Elliott Smith was one of the most gifted songwriters of the nineties, adored by worshipful fans for his subtly melancholic words and melodies. The sadness had its sources in the life. There was trauma from an early age, years of drug abuse and a chronic sense of disconnection that sometimes seemed almost self-engineered. Smith died violently in Los Angeles in 2003, under what some believe to be questionable circumstances, of a single fatal stab wound to the chest. By this time fame had found him, and record buyers who shared the listening experience felt he spoke directly to them from beyond: lonely, lovelorn, frustrated, fighting until he could fight no more. And yet, although his achingly intimate lyrics carried the weight of truth, Smith remained unknowable. In Torment Saint, William Todd Schultz gives us the first proper biography of the rock star, a decade after his death, imbued with affection, authority, sensitivity and long-awaited clarity. Torment Saint draws on Schultz's careful, deeply knowledgeable readings and insights, as well as on more than 150 hours of interviews with close friends, lovers, bandmates, peers, managers, label owners, and recording engineers and producers. This book unravels the remaining mysteries of Smith's life and his shocking, too-early end. It will be an indispensable examination of his life and legacy, both for Smith's legions of fans as well as readers still discovering his songbook.

In my book, you will meet a little girl named Viola who ran from her past until she made a life-changing decision to stop running forever.

This is my story, from a crumbling apartment in Central Falls, Rhode Island, to the stage in New York City, and beyond. This is the path I took to finding my purpose but also my voice in a world that didn’t always see me.

As I wrote Finding Me, my eyes were open to the truth of how our stories are often not given close examination. We are forced to reinvent them to fit into a crazy, competitive, judgmental world. So I wrote this for anyone running through life untethered, desperate and clawing their way through murky memories, trying to get to some form of self-love. For anyone who needs reminding that a life worth living can only be born from radical honesty and the courage to shed facades and be . . . you.

Finding Me is a deep reflection, a promise, and a love letter of sorts to self. My hope is that my story will inspire you to light up your own life with creative expression and rediscover who you were before the world put a label on you.

An elegant, witty, frank, touching, and deeply personal account of the loves both great and fleeting in the life of one of America's most celebrated and fabled women.

Born to great wealth yet kept a virtual prisoner by the custody battle that raged between her proper aunt and her self-absorbed, beautiful mother, Gloria Vanderbilt grew up in a special world. Stunningly beautiful herself, yet insecure and with a touch of wildness, she set out at a very early age to find romance. And find it she did. There were love affairs with Howard Hughes, Bill Paley, and Frank Sinatra, to name a few, and one-night stands, which she writes about with delicacy and humor, including one with the young Marlon Brando. There were marriages to men as diverse as Pat De Cicco, who abused her; the legendary conductor Leopold Stokowski, who kept his innermost secrets from her; film director Sidney Lumet; and finally writer Wyatt Cooper, the love of her life.

Now, in an irresistible memoir that is at once ruthlessly forthright, supremely stylish, full of fascinating details, and deeply touching, Gloria Vanderbilt writes at last about the subject on which she has hitherto been silent: the men in her life, why she loved them, and what each affair or marriage meant to her. This is the candid and captivating account of a life that has kept gossip writers speculating for years, as well as Gloria's own intimate description of growing up, living, marrying, and loving in the glare of the limelight and becoming, despite a family as famous and wealthy as America has ever produced, not only her own person but an artist, a designer, a businesswoman, and a writer of rare distinction.

How gratitude can get the life you really want... 'Gratitude is your soul's superfood, but cheaper than goji berries, and twice as good for you. I like to think of it as mindfulness for cynics or the "gateway drug" to spirituality. It's a very tangible thing you can do everyday that will shift your focus to what you have rather than pining and obsessing over what you don't have. Away from a state of lack into limitless abundance...' So what happens when we stop taking things for granted and start putting some gra* into our gratitude? When we consciously turn our heads and hearts to what we have and focus on the good? In Joy Rider, television presenter and host of the podcast Thanks A Million, Angela Scanlon, presents her guide to tapping into your own natural super resource - joy. This book is an invitation to embrace the kind of gratitude that cuts through the bulls**t of life to its truth, connecting us with the present and grounding us in self. When there is so much to feel anxious about, Angela shares with readers how focusing our attention on the small, incremental positives in life can completely change it for the better. * It means love in Irish

An intimate and revelatory biography of Yoko Ono from bestselling author of Beautiful Boy

David Sheff met Yoko Ono and John Lennon in 1980 when conducting an in-depth interview with them just months before John’s murder. In the aftermath, Sheff and Yoko became close friends as she rebuilt her life, survived threats and continued creating groundbreaking art and music. Drawing from their decades-long friendship and interviews with Yoko, her family, close friends and collaborators, Sheff shares the story of one of the most unlikely and remarkable lives ever lived.

Yoko spans from her birth to wealthy parents in pre-war Tokyo and her harrowing experience as a child during WW2 to her arrival in the avant-garde art scenes of London, Tokyo and New York. We see how she coped under the most intense, relentless and cynical microscope as she was falsely vilified for the most heinous cultural crime imaginable: breaking up the greatest rock-and-roll band in history.

So often remembered only for her impact on The Beatles, Yoko has been caricatured as an opportunistic seductress or manipulative impostor. Yoko delves into her life as an artist, musician, feminist and activist, reframing her incredible achievements independent of Lennon.

Yoko is a harrowing, moving, propulsive and vastly entertaining biography of a woman whose story has never been accurately told. It highlights Ono’s incredible talent and acknowledges her as a true artistic icon.

With Barry Flanagan is a vivid account of a friendship that evolved into a working relationship when Richard McNeff became 'spontaneous fixer' (Flanagan's description) of the sculptor's show held in June 1992 at the Museum of Contemporary Art on Ibiza, where they were both living. McNeff was to gain a privileged insight into the sculptor's singular personality and eccentric working methods, learning to decipher his memorably surreal turns of phrase and to parry his fascinating, if at times unsettling, pranksteresque quirks . In September 1992 Flanagan and McNeff took the show to Majorca, resulting a lively visit to the celebrated Spanish artist Miquel Barcelo. The following year McNeff was involved in Flanagan's print- making venture in Barcelona and in his Madrid retrospective. Flanagan rescued him from a rough landing in England in 1994 by commissioning a tour of stone quarries there. Subsequently McNeff ran into a fourteen- year-old profoundly deaf girl who turned out to be his unknown daughter. She had a talent for art and the superbly generous sculptor was instrumental in helping with her studies. Late in 2008 Barry was diagnosed with motor neurone disease. By June 2009 he was wheelchair- bound. Two months later he died, and McNeff read the lesson at his funeral. Fleshed out with biographical detail, much of it supplied by the sculptor himself, supplemented by photographs and details of the work, this touching memoir is the first retrospective of a major Welsh-born artist. With Barry Flanagan captures the spirit of this remarkable Merlinesque figure in a moving portrait that reveals a true original.