1931. From the Foreword: Clog and character dancing has its place in education as a wholesome means of expression. The clog dance is as old, if not older, than the folk dance; its development has been unrecorded, but reference to it is made in all complete historic studies of dancing. Through pantomime, tapping, and lilting step, the clog dance develops a response to music that is joyous and satisfying. It appeals to all ages, and since relaxation and perfected balance are the basis of its practice, physical well-being is assured. The book includes musical scores of clogging songs and photographs that are illustrative of the dance and time.

1931. From the Foreword: Clog and character dancing has its place in education as a wholesome means of expression. The clog dance is as old, if not older, than the folk dance; its development has been unrecorded, but reference to it is made in all complete historic studies of dancing. Through pantomime, tapping, and lilting step, the clog dance develops a response to music that is joyous and satisfying. It appeals to all ages, and since relaxation and perfected balance are the basis of its practice, physical well-being is assured. The book includes musical scores of clogging songs and photographs that are illustrative of the dance and time.

Here is the first comprehensive entry-level book on contra dance calling, newly revised and updated for the Internet age. Every aspect of the caller's work is dealt with clearly and thoroughly: music, timing and phrasing, voice technique, dance notation, teaching, programming, sound equipment, event management, and working with special groups. The book includes an in-depth discussion of the basic movements (such as do-si-do), a selection of easy-to-call dances, a complete glossary, and a Resources section listing dance titles, tunes, books, recordings, videos, software, organizations, retailers, dance events, and websites.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

A reprint, revision and translation of 'Thompson's Compleat Collection of 200 Favourite Country Dances' Volume 5, published in London, England in 1789. Containing music and dance instruction for all 200 dances covering the years 1781 through 1788. An excellent resource for dancemasters, reinactors and historians interested in English and Early American country dance.

The Matachines dance is a ritual drama performed on certain saint's days in Pueblo Indian and Mexicano/Hispano communities along the upper Rio Grande valley in New Mexico and elsewhere in the American Southwest. It derives from a genre of medieval European folk dramas symbolizing conflict between Christians and Moors. Spaniards brought it to the Americas as a vehicle for Christianizing the Indians. In this book, Rodriguez explores the colorful, complex, and often enigmatic Matachines dance as it is performed today. In the Upper Rio Grande Valley of New Mexico, the Matachines is the only ritual dance performed in both Indian Pueblos and Hispano communities. There, the dance involves two lines of masked dancers, a young girl in white and her crowned, masked, male partner, a bull, and two clowns. Accompanied usually by violin and guitar, these characters enact a choreographic drama that symbolizes encounter, struggle, and transformation-resolution. In this classic, prize-winning ethnographic study, anthropologist and native New Mexican Sylvia Rodriguez compares Indian Pueblo and Hispano Matachines dance performance traditions to discover what they share, how they differ, what they reveal about specific communities, and what they mean to those who continue to perform them with devotion and skill. Sylvia Rodriguez, a professor of anthropology at the University of New Mexico, studies interethnic relations in the US-Mexico Borderlands, with particular focus on Hispano/Mexicano-Pueblo-Anglo relations in the Upper Rio Grande Valley of New Mexico. She holds degrees from Barnard College and Stanford University, and has taught at Carleton College and the University of California, Los Angeles. Her publications deal with the impact of tourism on ethnic relations; the politics of identity, place, and representation; identity and ritual; and conflict over land and water. She continues to conduct ethnographic fieldwork in and around her home town of Taos.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Take your partner by the hand and get ready to join the hoedown with this guide to square dancing, a fun and traditional way for friends, neighbours and families of all ages to keep fit and relax. First published in 1949, American Square Dances Of The West And Southwest is a simple and clear introduction to square dancing moves and calls. With the help of instructions and diagrams, learn how to dance traditional figures such as Swing Old Adam, Dive For The Oyster and Four Little Sisters With A Do-Si-Do. Or maybe you'd rather find out how to lead dances as a caller? This book will show you how. Plus, to get you started, there's sheet music for seven favourite tunes included.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

By the middle of the twentieth century, Hollywood, formerly the one and only dream factory, found itself facing a host of media rivals for the public's attention. In the 1980s, another competitor arrived in the form of the proto-Internet--a computer network as yet untested by all but research scientists, college students, the military, and a few thousand PC and modem owners. How did Hollywood respond to this nascent challenge? By dreaming about it, in a series of technological fantasies, from "Tron" to "War Games" to "Lawnmower Man. The Cinema Dreams Its Rivals "examines the meaning and effect of the movies' attempts to reshape the shifting media landscape.
Paul Young looks at the American cinema's imaginative constructions of three electronic media--radio, television, and the Internet--at the times when these media seemed to hold limitless possibilities. In doing so, he demonstrates that Hollywood is indelibly marked by the advent of each new medium, from the inclusion of sound in motion pictures to the use of digital graphics. But conversely, Young argues, the identities of the new media are themselves changed as Hollywood turns them to its own purposes and its own dreams.
Paul Young is professor of English and director of the film studies program at Vanderbilt University.

1931. From the Foreword: Clog and character dancing has its place in education as a wholesome means of expression. The clog dance is as old, if not older, than the folk dance; its development has been unrecorded, but reference to it is made in all complete historic studies of dancing. Through pantomime, tapping, and lilting step, the clog dance develops a response to music that is joyous and satisfying. It appeals to all ages, and since relaxation and perfected balance are the basis of its practice, physical well-being is assured. The book includes musical scores of clogging songs and photographs that are illustrative of the dance and time.

Learning Capoeira: Lessons in Cunning from an Afro-Brazilian Art is a provocative look at capoeira, a demanding acrobatic art that combines dance, ritual, music, and fighting style. First created by slaves, freedmen, and gang members, capoeira is a study in contrasts that integrates African-descended rhythms and flowing dance steps with hard lessons from the street. According to veteran teachers, capoeira will transform novices, instilling in them a sense of malicia, or "cunning," and changing how they walk, hear, and interact.
Learning Capoeira is an ethnographic study based on author Greg Downey's extensive research about capoeira and more than ten years of apprenticeship. It looks at lessons from traditional capoeira teachers in Salvador, Brazil, capturing the spoken and unspoken ways in which they pass on the art to future generations. Downey explores how bodily training can affect players' perceptions and social interactions, both within the circular roda, the "ring" where the game takes place, as well as outside it, in their daily lives. He brings together an experience-centered, phenomenological analysis of the art with recent discoveries in psychology and the neurosciences about the effects of physical education on perception. The text is enhanced by more than twenty photos of capoeira sessions, many taken by veteran teacher, Mestre Cobra Mansa.
Learning Capoeira breaks from many contemporary trends in cultural studies of all sorts, looking at practice, education, music, nonverbal communication, perception, and interaction. It will be of interest to students of African Diaspora culture, performance, sport, and anthropology. For anyone who has wondered how physical training affects our perceptions, this close study of capoeira will open new avenues for understanding how culture shapes the ways we carry ourselves and see the world.

A teacher's guide covering everything from the origins of Salsa; different styles of salsa dancing, a 20 week learning syllabus of moves from Cuba, New York, LA and Colombia, teaching methods, learning styles and how to start your own salsa dance practice. This book starts with my personal experience of salsa dance and explains the history of salsa from a worldwide historical view point. It traces England's influence on the roots of salsa dancing and the development of the UK salsa scene. This book is divided into practical guidance and theoretical exercises. The book will tell you about the different ways to teach salsa, the rules and regulations you must follow and how to set-up a salsa dance school. It shows you everything you need to set yourself up as a salsa dance teacher.

This is an extensive work on international folk dancing as practiced in the United States. It is a must for folk dance enthusiasts--novice to expert. Never before has such a wide variety of entries on this popular, multi-faceted social phenomenon been brought together. It tells how to do the hopak, czardas and the bamboo pole dance; plan an international folk dance program; do the little finger hold and the hambo swing. International Folk Dancing U.S.A. presents historical vignettes on pioneer folk dance leaders; instructions for 180 dances from 30 countries; contributions from 60 folk dance authorities; easy-to-follow dance step descriptions; a Glossary of folk dance terms; many helpful illustrations. "A tremendous achievement," writes Miriam Gray in her Foreword, "a resource book par excellence, an encyclopedic treasure trove of folk dance information from the people and the countries who have done the most to influence the growth of international folk dancing in the United States. More than sixty authors, teachers, leaders, and folk dancers have contributed their thoughts, their knowledge, and their unique historical perspective. Leaders--whether you are associated with local folk dance clubs, large urban community center, or recreation departments--this book is for you! Authors, dance students, international folk dancers, researchers, teachers (amateur and professional)--in fact, anyone who likes to dance or to read about dance--this book is for you, too! Every library, personal and public, should own a copy. You may never need to buy another folk dance book."

Molly Spotted Elk: A Penobscot in Paris chronicles the extraordinary life of a twentieth-century American Indian performing artist. Born in 1903 on the Penobscot reservation in Maine, Molly ventured into show business at an early age - performing vaudeville in New York, starring in the classic docudrama The Silent Enemy, then dancing for royalty and mingling with the literary elite in Europe. In Paris, Molly found an audience more appreciative of authentic Native dance than in the United States. There Molly married a French journalist, but she was forced to leave him and flee France with her daughter during the 1940 German occupation. Drawing extensively on diaries, letters, interviews, and other sources, Bunny McBride reconstructs Molly Spotted Elk's story and sheds new light on the pressures Molly and her peers endured in acting out white stereotypes of the ""Indian.""