily chores more fun, while others, such as mourning art, help people face life's saddest occasions. This volume is an introduction for the novice and a treasure for the collector.

The stunning photos and brilliant essays in this book demonstrate why origami is now an international art movement-largely through the efforts and artistic genius of a few contemporary masters. The trailblazing efforts of Japanese artist Akira Yoshizawa elevated paper folding by showing how subtle shapes and figures could be created from a single sheet of paper through a variety of non-traditional folding techniques. Artists in other parts of the world-including the United States, France, England, China and Scandinavia-took Yoshizawa's cue and pushed these techniques further and further. The result has been the emergence of many new and surprising sculptural forms created through techniques such as wet folding, curved creasing, tessellating and the application of alternative materials besides paper. This book features the work of 25 contemporary master folders who are among the most innovative origami artists working today. They are pushing the boundaries of origami style, scale, materials, subject and scope in new directions. This elite group includes: Joel Cooper Erik Demaine and Martin Demaine Paul Jackson Beth Johnson Michael G. LaFosse and Richard L. Alexander Robert J. Lang Linda Mihara Bernie Peyton Richard Sweeney And many more!

The A. G. Leventis Gallery brings the grandeur of European art from the Renaissance to the 20th century, connecting the European continent with its south-eastern outpost by highlighting the unique relationship between art and its history. In this book, Director Loukia Hadjigavriel selects highlights from the Collection. From the outstanding paintings and objets d'art - Old Master paintings, Dutch still lifes, light-spirited Rococo pastorals, and boldly coloured pointillist and fauve canvases; through the Gold Collection, where gold coins from antiquity unfold the history of the rulers and artists who created them; and into the development of modern Greek art, as well as the first generation of Cypriot artists from the beginning of the 20th century. This wide variety of treasures all offer insight into the world of the man behind the collection, Anastasios G. Leventis - businessman, visionary, art collector and true 'citizen of the world'.

The Bodleian Library possesses a significant collection of Latin medieval manuscripts from Germany, most of them acquired and donated by Archbishop Laud in the 1630s. They are precious survivals from the period of the Thirty Years' War. Their significance arises not just from the number of individual manuscripts but from the fact that they represent substantial portions of the libraries of ecclesiastical houses in Wurzburg, Mainz and Eberbach. This book presents a detailed description of the fifty-six manuscripts from Wurzburg in the Bodleian, most of them from the cathedral chapter (the Domstift St. Kilian). The majority date from the ninth century, and are extremely important from a textual and palaeographical point of view: they constitute the most important single library of Carolingian manuscripts in the British Isles. Wurzburg was one of the leading Anglo-Saxon foundations on the continent of Europe, planting cultural roots which are manifested in almost every aspect of the manuscripts themselves. The catalogue provides authoritative and superbly detailed descriptions of these manuscripts in all their aspects, especially their texts - there are many important early copies of the texts of the Church Fathers - and their scripts, some of whose forms are unique to Wurzburg. Detailed attention is also paid to the physical characteristics of the manuscripts, their decoration, binding, and provenance. Each of the manuscripts is illustrated.

Capturing the highlights of the major Victoria and Albert Museum exhibition, Christian Dior: Designer of Dreams, this stunning souvenir celebrates the House of Dior from its foundation in 1947 to the present day. Haute-couture gowns by Christian Dior and the illustrious creative directors who followed him -Yves Saint Laurent, Marc Bohan, Gianfranco Ferre, John Galliano, Bill Gaytten, Raf Simons and Maria Grazia Chiuri-are showcased here, each described by Oriole Cullen and atmospherically photographed by Laziz Hamani.

Like hardly any other artist, Pierre-Auguste Renoir has shaped our understanding of the atmospheric figure paintings of Impressionism. His painting La fin du dejeuner, which has been in the Stadel Museum in Frankfurt since 1910, is now the starting point for a far-reaching examination of an important source of inspiration that accompanied him throughout his life: the Rococo. Considered frivolous and immoral after the French Revolution, this style of painting experienced a renaissance in the 19th century and was widely celebrated during Renoir's lifetime. Published on the occasion of the Stadel Museum's major exhibition, this comprehensive volume explores Renoir's multifaceted connection to tradition through illuminating juxtapositions of his art with 18th-century works and contemporaries.

Rich silks embellished with needlwork were used to create expensive, high-quality garments, affordable only for the wealth. Their very exclusivity has meant that few items have lasted through the centuries. Several rare and beautiful pieces do however survive in Glasgow Muesuem's collections. This text reveals the intricate details of exquisite embroidery.

This is the definitive study of US artist Dorothea Tanning (1910-2012), positioning her as one of the most fascinating and significant creative forces to emerge during the 20th century. It provides a framework within which to consider the range and depth of Tanning's work, well beyond the better-known early Surrealist works of the 1940s, and makes connections between her life experiences and thematic preoccupations. Extensively illustrated and featuring unpublished material from interviews which the author conducted with the artist between 2000 and 2009, this book will appeal to the general museum-going public as well as academics, students, curators and collectors.