Outspoken, professional and fearless, Lt.Col.John Paul Vann went to Vietnam in 1962, full of confidence in America's might and right to prevail. He was soon appalled by the South Vietnamese troops' unwillingness to fight, by their random slaughter of civilians and by the arrogance and corruption of the US military. He flouted his supervisors and leaked his sharply pessimistic - and, as it turned out, accurate - assessments to the US press corps in Saigon. Among them was Sheehan, who became fascinated by the angry Vann, befriended him and followed his tragic and reckless career.

Korea used to be the 'forgotten war.' Now, however, experts widely view it as a pivotal moment in the history of the Cold War, while its legacy still scars contemporary East Asian politics. The sixtieth anniversary of the Korean War is a fitting time both to assess the current state of historiography on the conflict and to showcase new research on its different dimensions. This book contains six essays by leading experts in the field. These essays explore all aspects of the war, from collective security and alliance relations, to home front politics and historical memory. They are also international in scope, focusing not just on the familiar Western belligerents but also on the actions of the two Koreas, China and the Soviet Union. These stimulating essays shed new light on various aspects of the Korean War experience, as well as examining why the war remains so important to the politics of the region. This book was originally published as a special issue of Journal of Strategic Studies.

How the Vietnam War changed American art By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home-between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy U.S. Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Beautifully illustrated, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC March 15-August 18, 2019 Minneapolis Institute of Art September 28, 2019-January 5, 2020

'The best 'bird's eye view' of the helicopter war in Vietnam in print today ... Mills has captured the realities of a select group of aviators who shot craps with death on every mission' R.S. Maxham, Director, US Army Aviation Museum The aeroscouts of the 1st Infantry Division have three words emblazoned on their unit patch: Low Level Hell. It was the perfect concise defininition of what those intrepid aviators experienced as they ranged the skies of Vietnam from the Cambodian border to the Iron Triangle. The Outcasts, as they were known, flew low and slow. They were the aerial eyes of the division in search of the enemy. Too often for longevity's sake they found the Viet Cong and the fight was on. These young pilots, who were usually 19 to 22 years old, invented the book as they went along.

Based on new archival research in many countries, this volume broadens the context of the U.S. intervention in Vietnam. Its primary focus is on relations between China and Vietnam in the mid-twentieth century; but the book also deals with China's relations with Cambodia, U.S. dealings with both China and Vietnam, French attitudes toward Vietnam and China, and Soviet views of Vietnam and China. Contributors from seven countries range from senior scholars and officials with decades of experience to young academics just finishing their dissertations. The general impact of this work is to internationalize the history of the Vietnam War, going well beyond the long-standing focus on the role of the United States.

The involvement of the United States in the Vietnam War has been the most polarizing issue within post-war American history. It was divisive at the time, both domestically and internationally, and debates continue to the present day. At the heart of the disputes has always been the question of 'failure' - why was the United States unable to achieve its objectives? Was failure inherent in the decision to go to war? Was it inherently an unwinnable war, or was failure the result of inept strategy, poor leadership, and a biased media? In Vietnam, Gary R. Hess describes and evaluates the main arguments of scholars, participants, and journalists, both revisionist and orthodox in their approach, as they consider why the United States was unable to achieve its objectives. While providing a clear and well-balanced account of existing historical debate, Hess also offers his own interpretation of the events and opens a dialogue about the usefulness of historical argument in reaching a deeper understanding of the conflict. This concise book is essential reading for students and teachers of the Vietnam War as both a clear and well-balanced account of existing historical debate and a thought-provoking look at the future of historical scholarship.

The follow-up to the internationally acclaimed The President's Gardens "Al-Ramli is a remarkable storyteller, and in Daughter of the Tigris he creates a dynamic, intricately plotted narrative, brimming with stories and a host of memorable characters" Susannah Tarbush, Banipal On the sixth day of Ramadan, in a land without bananas, Qisma leaves for Baghdad with her husband-to-be to find the body of her father. But in the bloodiest year of a bloody war, how will she find one body among thousands? For Tariq, this is more than just a marriage of convenience: the beautiful, urbane Qisma must be his, body and soul. But can a sheikh steeped in genteel tradition share a tranquil bed with a modern Iraqi woman? The President has been deposed, and the garden of Iraq is full of presidents who will stop at nothing to take his place. Qisma is afraid - afraid for her son, afraid that it is only a matter of time before her father's murderers come for her. The only way to survive is to take a slice of Iraq for herself. But ambition is the most dangerous drug of all, and it could just seal Qisma's fate. Translated from the Arabic by Luke Leafgren REVIEWS FOR THE PRESIDENT'S GARDENS 'Though firmly rooted in its context, The President's Gardens' concerns are universal. It is a profoundly moving investigation of love, death and injustice, and an affirmation of the importance of dignity, friendship and meaning amid oppression. Its light touch and persistent humour make it an enormous pleasure to read' Robin Yassin-Kassab, Guardian. The President's Gardens evokes the fantastical, small town feel of One Hundred Years of Solitude Tom Gordon, Financial Times 'No author is better placed than Muhsin Al-Ramli, already a star in the Arabic literary scene, to tell this story. I read it in one sitting' Hassan Blasim, winner of the Independent Foreign Fiction Prize

Featuring modern portraits and first-hand accounts, this book offers a unique perspective on the Vietnam War, bringing together the stories of American Vietnam war veterans, southern Vietnamese war veterans and civilians. The surreal imagery of Thomas Sanders' vivid portraits encourages the viewer to take a closer look at those who experienced the war, giving them a chance to read the haunting, inspirational, and sometimes comical stories of the individuals of the Vietnam War. Set in a surreal jungle environment, the portraits evoke the sense of darkness and uncertainty felt by those who experienced the war. Some of the portraits hold objects that relate to their role or experience during their time in the service. The objects tell a deeper story of a dark and confusing war: the common cigarette pack smoked by the vets while in the jungle; a homemade grenade made by the northern Vietnamese; and a "order to report" document - a piece of paper that changed many a life. Vietnam Portraits serves as a form of catharsis for the many people involved in the Vietnam War and honours them by giving them an opportunity to tell their story, bearing witness to their service, their experiences and the aftermath.

THE GRIPPING FIRST-PERSON ACCOUNT OF BIN LADEN'S EXECUTION For the first time, read the first-hand account of the planning and execution of the extraordinary mission to kill the terrorist mastermind. No Easy Day puts readers inside the elite, handpicked twenty-four-man team known as SEAL Team Six as they train for the most important mission of their lives. From the crash of the Black Hawk helicopter that threatened the mission with disaster, to the radio call confirming their target was dead, the SEAL team raid on bin Laden's secret HQ is recounted in nail-biting second-by-second detail. Team leader Mark Owen takes readers behind enemy lines with one of the world's most astonishing fighting forces, in the only insider's account of their most spectacular mission. 'No Easy Day amounts to a cinematic account of the raid to kill Bin Laden: you feel as if you're sitting in the Black Hawk as it swoops in' NY Times 'A blistering first-hand account' The Sun

During the Vietnam War, hundreds of American POWs faced years of brutal conditions and horrific torture at the hands of communist interrogators who ruthlessly plied them for military intelligence and propaganda. Determined to maintain their Code of Conduct, the prisoners developed a powerful underground resistance. To quash it, the North Vietnamese singled out its eleven leaders, Vietnam's own "dirty dozen," and banished them to an isolated jail that would become known as Alcatraz. None would leave its solitary cells and interrogation rooms unscathed; one would never return. As these men suffered in Hanoi, their wives launched an extraordinary campaign that would ultimately spark the POW/MIA movement. When the survivors finally returned, one would receive the Medal of Honor, another became a U.S. Senator, and a third still serves in Congress. A story of survival and triumph in the vein of Unbroken and Band of Brothers, Defiant will inspire anyone wondering how courage, faith, and brotherhood can endure even in the darkest of situations.

Phil Gioia grew up an army brat during the decades after World War II. Drawn to the military, he attended the Virginia Military Institute, then was commissioned in the U.S. Army, where he completed Jump School and Ranger School. Not even a year after college graduation, he landed in Vietnam in early 1968-in the first weeks of the Tet offensive, which marked a major escalation of the war. Commanding a company in the 82nd Airborne Division, Gioia led his paratroopers into the city of Hue for intense fighting-danger was always just around the corner -and the grisly discovery of mass graves. Wounded, he was sent home in May but returned with the 1st Cavalry Division a year later, this time leading a rucksack company of light infantry. Inserted into far-flung landing zones, Gioia and his men patrolled the jungles and rubber plantations along the Cambodian border, looking for a furtive enemy who preferred ambushes to set-piece battles and nighttime raids to daylight attacks. Danger Close! recounts the Vietnam War from the unique boots-on-the-ground perspective of a young officer who served two tours in two different divisions. He tells his story thoughtfully, straightforwardly, and always vividly, from the raw emotions of unearthing massacred human beings to the terrors of fighting in the dark, with red and green tracers slicing the air. Hard to put down and hard to forget, Danger Close! will remind readers of the best Vietnam memoirs, like Guns Up! and Baptism.

In July 2009, Geraint (Gez) Jones was sitting in Camp Bastion, Afghanistan with the rest of The Firm – Danny, Jay, Toby and Jake, his four closest friends, all junior NCOs and combat-hardened infantrymen. Thanks to the mangled remains of a Jackal vehicle left tactlessly outside their tent, IEDs were never far from their mind. Within days they’d be on the ground in Musa Qala with the rest of 3 Platoon – a mixed bunch of men Gez would die for.

As they fight furiously, are pushed to their limits, hemmed in by IEDs and hampered by the chain of command, Gez starts to wonder what is the point of it all. The bombs they uncover on patrol, on their stomachs brushing the sand away, are replaced the next day. Firefights are a momentary victory in a war they can see is unwinnable. Gez is a warrior – he wants more than this. But then death and injury start to take their toll on The Firm, leaving Gez with PTSD and a new battle just beginning.

"Matterhorn" author Karl Marlantes' nonfiction debut is a powerful book about the experience of combat and how inadequately we prepare our young men and women for the psychological and spiritual stresses of war. One of the most important and highly-praised books of 2011, Karl Marlantes' "What It Is Like to Go to War" is set to become just as much of a classic as his epic novel "Matterhorn". In 1968, at the age of twenty-two, Karl Marlantes was dropped into the highland jungle of Vietnam, an inexperienced lieutenant in command of a platoon of forty Marines who would live or die by his decisions. In his thirteen-month tour he saw intense combat. He killed the enemy and he watched friends die. Marlantes survived, but like many of his brothers in arms, he has spent the last forty years dealing with his experiences. In "What It Is Like to Go to War", Marlantes takes a deeply personal and candid look at the experience and ordeal of combat, critically examining how we might better prepare our young soldiers for war. War is as old as humankind, but in the past, warriors were prepared for battle by ritual, religion, and literature - which also helped bring them home. In a compelling narrative, Marlantes weaves riveting accounts of his combat experiences with thoughtful analysis, self-examination, and his readings - from Homer to the Mahabharata to Jung. He tells frankly about how he is haunted by the face of the young North Vietnamese soldier he killed at close quarters and explains how he finally found a way to make peace with his past. He makes it clear just how poorly prepared our nineteen-year-old warriors - mainly men but increasingly women - are for the psychological and spiritual aspects of their journey.

"Hunt deliciously complicates the history of the 1960s by introducing a protest element not bound to college campuses or the counterculture. . . . It is a disturbing story, one that Hunt tells well."
--"Choice"

"All students of the concluding years of America's longest war should be grateful to Andrew Hunt for the clarity and grace with which he has told V.V.A.W.'s story."
--"Canadian Journal of History"

"This extraordinary and deeply moving history explodes all the encrusted stereotypes of GIs on one side of the barricades and anti-war protestors on the other. At along last we can again hear the voices of the thousands of courageous veterans who refused to be silent about the immoral war in Indochina."
"--Mike Davis, author of City of Quartz"

"A splendid addition to the growing literature on Vietnam veterans and their experiences during and after the war. Hunt's complex and moving history is a vital corrective to accounts which equate the anti-war movement with student activists as well as to those who persist in seeing veterans as passive victims."
"--Marilyn B. Young, author of The Vietnam Wars"

"Explodes one of the most persistent and pernicious myths attached to the 1960s: that the anti-war movement was anti-GI and anti-veteran. How could that be, when, as Hunt shows, many of the most committed and eloquent opponents of the Vietnam war were themselves veterans of the conflict in Southeast Asia. The Vietnam Veterans Against the War were heroes then, and they deserve to be remembered as heroes today."
"--Maurice Isserman, Hamilton College"

"For all kinds of veterans of the Sixties era, this book offers powerful testimony on the meaning of patriotismand moral courage. For younger people, whose images of the Sixties are often caught in the caricatures of the mass media, Hunt's sophisticated account of veterans' anti-war protest evokes new understanding, and I think, hard questions about a difficult time."
"--David Farber, author of The Age of Great Dreams"

The anti-Vietnam War movement in the United States is perhaps best remembered for its young, counterculture student protesters. However, the Vietnam War was the first conflict in American history in which a substantial number of military personnel actively protested the war while it was in progress.

In The Turning, Andrew Hunt reclaims the history of the Vietnam Veterans Against the War (VVAW), an organization that transformed the antiwar movement by placing Vietnam veterans in the forefront of the nationwide struggle to end the war. Misunderstood by both authorities and radicals alike, VVAW members were mostly young men who had served in Vietnam and returned profoundly disillusioned with the rationale for the war and with American conduct in Southeast Asia. Angry, impassioned, and uncompromisingly militant, the VVAW that Hunt chronicles in this first history of the organization posed a formidable threat to America's Vietnam policy and further contributed to the sense that the nation was under siege from within.

Based on extensive interviews and in-depth primary research, including recently declassified government files, The Turning is a vivid history of the men who risked censures, stigma, even imprisonment for a cause they believed to be "an extended tour of duty."

The Vietnam War examines this conflict from its origins up until North Vietnam's victory in 1975. Historian Mitchell K. Hall's lucid account is an ideal introduction to the key debates surrounding a war that remains controversial and disputed in American scholarship and collective memory. The new edition has been fully updated and expanded to include additional material on the preceding French Indochina War, the American antiwar movement, North Vietnamese perspectives and motivations, and the postwar scholarly debate. The text is supported by a documents section and a wide range of study tools, including a timeline of events, glossaries of key figures and terms, and a rich "further reading" section accompanied by a new bibliographical essay. Concise yet comprehensive, The Vietnam War remains the most accessible and stimulating introduction to this crucial 20th-century conflict.

In An American Brothel, Amanda Boczar considers sexual encounters between American servicemen and civilians throughout the Vietnam War, and she places those fraught and sometimes violent meetings in the context of the US military and diplomatic campaigns. In 1966, US Senator J. William Fulbright declared that "Saigon has become an American brothel." Concerned that, as US military involvement in Vietnam increased so, too, had prostitution, black market economies, and a drug trade fueled by American dollars, Fulbright decried an arrogance of power on the part of Americans and the corrosive effects unchecked immorality could have on Vietnam as well as on the war effort. The symbol, at home and abroad, of the sweeping social and cultural changes was often the so-called South Vietnamese bar girl. As the war progressed, peaking in 1968 with more than half a million troops engaged, the behavior of soldiers off the battlefield started to impact affect the conflict more broadly. Beyond the brothel, shocking revelations of rapes and the increase in marriage applications complicated how the South Vietnamese and American allies cooperated and managed social behavior. Strictures on how soldiers conducted themselves during rest and relaxation time away from battle further eroded morale of disaffected servicemen. The South Vietnamese were loath to loosen moral restrictions and feared deleterious influence of a permissive wWestern culture on their society. From the consensual to the coerced, sexual encounters shaped the Vietnam War. Boczar shows that these encounters-sometimes facilitated and sometimes banned by the US military command-restructured the South Vietnamese economy, captivated international attention, dictated military policies, and hung over diplomatic relations during and after the war.

A riveting historical narrative of the shocking events surrounding the assassination of John F. Kennedy, and the follow-up to mega-bestselling author Bill O'Reilly's "Killing Lincoln"

More than a million readers have thrilled to Bill O'Reilly's "Killing Lincoln," the page-turning work of nonfiction about the shocking assassination that changed the course of American history. Now the anchor of "The O'Reilly Factor "recounts in gripping detail the brutal murder of John Fitzgerald Kennedy--and how a sequence of gunshots on a Dallas afternoon not only killed a beloved president but also sent the nation into the cataclysmic division of the Vietnam War and its culture-changing aftermath.

In January 1961, as the Cold War escalates, John F. Kennedy struggles to contain the growth of Communism while he learns the hardships, solitude, and temptations of what it means to be president of the United States. Along the way he acquires a number of formidable enemies, among them Soviet leader Nikita Khrushchev, Cuban dictator Fidel Castro, and Alan Dulles, director of the Central Intelligence Agency. In addition, powerful elements of organized crime have begun to talk about targeting the president and his brother, Attorney General Robert Kennedy.

In the midst of a 1963 campaign trip to Texas, Kennedy is gunned down by an erratic young drifter named Lee Harvey Oswald. The former Marine Corps sharpshooter escapes the scene, only to be caught and shot dead while in police custody.

The events leading up to the most notorious crime of the twentieth century are almost as shocking as the assassination itself. "Killing Kennedy" chronicles both the heroism and deceit of Camelot, bringing history to life in ways that will profoundly move the reader. This may well be the most talked about book of the year.

In 2003, Major William Edwards and Lt. Colonel Robert P. Walters of the 165th Military Intelligence Battalion were given the near-impossible task of improving the U.S. Army's security posture at Abu Ghraib prison under unfathomable conditions. With input from officers who served with them, their candid firsthand accounts of life at the notorious prison reveal unpublished details of the human devastation that took place there, along with unexpected glimpses of humanity.