Dana Gillespie, the award-winning first lady of the Blues has enjoyed an incredible life and career. Now, she has chronicled her exploits, and as anyone who knows Dana would expect, it is intelligent, insightful, outrageous, and funny. Detailing high points, low points and everything in-between, the book covers, amongst many other things, liaisons with David Bowie, Bob Dylan, Keith Moon, and the cream of 1960's rock royalty; Recording with Jimmy Page and Elton John; Performing as Mary Magdalene in the original London production of Jesus Christ Superstar, and as the Acid Queen in Tommy; Acting in films directed by Nicholas Roeg, Ken Russell and Mai Zetterling; Performing Shakespeare with Sir John Gielgud and Arthur Lowe; Topping the pop charts across Europe; Performing to an audience of one million people in India; And... oh yes... Being British junior waterski champion for 4 years!

With Barry Flanagan is a vivid account of a friendship that evolved into a working relationship when Richard McNeff became 'spontaneous fixer' (Flanagan's description) of the sculptor's show held in June 1992 at the Museum of Contemporary Art on Ibiza, where they were both living. McNeff was to gain a privileged insight into the sculptor's singular personality and eccentric working methods, learning to decipher his memorably surreal turns of phrase and to parry his fascinating, if at times unsettling, pranksteresque quirks . In September 1992 Flanagan and McNeff took the show to Majorca, resulting a lively visit to the celebrated Spanish artist Miquel Barcelo. The following year McNeff was involved in Flanagan's print- making venture in Barcelona and in his Madrid retrospective. Flanagan rescued him from a rough landing in England in 1994 by commissioning a tour of stone quarries there. Subsequently McNeff ran into a fourteen- year-old profoundly deaf girl who turned out to be his unknown daughter. She had a talent for art and the superbly generous sculptor was instrumental in helping with her studies. Late in 2008 Barry was diagnosed with motor neurone disease. By June 2009 he was wheelchair- bound. Two months later he died, and McNeff read the lesson at his funeral. Fleshed out with biographical detail, much of it supplied by the sculptor himself, supplemented by photographs and details of the work, this touching memoir is the first retrospective of a major Welsh-born artist. With Barry Flanagan captures the spirit of this remarkable Merlinesque figure in a moving portrait that reveals a true original.

WINNER OF THE FORTNUM & MASON DEBUT FOOD BOOK AWARD 2021 WINNER OF 2021 LAKELAND BOOK OF THE YEAR 'Extraordinary. Vivid, irreverent, heartbreaking.' NIGEL SLATER 'So funny and so delicious. I could eat it.' DAWN O'PORTER 'Delicious.' THE OBSERVER From an early age, Grace Dent was hungry. As a little girl growing up in Currock, Carlisle, she yearned to be something bigger, to go somewhere better. Hungry traces her story from growing up eating beige food to becoming one of Britain's best-loved food writers. It's also everyone's story - from cheese and pineapple hedgehogs and treats with your nan, to the exquisite joy of a chip butty covered in vinegar and too much salt in the school canteen on a grey day. And the Cadbury's Fruit & Nut from a hospital vending machine that tells a loved one you really care. Grace's snapshot of how we have lived, laughed and eaten over the past 40 years reveals the central role food plays in either bringing us together or driving us apart - from toasting a large glass of warm Merlot to grimly polishing off a wilted salad. Heartfelt, witty and joyous, Hungry shows us what we've always known to be true. Food, friends and family are the indispensable ingredients of a life well lived.

This second updated edition of Notes from a Jazz Life includes Digby Fairweather's career since the year 2000 as a jazz cornetist, band leader, educator and broadcaster, working with George Melly and leading his band the Half-Dozen. The book has much to offer to people who are even marginally interested in jazz in all its wide variety of forms as well as providing insights for regular jazz readers. The author provides revealing reflections on the personal life and career of a musician and, with a wealth of warm, hilarious anecdotes, he writes honestly about all the challenges, frustrations and rich rewards of being part of the jazz world.