A wryly funny and surprisingly moving account of an extraordinary life lived almost entirely in the public eye

A teen idol at fifteen, an international icon and founder of the Brat Pack at twenty, and one of Hollywood's top stars to this day, Rob Lowe chronicles his experiences as a painfully misunderstood child actor in Ohio uprooted to the wild counterculture of mid-seventies Malibu, where he embarked on his unrelenting pursuit of a career in Hollywood.

"The Outsiders" placed Lowe at the birth of the modern youth movement in the entertainment industry. During his time on "The West Wing," he witnessed the surreal nexus of show business and politics both on the set and in the actual White House. And in between are deft and humorous stories of the wild excesses that marked the eighties, leading to his quest for family and sobriety.

Never mean-spirited or salacious, Lowe delivers unexpected glimpses into his successes, disappointments, relationships, and one-of-a-kind encounters with people who shaped our world over the last twenty-five years. These stories are as entertaining as they are unforgettable.

A blend of This Is Spinal Tap and Fear and Loathing in Las Vegas, the cult classic confessions of a debauched rock 'n' roller and his adventures in excess on the '80s hair-metal nostalgia tour through Middle America--available again, and now revised and updated.

Once upon a time at the start of the new century, the unheard-of Unband got a chance to drink, fight, and play loud music with '80s metal bands like Dio and Def Leppard. To the mix they brought illegal pyrotechnics, a giant red inflatable hand with movable digits, a roadie dubiously named Safety Bear, a high tolerance for liver damage, and an infectious love of rock & roll and everything it represents.

Unband bassist Michael Ruffino takes us on an epic joyride across a surrealistic American landscape where we meet mute Christian groupies, crack-smoking Girl Scouts, beer-drinking chimps, and thousands of head-bangers who cannot accept that hair metal is dead. Here, too, are uncensored portraits of Ronnie James Dio, Anthrax, Sebastian Bach, Lemmy of Motorhead, and others.

Adios, Motherfucker is gonzo rock storytelling at its finest--excessive, incendiary, intelligent, hilarious, and utterly original.

Kerwin's youth was riddled with adversity, which culminated in a criminal record. Doomed to fail, he decided to fight for his goal of attaining remarkable success. This intimate biography of a young man's struggle to ascend the socio-economic ladder will propel you to rise and pursue your dreams.

Candid, outspoken, laugh-out-loud funny essays from the much-loved Samantha Bee, the Most Senior Correspondent on The Daily Show with Jon Stewart .
Critics have called her "sweet, adorable, and vicious." But there is so much more to be said about Samantha Bee. For one, she's Canadian. Whatever that means. And now, she opens up for the very first time about her checkered Canadian past. With charming candor, she admits to her Lennie from "Of Mice and Men"-style love of baby animals, her teenage crime spree as one-half of a car-thieving couple (Bonnie and Clyde in Bermuda shorts and braces), and the fact that strangers seem compelled to show her their genitals. She also details her intriguing career history, which includes stints working in a frame store, at a penis clinic, and as a Japanese anime character in a touring children's show.
Samantha delves into all these topics and many more in this thoroughly hilarious, unabashedly frank collection of personal essays. Whether detailing the creepiness that ensues when strangers assume that your mom is your lesbian lover, or recalling her girlhood crush on Jesus (who looked like Kris Kristofferson and sang like Kenny Loggins), Samantha turns the spotlight on her own imperfect yet highly entertaining life as relentlessly as she skewers hapless interview subjects on "The Daily Show." She shares her unique point of view on a variety of subjects as wide ranging as her deep affinity for old people, to her hatred of hot ham. It's all here, in irresistible prose that will leave you in stitches and eager for more.

"The first biography of this important American Indian artist"

Artist, teacher, and Red Progressive, Angel De Cora (1869-1919) painted "Fire Light" to capture warm memories of her Nebraska Winnebago childhood. In this biography, Linda M. Waggoner draws on that glowing image to illuminate De Cora's life and artistry, which until now have been largely overlooked by scholars.

One of the first American Indian artists to be accepted within the mainstream art world, De Cora left her childhood home on the Winnebago reservation to find success in the urban Northeast at the turn of the twentieth century. Despite scant documentary sources that elucidate De Cora's private life, Waggoner has rendered a complete picture of the woman known in her time as the first "real Indian artist." She depicts De Cora as a multifaceted individual who as a young girl took pride in her traditions, forged a bond with the land that would sustain her over great distances, and learned the role of cultural broker from her mother's Metis family.

After studying with famed illustrator Howard Pyle at his first Brandywine summer school, De Cora eventually succeeded in establishing the first "Native Indian" art department at Carlisle Indian School. A founding member of the Society of American Indians, she made a significant impact on the American Arts and Crafts movement by promoting indigenous arts throughout her career.

Waggoner brings her broad knowledge of Winnebago culture and history to this gracefully written book, which features more than forty illustrations. "Fire Light" shows us both a consummate artist and a fully realized woman, who learned how to traverse the borders of Red identity in a white man's world.

From Jon King, legendary front man of iconic post-punk band Gang of Four, comes a memoir to remember.

TO HELL WITH POVERTY! documents King’s story from a south London slum and working-class background to international success as core musician, lyricist, writer, and producer in the legendary post-punk/funk band Gang of Four. King’s memoir takes the reader on an episodic journey full of raucous adventures from his childhood and teenage years, to the height of Gang of Four’s success in the seventies and eighties.

Thrown off Top of the Pops, truncheoned by police at an anti-Nazi rally, coming of age in the heart of the Leeds music scene and the UK post-punk movement, mingling with Hells Angels and other undesirables, supported by bands like R.E.M. and playing with the likes of the Police, Iggy Pop, and the Buzzcocks―King’s time with Gang of Four is rich with jaw-dropping stories. Evocative, fast-paced, and witty, To Hell with Poverty! is a music memoir for the ages.

Gang of Four’s Entertainment! LP is consistently ranked as one of the greatest debut albums of all time and continues to inspire new generations of musicians today. The band has influenced many artists, from the Red Hot Chili Peppers, Nirvana, and INXS, to 2025-era Frank Ocean, the Idles, and hip-hop giants Run the Jewels. Gang of Four have been championed by the likes of Flea, Sofia Coppola, Massive Attack, Damien Hirst, Greil Marcus, and many more.

The empowering, inspiring, patriarchy-smashing first book by the TikTok and Spotify star Drew Afualo.

Drew Afualo is best known as the internet’s 'Crusader for Women' and is at the head of a new generation of entertainment’s rising stars, with more than nine million followers across her social platforms. She soon realized that men on social media were creating sexist content aimed at disparaging women, and also containing rampant fatphobia, racism, and other forms of bigotry with very real-life consequences. It didn’t take long for her to step into the role of unofficial watchdog for misogyny, and her signature laugh is now recognized as a feminist call to arms.

Loud is part manual, part manifesto and part memoir. It is a summoning cry to rid the internet (and our hearts, minds, and lives) of terrible men and create a space to fight outdated patriarchal ideals. Above all, it makes it clear that behind Drew’s fearsome laugh is a mission and a life philosophy, a strategy for self-confidence from the inside out, and a pathway to once and for all remove men from the centre of how women and fems think about themselves.