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Books > Biography > Film, television, music, theatre
In this beautifully illustrated and deeply philosophical graphic
memoir, legendary artist Ai Weiwei explores the connection between
artistic expression and intellectual freedom through interwoven stories
from all the seasons of his life.
As a child living in exile during the Cultural Revolution, Ai Weiwei
often found himself with nothing to read but government-approved comic
books. Although they were restricted by the confines of political
propaganda, Ai Weiwei was struck by the artists' ability to express
their thoughts on art and humanity through graphic storytelling. Now,
decades later, Ai Weiwei and Italian comic artist Gianluca Costantini
present Zodiac, Ai Weiwei's first graphic memoir.
Inspired by the twelve signs of the Chinese zodiac and their associated
human characteristics, Ai Weiwei masterfully interweaves ancient
Chinese folklore with stories of his life, family, and career. The
narrative shifts back and forth through the years--at once in the past,
present, and future--mirroring memory and our relationship to time. As
readers delve deeper into the beautifully illustrated pages of Zodiac,
they will find not only a personal history of Ai Weiwei and an
examination of the sociopolitical climate in which he makes his art,
but a philosophical exploration of what it means to find oneself
through art and freedom of expression.
Contemplative and political, Zodiac will inspire readers to return
again and again to Ai Weiwei's musings on the relationship between art,
time, and our shared humanity.
Best known to Americans as the ""singing cowboy,"" beloved
entertainer Gene Autry (1907-1998) appeared in countless films,
radio broadcasts, television shows, and other venues. While Autry's
name and a few of his hit songs are still widely known today, his
commitment to political causes and public diplomacy deserves
greater appreciation. In this innovative examination of Autry's
influence on public opinion, Michael Duchemin explores the various
platforms this cowboy crooner used to support important causes,
notably Franklin D. Roosevelt's New Deal and foreign policy
initiatives leading up to World War II. As a prolific performer of
western folk songs and country-western music, Autry gained
popularity in the 1930s by developing a persona that appealed to
rural, small-town, and newly urban fans. It was during this same
time, Duchemin explains, that Autry threw his support behind the
thirty-second president of the United States. Drawing on a wealth
of primary sources, Duchemin demonstrates how Autry popularized
Roosevelt's New Deal policies and made them more attractive to the
American public. In turn, the president used the emerging motion
picture industry as an instrument of public diplomacy to enhance
his policy agendas, which Autry's films, backed by Republic
Pictures, unabashedly endorsed. As the United States inched toward
entry into World War II, the president's focus shifted toward
foreign policy. Autry responded by promoting Americanism, war
preparedness, and friendly relations with Latin America. As a
result, Duchemin argues, ""Sergeant Gene Autry"" played a unique
role in making FDR's internationalist policies more palatable for
American citizens reluctant to engage in another foreign war. New
Deal Cowboy enhances our understanding of Gene Autry as a western
folk hero who, during critical times of economic recovery and
international crisis, readily assumed the role of public diplomat,
skillfully using his talents to persuade a marginalized populace to
embrace a nationalist agenda. By drawing connections between
western popular culture and American political history, the book
also offers valuable insight concerning the development of leisure
and western tourism, the information industry, public diplomacy,
and foreign policy in twentieth-century America.
A blend of This Is Spinal Tap and Fear and Loathing in Las
Vegas, the cult classic confessions of a debauched rock 'n' roller
and his adventures in excess on the '80s hair-metal nostalgia tour
through Middle America--available again, and now revised and
updated.
Once upon a time at the start of the new century, the unheard-of
Unband got a chance to drink, fight, and play loud music with '80s
metal bands like Dio and Def Leppard. To the mix they brought
illegal pyrotechnics, a giant red inflatable hand with movable
digits, a roadie dubiously named Safety Bear, a high tolerance for
liver damage, and an infectious love of rock & roll and
everything it represents.
Unband bassist Michael Ruffino takes us on an epic joyride
across a surrealistic American landscape where we meet mute
Christian groupies, crack-smoking Girl Scouts, beer-drinking
chimps, and thousands of head-bangers who cannot accept that hair
metal is dead. Here, too, are uncensored portraits of Ronnie James
Dio, Anthrax, Sebastian Bach, Lemmy of Motorhead, and others.
Adios, Motherfucker is gonzo rock storytelling at its
finest--excessive, incendiary, intelligent, hilarious, and utterly
original.
The first, and only, inside story of one of the greatest bands in
rock history--Dire Straits--as told by founding member and bassist
John Illsley One of the most successful music acts of all time,
Dire Straits filled stadiums around the world. Their albums sold
hundreds of millions of copies and their music--classics like
"Sultans of Swing," "Romeo and Juliet," "Money for Nothing," and
"Brothers in Arms"--is still played on every continent today. There
was, quite simply, no bigger band on the planet throughout the
eighties. In this powerful and entertaining memoir, founding member
John Illsley gives the inside track on the most successful rock
band of their time. From playing gigs in the spit-and-sawdust pubs
of south London, to hanging out with Bob Dylan in LA, Illsley tells
the story of the band with searching honesty, soulful reflection,
and wry humor. Starting with his own unlikely beginnings in Middle
England, he recounts the band's rise from humble origins to the
best-known venues in the world, the working man's clubs to Madison
Square Garden, sharing gigs with wild punk bands to rocking the
Live Aid stage at Wembley. And woven throughout is an intimate
portrait and tribute to his great friend Mark Knopfler, the band's
lead singer, songwriter, and remarkable guitarist. Tracing an idea
that created a phenomenal musical legacy, an extraordinary journey
of joy and pain, companionship and surprises, this is John
Illsley's life in Dire Straits.
In this remarkable dual memoir, film legend Martin Sheen and his
accomplished actor/director son Emilio Estevez share the stories of
their lives while charting a spiritual journey through the Spain of
their ancestors.
At twenty-one, still a struggling actor, Martin and his wife,
Janet, welcomed their firstborn, Emilio, who was quickly followed
by three more children. Emilio had a special relationship with
Martin: they often mirrored each other's passions and sometimes
clashed in their differences. After Martin and Emilio traveled
together to India for the movie "Gandhi," the beginnings of a
spiritual awakening eventually led both men to Spain. Along the
famed Camino de Santiago pilgrimage path, Emilio directed Martin in
"The Way," bringing generations together in the region of Spain
where Martin's father was born and near where Emilio's own son had
moved to marry and live.
With vivid, behind-the-scenes anecdotes, "Along the Way" is a
striking, stirring, funny story--a family saga that is as universal
in its rebellions and regrets, aspirations and triumphs.
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