An entertaining and inspiring behind-the-scenes look at a Hollywood life and a remarkable love, told in the words of beloved actor Patrick Swayze and his wife, Lisa Niemi, shortly before he passed away.
In a career spanning more than thirty years, Patrick Swayze made a name for himself on the stage and screen with his versatility, passion, and fearlessness. Always a fighter, Patrick refused to let the diagnosis of stage IV pancreatic cancer in February 2008 defeat him. Patrick and Lisa's bravery inspired legions of fans, cancer patients, and their loved ones, yet this memoir, written with wisdom and heart, recounts so much more. Revealed in vivid detail is Patrick's Texas upbringing, his personal struggles, his rise to fame, and how his soul mate Lisa stood by his side through it all.
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The Time of My Life "opens the door for families, individuals, and husbands and wives to grow, bond, and discover entirely new levels of love and sharing, proving that life shouldn't be lived as a series of endings, but rather as the beginning of greater strength and love.

Eric Wetherell led a varied and rewarding career. After his student days at Oxford and the Royal College of Music, he became an orchestral horn player for various orchestras. In the late 50s he was a repetiteur with the Royal Opera House where he worked closely with Britten, Solti, Giulini, Sargent and Kempe whom he admired above all. As assistant musical director with Welsh National Opera he worked on most of the large grand operas. At the first performance by the Welsh National Opera in Bristol in 1968, Eric conducted 'Rigoletto'. Ken Loveland (The Times) wrote "Eric Wetherell's conducting, tense, tightly controlled, and completely informed about all the dramatic stresses which make this Italian opera's first really great score, was a foundation on which a convincing stage performance could grow..." (Eric was invited to the WNO's 50th anniversary production at the Bristol Hippodrome in 2018). During his time as principal conductor of the BBC Northern Ireland Orchestra and senior producer for BBC Radio 3 in the South West, he was in the position to play an enormous range of music from light classics and jazz to Haydn and Strauss within a single recording session. A lover of film all his life, he extended his composition skills to writing film music, in particular when he was Musical Director for Harlech Television in Wales and the South West. He went on to produce short films which he edited himself, and film scripts based on subjects that held a great interest for him. An excellent and enthusiastic jazz man, he led two jazz orchestra in South Wales and, later, in Bristol. He also enjoyed playing as part of a jazz quartet, particularly enjoying the informality of pub gigs. His love of humour and his many anecdotes, often true stories from his professional career, endeared him to the many people he came in contact with.

"A frank, intriguing memoir."
--People "Painfully shrewd, and written with real delicacy and pathos."
--The New York Times Book Review "Home reflects the very qualities that first made the working-class English singer a star 45 years ago: intelligence, gentle humor, and a clear, sweet, surprisingly powerful voice . . . In warmly nostalgic later chapters, the book begins to glow."
--Entertainment Weekly "A delightful remembrance of her own childhood, and an engrossing prelude to her cinematic career . . . Andrews is an accomplished writer who holds back nothing while adding a patina of poetry to the antics and anecdotes throughout this memoir of bittersweet backstage encounters and theatrical triumphs."
--Publishers Weekly (starred review) "Frank and fascinating . . . Andrews comes across as plainspoken, guilelessly charming and resoundingly tough."
--Time In Home: A Memoir of My Early Years, Julie Andrews takes her readers on a warm, moving, and often humorous journey from a difficult upbringing in war-torn Britain to the brink of international stardom in America.

For more than thirty years, Jerome John Garcia played guitar and sang in the traveling menagerie and living social experiment called the Grateful Dead. What started as a jug band in Palo Alto evolved into a rock and roll institution, playing to audiences composed of both gray-bearded boomers and tie-dyed baby Deadheads. At the center of this phenomenon was Jerry, whose musical gifts and affable manner made him the symbol of all things magical. In Dark Star, we see Garcia through the eyes of those closest to him, who speak for the first time since his death: the ex-wives and lovers who did their best to make him happy but in the end always seemed to lose him to the road; the close friends who watched in helpless frustration as he battled a long-running heroin habit he tried again and again to kick; the children of fellow members of the Grateful Dead for whom he was the father he could never be to his own daughters; the musicians who looked up to him as a guru and an older brother.

With Barry Flanagan is a vivid account of a friendship that evolved into a working relationship when Richard McNeff became 'spontaneous fixer' (Flanagan's description) of the sculptor's show held in June 1992 at the Museum of Contemporary Art on Ibiza, where they were both living. McNeff was to gain a privileged insight into the sculptor's singular personality and eccentric working methods, learning to decipher his memorably surreal turns of phrase and to parry his fascinating, if at times unsettling, pranksteresque quirks . In September 1992 Flanagan and McNeff took the show to Majorca, resulting a lively visit to the celebrated Spanish artist Miquel Barcelo. The following year McNeff was involved in Flanagan's print- making venture in Barcelona and in his Madrid retrospective. Flanagan rescued him from a rough landing in England in 1994 by commissioning a tour of stone quarries there. Subsequently McNeff ran into a fourteen- year-old profoundly deaf girl who turned out to be his unknown daughter. She had a talent for art and the superbly generous sculptor was instrumental in helping with her studies. Late in 2008 Barry was diagnosed with motor neurone disease. By June 2009 he was wheelchair- bound. Two months later he died, and McNeff read the lesson at his funeral. Fleshed out with biographical detail, much of it supplied by the sculptor himself, supplemented by photographs and details of the work, this touching memoir is the first retrospective of a major Welsh-born artist. With Barry Flanagan captures the spirit of this remarkable Merlinesque figure in a moving portrait that reveals a true original.